Originally posted by AuntDaisy
View Post
Saturday morning success!
Collapse
X
-
Originally posted by LMcD View PostDidn't the measurement method change late in 1995, thereby making comparisons difficult?
Georgia Mann's "... you are listening for longer each week. Longer, in fact, than at any time in the station's history" came without any obvious supporting evidence.
Looking for R3/Third listening figures, I came across this article...
In the far off days when I was a boy, the Third Programme (as Radio 3 was then called) formed a vital part of my cultural education – primarily in music, but also in literature. I remember hearing actors of the calibre of Ralph Richardson, Trevor Howard, David Buck, Sybil Thorndike, Athene Seyler, Janet Suzman,…
Comment
-
-
Originally posted by AuntDaisy View Post
Looking for R3/Third listening figures, I came across this article...
In the far off days when I was a boy, the Third Programme (as Radio 3 was then called) formed a vital part of my cultural education – primarily in music, but also in literature. I remember hearing actors of the calibre of Ralph Richardson, Trevor Howard, David Buck, Sybil Thorndike, Athene Seyler, Janet Suzman,…
If 'radio 3' played lotsa Oasis and Taylor Swift and advertised that they were doing it I'm sure they wd get very good 'listening figures'. That is so not the point...
.
Comment
-
-
Originally posted by AuntDaisy View PostYou're probably right; but I suspect that comparisons are difficult full-stop.
Georgia Mann's "... you are listening for longer each week. Longer, in fact, than at any time in the station's history" came without any obvious supporting evidence.
Looking for R3/Third listening figures, I came across this article...
In the far off days when I was a boy, the Third Programme (as Radio 3 was then called) formed a vital part of my cultural education – primarily in music, but also in literature. I remember hearing actors of the calibre of Ralph Richardson, Trevor Howard, David Buck, Sybil Thorndike, Athene Seyler, Janet Suzman,…
Jon Elsby article is definitive. It’s almost as if he’s been reading this forum !
Whenever fellow producers bragged about ratings (and I was no exception ) some one always said sagely let’s face it we’d get more viewers by showing public executions .
PS bragging about your ratings to the listener is very local radio.,..
Comment
-
-
Originally posted by Ein Heldenleben View Post
That “listening for longer “ might well be true but it’s almost certainly not a result of the recent change of music policy or scheduling genius . Other factors might well be : More WFH, high numbers of the economically inactive and retired with time to listen . I am hearing less music per hour than in the 70’s to 2015 and more chat , trails and general clutter.
Jon Elsby article is definitive. It’s almost as if he’s been reading this forum !
Whenever fellow producers bragged about ratings (and I was no exception ) some one always said sagely let’s face it we’d get more viewers by showing public executions .
PS bragging about your ratings to the listener is very local radio.,..
With hindsight, I should perhaps have enclosed the title of this thread in speech marks.
Comment
-
-
Originally posted by LMcD View Post
Significantly, the joyful news was first brought to my attention by Tom Service who hoped we wouldn't mind if 'we blow our own trumpet'.
With hindsight, I should perhaps have enclosed the title of this thread in speech marks.
Comment
-
-
Originally posted by LMcD View PostDidn't the measurement method change late in 1995, thereby making comparisons difficult?
The trick is to work out what the objective is. In the case of R3, in bald terms, it's cut costs, increase reach, hold on to listeners for as long as possible. In other words, do the same as every other station, commercial and BBC. Except that R4 will always get a big slice of the dosh because news gathering and speech programmes are expensive. Music broadcasting can be as cheap as you want it to be.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
'a thoughtless, self-serving response which saves the respondent the trouble of actually attending to anything that has been said and seriously considering whether or not it is objectively warranted'It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
This is the bit from the Music Week article that worries me:
The classical, jazz and world music network has implemented schedule changes – including late night jazz programme Round Midnight with Soweto Kinch – with more to come early next year.
Edit: there is now a write-up on the BBC Media Centre (R3 in 3rd paragraph).
Comment
-
-
Originally posted by Andrew Slater View PostEdit: there is now a write-up on the BBC Media Centre (R3 in 3rd paragraph).
Given that the reach was a touch above 2m last September,I can't see how how all five programmes could have made 'significant' gains. Well, they could possibly, but in that case may we know which programmes/slots have made significant losses?
Also, Rajar says: 'Please note that in accordance with the annual population update, in Q2 2024 the UK population (adults 15+) is estimated to have increased by 1.3 million adults to 57.6 million adults'. So the population rise is almost 2.3% and R3's increase y-o-y is 1.8%? Is that right?Last edited by french frank; 24-10-24, 19:49.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
Originally posted by french frank View Post
So the population rise is almost 2.3% and R3's increase y-o-y is 1.8%? Is that right?
R3 reach expressed as a percentage of population was 3.55% in Q3/2023 and 3.54% in Q3/2024, a slight decrease.
Also, hours per listener in the quarter before the changes, in Q1/2024, were 8.03, and in Q3/2024 were 8.08, an increase of 0.05 hours per listener, or 3 minutes....
Statistics ......
Comment
-
-
Originally posted by Andrew Slater View PostThis is the bit from the Music Week article that worries me:
Presumably 'more' refers to schedule changes, rather than Soweto Kinch; I presume the changes will involve more removals as well as additions.
Edit: there is now a write-up on the BBC Media Centre (R3 in 3rd paragraph).
Comment
-
-
Originally posted by Andrew Slater View PostThis is the bit from the Music Week article that worries me:
Presumably 'more' refers to schedule changes, rather than Soweto Kinch; I presume the changes will involve more removals as well as additions.
Edit: there is now a write-up on the BBC Media Centre (R3 in 3rd paragraph).
If it's not a silly question - might the improved figures for Breakfast and Essential Classics be attributable, at least in part, to the fact that they're both longer than they used to be?Last edited by LMcD; 24-10-24, 21:33.
Comment
-
-
Originally posted by Andrew Slater View PostEdit: there is now a write-up on the BBC Media Centre (R3 in 3rd paragraph).
*** Updated August 2024 *** We are making changes to how we support internet radio streams. If you listen via BBC Sounds (or a device that is listed on the Sounds help site) you will not be affected, but if you use a third-party app, an internet radio or bespoke device, these changes may affect you.
We are making changes to how we support BBC Audio On Demand. If you listen via BBC Sounds (or a device that is listed on the Sounds help site) you will not be affected, but if you use a third party app, an internet radio or bespoke device, these changes may affect you. Whilst BBC Podcasts remain available to third party podcast apps, other on demand content will now only be available on BBC Sounds.
Comment
-
Comment