Music For A Fallen King

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • richardfinegold
    Full Member
    • Sep 2012
    • 7735

    Music For A Fallen King

    I know that the Forum is supposed to be Polics Free, but in view of the fact that there was a very important Felony Conviction on my side of the pond yesterday, what musical excerpts would be appropriate to commemorate? I keep coming up with Funeral Music suggestions but something more like a King being deposed, if not actually beheaded, would be more appropriate. Perhaps the world of Opera has some guidance
  • smittims
    Full Member
    • Aug 2022
    • 4325

    #2
    Hmmm... Opera tends to deal with the deaths of heroic martyrs, not quite appropriate in this case, or beautiful young women. All I can think of off-hand is the march in Act 3 of Vaughan Williams' Pilgrim's Progress where Pilgrim is frog-marched off to jail. Then there's the March to the Scaffold from Berlioz' Symphonie Fantastique, which the young organist Edward Elgar once played at a wedding c.1877, .

    Comment

    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30450

      #3
      Don Giovanni?
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

      Comment

      • Forget It (U2079353)
        Full Member
        • Nov 2010
        • 132

        #4
        Somehow this passage from Eliot comes to mind ...

        If you came this way,
        Taking the route you would be likely to take
        From the place you would be likely to come from,
        If you came this way in may time, you would find the hedges
        White again, in May, with voluptuary sweetness.
        It would be the same at the end of the journey,
        If you came at night like a broken king,
        If you came by day not knowing what you came for,
        It would be the same, when you leave the rough road
        And turn behind the pig-sty to the dull facade
        And the tombstone.

        Comment

        • Belgrove
          Full Member
          • Nov 2010
          • 948

          #5
          George Benjamin’s Lessons in Love and Violence perhaps?

          Comment

          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37812

            #6
            Peter Maxwell Davies Eight Songs for a Mad King.

            Comment

            • vinteuil
              Full Member
              • Nov 2010
              • 12930

              #7
              ... it wd be appropriate in this instance for the King to be a subject of ridicule. I propose le Roi Ouf in Chabrier's l'Étoile




              .

              Comment

              • oliver sudden
                Full Member
                • Feb 2024
                • 643

                #8
                Originally posted by smittims View Post
                Then there's the March to the Scaffold from Berlioz' Symphonie Fantastique, which the young organist Edward Elgar once played at a wedding c.1877, .
                Brilliant.

                I suppose the famous marches aren’t exactly impeccable in the plot department either. Given that in one of them there’s a couple that is only linked due to the influence of certain substances, and in the other the groom catches the next swan out of town.

                Comment

                • richardfinegold
                  Full Member
                  • Sep 2012
                  • 7735

                  #9
                  I love that Elgar wedding story. I haven’t heard the 8 Songs For A Mad King since I worked in a record store in my University days. We had a recording on the Nonesuch Label. Was the soloist Jan DeGaenti? The manager of the store hated it. He was a very ‘handsy’ letch’ with female staffers and one of them would constantly put the album on in the days before she quit to annoy him. So perhaps some relevance to the current situation

                  Comment

                  • pastoralguy
                    Full Member
                    • Nov 2010
                    • 7799

                    #10
                    How about Nancy Sinatra’s ‘How does that grab you, Darlin’?’

                    Comment

                    • eighthobstruction
                      Full Member
                      • Nov 2010
                      • 6447

                      #11
                      ....grind his bones to make my bread..... (as he left the court) Widor's Symphony in F, Movement 5 -Toccata.........Onward.....
                      bong ching

                      Comment

                      • vinteuil
                        Full Member
                        • Nov 2010
                        • 12930

                        #12
                        Originally posted by eighthobstruction View Post
                        ....grind his bones to make my bread...
                        I love wiki! - checking up on :

                        Fee-fi-fo-fum
                        I smell the bones of an Englishman,
                        Be alive, or be he dead,
                        I'll grind his bones to make my bread


                        I find :​
                        "Charles Mackay proposes in The Gaelic Etymology of the Languages of Western Europe that the seemingly meaningless string of syllables "Fa fe fi fo fum" is actually a coherent phrase of ancient Gaelic, and that the complete quatrain covertly expresses the Celts' cultural detestation of the invading Angles and Saxons:
                        • Fa from faich (fa!) "behold!" or "see!"
                        • Fe from Fiadh (fee-a) "food";
                        • Fi from fiú "good to eat"
                        • Fo from fogh (fó) "sufficient" and
                        • Fum from feum "hunger".

                        Thus "Fa fe fi fo fum!" becomes "Behold food, good to eat, sufficient for my hunger!"

                        hmmmmmmm.....
                        .

                        Comment

                        • Roger Webb
                          Full Member
                          • Feb 2024
                          • 753

                          #13
                          Originally posted by vinteuil View Post
                          ... it wd be appropriate in this instance for the King to be a subject of ridicule. I propose le Roi Ouf in Chabrier's l'Étoile




                          .
                          But perhaps not Chabrier's 'Le Roi malgré lui'....although translated as 'The King in spite of himself' might fit, the more accurate 'The reluctant King' certainly won't!

                          This particular Roi (Henri de Valois) was assassinated in 1589.....you never know🙄

                          Comment

                          • eighthobstruction
                            Full Member
                            • Nov 2010
                            • 6447

                            #14


                            ....you never know

                            Fa Fa Fa , Fa Fa, Fa Fa Fa Fa Fa - Psycho Killer....quest que ce.... (one too many Fa - I've gone too Fa)
                            Last edited by eighthobstruction; 02-06-24, 04:28.
                            bong ching

                            Comment

                            • Master Jacques
                              Full Member
                              • Feb 2012
                              • 1927

                              #15
                              Originally posted by richardfinegold View Post
                              I haven’t heard the 8 Songs For A Mad King since I worked in a record store in my University days. We had a recording on the Nonesuch Label. Was the soloist Jan DeGaenti? The manager of the store hated it. He was a very ‘handsy’ letch’ with female staffers and one of them would constantly put the album on in the days before she quit to annoy him. So perhaps some relevance to the current situation
                              No, the classic Fires of London recording under the composer features - unforgettably - the composer/singer Julius Eastman. Nonesuch and Jan De Gaetani suggests George Crumb's Ancient Voices of Children, rather than anything by Max - I don't think she performed Miss Donnithorne's Maggot (feminine mirror to the Mad King songs) but would be glad to be corrected.

                              Comment

                              Working...
                              X