there does seem to be an assumption that conservative, safe programming guarantees more ticket sales than more adventurous programming.
I just don't see the evidence of this at the concert halls that I go to. I attend plenty of core rep concerts with fine performers, where attendances are modest, and more adventurous programmes seem to draw healthy audiences.
I don't think the problem is " Knowing what your audience want", but " what can I justify to the bosses if we have poor sales".
The neglect of Arnold, Simpson, Rubbra ,and many others, by our arts leaders is a scandal. It is particularly inexcusable at the Proms, IMO.
probably off topic, but hey, its sunday......
I just don't see the evidence of this at the concert halls that I go to. I attend plenty of core rep concerts with fine performers, where attendances are modest, and more adventurous programmes seem to draw healthy audiences.
I don't think the problem is " Knowing what your audience want", but " what can I justify to the bosses if we have poor sales".
The neglect of Arnold, Simpson, Rubbra ,and many others, by our arts leaders is a scandal. It is particularly inexcusable at the Proms, IMO.
probably off topic, but hey, its sunday......
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