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So it coul;d be someone earlier who influenced the later composers, or a later one influenced by all three?
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
AD got in before me. Honest. But he can have D - I'm not worried .
(Not sure what the H? is.)
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
NOT Chopin???? I had that too : Rach's Variations on a theme of Chopin, Schoenberg's Valse de Chopin (Pierrot Lunaire) and Bach as having greatly influenced Chop. All red herrings. Oh, well. Back to the drawing board.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
NOT Chopin???? I had that too : Rach's Variations on a theme of Chopin, Schoenberg's Valse de Chopin (Pierrot Lunaire) and Bach as having greatly influenced Chop. All red herrings. Oh, well. Back to the drawing board.
NOT Chopin???? I had that too : Rach's Variations on a theme of Chopin, Schoenberg's Valse de Chopin (Pierrot Lunaire) and Bach as having greatly influenced Chop. All red herrings. Oh, well. Back to the drawing board.
Variations on a Theme of Corelli (Russian: Вариации на тему А. Корелли, Variatsii na temu A. Korelli), Op. 42, is a set of variations for solo piano, written in 1931 by the Russian composer Sergei Rachmaninoff. He composed the variations at his holiday home in Switzerland.
Variations on a Theme of Corelli (Russian: Вариации на тему А. Корелли, Variatsii na temu A. Korelli), Op. 42, is a set of variations for solo piano, written in 1931 by the Russian composer Sergei Rachmaninoff. He composed the variations at his holiday home in Switzerland.
Enter the Master
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
And Bach wrote Fugue on a theme of Corelli, BWV 579:
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
But wait: there were also Variations on a theme of Corelli, attributed to Tartini, who wasn't born in Vienna - but I believe Fritz Kreisler was.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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