Originally posted by Serial_Apologist
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bye bye, Nimrud, bye bye
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Originally posted by Dave2002 View PostI'm not going there, but there is private money being spent to heat up some older listed property, because the bonkers people who police these things won't permit windows to modern standards to be fitted to replace old ones. I'm not talking about unique examples of rare houses or buildings, but buildings where there are many or at least a moderate number of buildings of similar type and vintage.
For unique examples I would perhaps side with the listings people.
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Originally posted by Dave2002 View Post...the bonkers people who police these things won't permit windows to modern standards to be fitted to replace old ones...
And UPVC is an abomination, whatever the age of your house.
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Originally posted by Bryn View PostNever mind all this concern over ancient built artifacts. It is sure long overdue that all music dating from before 1908 is done away with, from wherever in the world it originates.
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Originally posted by ahinton View PostYou mean Mahler 9 would be fine but Mahler 6 has to be dispensed with? Not sure what kind of world that would be other than one in which I'd not want to live...I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Honoured Guest View PostMight people in the UK be free to be more creative and responsive to the needs of the present day if less attention were paid to preserving our local heritage?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostI wonder what sort of 'needs of the present day' would be better served if we pulled down, say, all the museums/art galleries, historic buildings, archaeological sites &c? I suppose we should also burn all the old books, ban all the old music, destroy the wheel …
I think the problem lies deeper - namely "our" inability to progress without constantly needing to check past examples. It speaks of an immature culture - one which always has to ask itself what mother would have done in such circumstances.
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Originally posted by jean View PostAnd UPVC is an abomination, whatever the age of your house.
If you want to condemn people to live in cold and draughty houses, just go on preaching your message, or try to explain to people how they can afford to install windows which meet your aesthetic standards at a cost which they can afford.
For clarification, I assume you mean some form of plastic over an aluminium or other metal frame, when you refer to UPVC.
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Richard Tarleton
Originally posted by Serial_Apologist View PostI could see a certain argument in pointing out the receding benefits of dependence on foreign tourist trade for a fading culture or, in our case, the historical cachet of being primes inter alia in inaugurating the Industrial Revolution. Indeed, I am hoping that Honoured Guest is being ironic in citing ISIS's highlighting of any diminishing returns, whichever country is over-reliant on past repute.
HG seems to have left this discussion, but - just another fact, which may or may not be relevant - membership of the National Trust, an NGO which looks after a large slice of our historic built heritage (along with a goodly chunk of our natural environment) is currently in excess of 4 million, which is 8 times as many as all political parties combined. This may merely be proving HG's point, but I'd suggest it proves that heritage is important to a lot of people.
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Nevertheless, it does surprise one that double glazed window manufacturers have not yet to my knowledge managed to come up with more slender-designs, able to replicate the old streamlined steel-framed types. It is becoming ever more difficult to locate late 1930s semis with the curve-ended bays with a central V-motif in the fanlight that made such houses so attractive. Surely this shold be possible, rather than the angled, heavily mullioned types now to be seen everywhere.
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"Writing of Ronald (Stevenson) in Lewis Foreman's British Music Now (London 1977), Colin Scott-Sutherland quotes the (Hans) Kellerism that the artist of talent links the present with the future, but 'the truly great artist, the visionary, relates the future to the past'" - a Busonian ideal if ever there was one although what Busoni would have thought of the notion of heritage demolition I have no idea - or rather I have some idea...
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Richard Tarleton
Originally posted by Serial_Apologist View PostNevertheless, it does surprise one that double glazed window manufacturers have not yet to my knowledge managed to come up with more slender-designs, able to replicate the old streamlined steel-framed types. It is becoming ever more difficult to locate late 1930s semis with the curve-ended bays with a central V-motif in the fanlight that made such houses so attractive. Surely this shold be possible, rather than the angled, heavily mullioned types now to be seen everywhere.
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