I came across this the other day - I am lost for words. (You might like to read the paragraph on John Odgon.)
David Hurwitz's idea of an April Fool's joke review
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Originally posted by johnb View PostI came across this the other day - I am lost for words. (You might like to read the paragraph on John Odgon.)
http://www.classicstoday.com/review/review-5780/
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Richard Tarleton
Originally posted by french frank View PostWell, I imagine MOST magazine editors would have thrown it back at him (and possibly shown him the door).
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Originally posted by Pabmusic View PostI enjoy satire. Really. But this is appalling
[QUOTE=Pabmusic;406299]it's not just John Ogden{/quote]
No - it's John Ogdon!
Originally posted by Pabmusic View Postlook - let's make fun of the loony!
Originally posted by Pabmusic View PostHe should never have been allowed near a computer.
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Originally posted by Richard Tarleton View PostAccording to his Wiki entry (I had to look him up) he is the editor - - "executive editor"....has clearly had a taste bypass.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Tony View PostWhoever wrote this worthless piece of garbage - whether Hurwitz himself or maybe some other hack - is clearly a desperately sad, bitter and unfulfilled person. It's not even remotely funny.
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Originally posted by Alison View PostThe recent Berlin Philharmonic Schumann set receives a complete mauling
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He is an idiot rather like that ghastly woman who has made a career out of being unpleasant and vile on trash TV Katie Hopkins former Apprentice winner.
His reviews are all opinion and no real analysis - the sort of Daily Mail of classical reviewing .
The comments about Ogdon are grossly offensive - a man with more talent in one finger than in the whole of Hurwitz.
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Forget all the Hurwitz-bashing. After all, no-one every built a statue of a critic.
But the concert - Messiaen’s Turangalila-Symphonie in the Free Trade Hall in Manchester. I was there, having just come home from boarding school for the Easter holiday. I used to go to as many concerts as I could afford - in the 5/- seats at the back of the balcony - but I wasn't too sure about this one. It had been given prominence in the Halle prospectus, so I decided to give it a go. I was glad I did, the music being entirely new to my young self. But I didn't want to rush out and buy a recording of it. But now I really must order this one.
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