...... every leaf is a flower in a warm red Autumn

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  • aka Calum Da Jazbo
    Late member
    • Nov 2010
    • 9173

    ...... every leaf is a flower in a warm red Autumn

    Alyn kicks off Saturday afternoon with an early twentieth century feel ..... looks good to me too Fats

    Julian Joseph presents concert music by Quercus featuring vocalist June Tabor , saxophonist Iain Ballamy and pianist Huw Warren. Recorded as part of the 2013 Brecon Jazz Festival in the grand setting of Brecon Cathedral and showcasing a fascinating set of music which explores folk and jazz traditions in equal parts. Also on the programme, an interview with jazz vocalist Jacqui Dankworth and a profile of her brand new album 'Live To Love'.
    not my bag especially ... but who knows NB at 1800 immediately following Alyn who follows a programme on film music whatever happened to jazz file eh....

    Geoffrey takes his pick of the Davis Coltrane recordings

    Jez at the NYC Vision Festival is firmly in the 21st Century




    According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37814

    #2
    Originally posted by aka Calum Da Jazbo View Post
    Alyn kicks off Saturday afternoon with an early twentieth century feel ..... looks good to me too Fats
    Lovely Freudian slip-o-the-keys in the entry for the Iain Ballamy/Sian Carstensen track - "Composer Ballaby"!

    Comment

    • BLUESNIK'S REVOX
      Full Member
      • Dec 2010
      • 4314

      #3
      Originally posted by Serial_Apologist View Post
      Lovely Freudian slip-o-the-keys in the entry for the Iain Ballamy/Sian Carstensen track - "Composer Ballaby"!
      Gawd, for a minute there I thought someone had requested "Lady in Red" on JRR...but its MM looking pensive as she waits for her Barney Wilen track to turn up.
      Any day now.

      BN.

      Comment

      • Quarky
        Full Member
        • Dec 2010
        • 2672

        #4
        Had some sympathy with Julian Joseph. I guess he had done some market research and decided a number of his listeners were disgruntled opera buffs! Quercus reminded me of the Norma Winstone tracks posted by Tenor Freak- so at least TF may have been happy. But I do not think we can expect a load of contemporary jazz from JLU in its new time slot. Any jazz is good jazz, at least to someone?

        Idle thought re. Serialist jazz - whether it might be more at home with electronic synthesisers etc, which can be programmed to cope with complexities of tone rows?

        Comment

        • aka Calum Da Jazbo
          Late member
          • Nov 2010
          • 9173

          #5
          serial fusion?
          According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

          Comment

          • Old Grumpy
            Full Member
            • Jan 2011
            • 3643

            #6
            Must admit I was quite impressed with Quercus. I dropped in on a whim on their gig at the Sage Gateshead a while ago when deserted by my family for the weekend. The selection of items presented on JLU did not perhaps represent the best of their material.

            Their current CD was actually recorded at The Anvil, Basingstoke around 5 to 6 years ago. Manfred Eicher was impressed enough to release the CD unedited on ECM.

            OG

            Comment

            • Tenor Freak
              Full Member
              • Dec 2010
              • 1061

              #7
              Originally posted by Oddball View Post
              Had some sympathy with Julian Joseph. I guess he had done some market research and decided a number of his listeners were disgruntled opera buffs! Quercus reminded me of the Norma Winstone tracks posted by Tenor Freak- so at least TF may have been happy. But I do not think we can expect a load of contemporary jazz from JLU in its new time slot. Any jazz is good jazz, at least to someone?

              Idle thought re. Serialist jazz - whether it might be more at home with electronic synthesisers etc, which can be programmed to cope with complexities of tone rows?
              May I just make a clarification here: I am not such an ECM fanboy that I love everything Eicher issues. Actually the Quercus material didn't sound all that compelling to me but then again if Ballamy is involved there's definitely something to latch on to...despite his reputation for larking about my experience having a lesson with him was that he is a serious musician.

              <thanks>
              all words are trains for moving past what really has no name

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