Sax No End is a stereo recording by the Francy Boland-Kenny Clarke Big Band made in 1965. The band had as it's guest Eddie "Lockjaw" Davis, famous from his "Atomic Mr. Basie" stint. The title track, the 2nd on the 1st side, starts with an Eddie Davis solo and then (with a key change) starts a chorus and a half of sax-section led by alto-player Derek Humble, which is amazing, as you will hear. The whole thing is (I think) a 64-bar chord sequence which I haven't been able to identify. The sax section launches the next track which goes along as tho' it's through-composed but no, Benny Bailey comes in with a lovely turn of phrase but it's not long before he gets caught up the the high-voltage action which characterises a lot of this LP. The staccato interjections provided to gee-up Peter's Waltz reduce Sahib Shihab (who starts purposefully enough) to the odd burble! Johnny Griffin is the other main soloist. We heard this band at Ronnie's and I was bold enough to say to Benny Bailey how much I enjoyed his LP "Midnight in Europe" (with strings).
You will also find on this page,
Duke Ellington's "Such Sweet Thunder" which is the LP version and not the stereo re-mastering of many years later.
Johnny Hodges "The Big Sound". This an LP I have loved for years, especially as good getting-up-music, the joie-de-vivre is infectious and with Billy Strayhorn at the piano there are compositions and not just a string of head-arrangements. Like the Ellington I've come to prefer the mono to the later stereo version.
...and in keeping with another thread, for those who don't know it, "Steamin' " with the Miles Davis Quintet. I've had it for years as a two-fer with "Workin' " but never got around to playing it with the new MC stylus, hence it has been a real pleasure ( thank-you Ian) to hear it in HIgher-FI than before.
You will also find on this page,
Duke Ellington's "Such Sweet Thunder" which is the LP version and not the stereo re-mastering of many years later.
Johnny Hodges "The Big Sound". This an LP I have loved for years, especially as good getting-up-music, the joie-de-vivre is infectious and with Billy Strayhorn at the piano there are compositions and not just a string of head-arrangements. Like the Ellington I've come to prefer the mono to the later stereo version.
...and in keeping with another thread, for those who don't know it, "Steamin' " with the Miles Davis Quintet. I've had it for years as a two-fer with "Workin' " but never got around to playing it with the new MC stylus, hence it has been a real pleasure ( thank-you Ian) to hear it in HIgher-FI than before.
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