I've got a load of other ideas for requests too, which should expose some worthy artists on JRR.
Blessed is he who expects nothing but "low stools"
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With over 40 years experience and celebrating his 70th birthday last year, you might forgive trumpeter Wadada Leo Smith if he decided to slow things down a bit. However, this seasoned avant-gardist certainly shows no signs of applying the brakes and continues to energise audiences - as you’ll hear in this arresting performance from London’s Café Oto.
Playing a non-stop improvised set, Smith is joined by a trio of British percussionists featuring Steve Noble and Charles Hayward on drums alongside Orphy Robinson on vibes. Wadada’s trumpet is treated to live effects and processing, and the combination of this alongside the hypnotic grooves from the backline evoke sounds reminiscent of Miles Davies’ electric era. For all his sonic excursions and emotive frontline playing, Smith is certainly not afraid of letting the percussionists shine; Noble and Hayward propel the music forward with vigour, reacting brilliantly to each other's playing in the impressionistic passages, at other moments acting like one unified rhythmic machine. Robinsons’ overdriven vibes provide a mesmerising soundscape - and it’s certainly a pleasure to hear him cut free in this improvised setting.
Before that main set jazz journalist Stephen Graham argues that it’s high time us serious jazz fans started taking note of a new wave of exciting vocalists working in the idiom. Featuring contributions from Norma Winstone, Esperanza Spalding, Ayanna Witter Johnson and Andrew Plummer, Graham challenges any anti-vocalist prejudice you might have and considers why – across the spectrum of styles and approaches – 2013 may well be the year of the singer.
TC will give it a miss i guess, wonder how he is getting on ..... still in Cornwall?According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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Year of the Singer...c. 1965, Lonnie Johnson live on Yer Tube (US Folk et Blues Tour of Europe) singing "Too Late to Cry". Breathtaking, integrity, poise and a just womderful guitar solo. For once, a true classic moment. I saw him then, he was THIS good. Pins dropped, divorcees fainted.
BN.. BP 570 over 290...and rising. Only the soft quack of the militant ducks is keeping me...er, grounded.Last edited by BLUESNIK'S REVOX; 28-01-13, 12:45.
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grippie
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grippie
Julian presents a concert by the Chick Corea Trio
Jazz Line-Up recorded Chick Corea at the 2012 London Jazz Festival with bassist Christian McBride and Brian Blade, renowned for his peerless work with everyone from Bob Dylan to Wayne Shorter. One of the most prominent jazz musicians of the last fifty years, Corea is a masterful acoustic pianist, whether at the heart of a stellar trio such as tonight's, or in collaboration with the likes of Bobby McFerrin or Bela Fleck, as well as an acknowledged pioneer of fusion stretching back to the landmark Miles Davis albums 'In A Silent Way' and 'Bitches Brew'. 18 Grammy awards reflect his status as one of the most prominent jazz musicians of the last half-century.
Recorded on the 17th November, 2012 at the Barbican, London
This was a great concert, missed it's 1st broadcast, so made sure and recorded it this timeLast edited by Guest; 29-01-13, 15:54.
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Geoffrey is phoning it in; practically every track on his Mingus programme is taken from Ken Burns Jazz ... so how much editorial work did we do there Geoffrey? ... and the playlist gives incomplete personnel ...
it is insulting to serious listeners and advances jazz not one jot 'low stools' indeedAccording to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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handsomefortune
i'm just phoning in to say, well spotted calum...... always good to hear mr mingus though!
dj smith's brubeck programme (a while back) included an excerpt from the man himself discussing why jazz is allowed to go to places other music forms can't. as ever, i often really enjoy the person to person, conversational bits of programmes (rather than more random selections due to 'what listeners have requested' etc).
especially when musicians are excellent communicators, as was the case in last week's jez on 3, him chatting with django bates. i thought db played a fantastic sheffield 'crucible' gig (and spoke) in a refreshingly innovative way about all sorts of things. i really loved his ipod shuffles, especially the norwegian/bulgarian fusion, and found bates's explanations fascinating. the description of his bill evans dream, where bill had (uncharacteristically) mysteriously 'forgotten' a jazz standard was a gas, though somehow i wasn't at all surprised that dj jez can never remember his own dreams. however, he apparently wants to hear all about our 'jazz dreams'....don't all rush at once now, or you'll clog up his @govdot email account with tales of your subconscious.
(i can't remember if it was this thread, and unfortunately haven't time to check), but i think i feel roughly the same as oddball, as regards 'jrr' and 'jazz library'. btw oddball, i am thoroughly enjoying episodes you linked to of 'the prisoner'.... that huge inflated rubber thing is causing a lot of trouble, as well as inhumane restrictions. why can't someone just take a sewing needle to it)?
'jlu' piano playing sent me off to sleep promptish, though unfortunately i don't have time to listen again ..perhaps check that it really was that inconsequential, just noodling? (what did others think)?
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Originally posted by aka Calum Da Jazbo View PostGeoffrey is phoning it in; practically every track on his Mingus programme is taken from Ken Burns Jazz ... so how much editorial work did we do there Geoffrey? ... and the playlist gives incomplete personnel ...
it is insulting to serious listeners and advances jazz not one jot 'low stools' indeed
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