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I thought that was a super piano trio gig so thanks Jezzer for that one.
With Django there's a strong streak of anarchism which I think he puts in to break things up and becoming too polished. This trio gives a good example of that - after all there are loads of phenomenal piano trios out there at the moment, and if he played all the music straight it would just sound like the others; it may as well be Jarrett playing Bird (not that there's anything wrong with that).
After playing Django on Jon3 half a dozen times, feel I'm making headway with him. Having to hang onto every note in order to follow, but this reminded me of the way I got into the piano music of Schoenberg and late Brahms. So there seems a very strong intellectual content with Django's music - no wonder the Continentals like him.
Might break my embargo on buying new CDs for this guy.
After playing Django on Jon3 half a dozen times, feel I'm making headway with him. Having to hang onto every note in order to follow, but this reminded me of the way I got into the piano music of Schoenberg and late Brahms. So there seems a very strong intellectual content with Django's music - no wonder the Continentals like him.
Might break my embargo on buying new CDs for this guy.
I don't know how familiar you are with the original repertoire, Oddball. It may help your understanding of what Bates is up to if you know more straight-ahead versions of "Hot House" or "Donna Lee".
all words are trains for moving past what really has no name
I don't know how familiar you are with the original repertoire, Oddball. It may help your understanding of what Bates is up to if you know more straight-ahead versions of "Hot House" or "Donna Lee".
Thanks for the links Tenor Freak.
Answer is I could be a lot more familiar with Bird's original recordings. I did play the original recording of Bird's Confirmation (in fact there is a play along version at half speed available), and this helped a lot.
But when Django is improvising at full steam (balls-out!), I found my best option was just to listen to the notes, and forget about the rhythm section.
But it looks as though I will have to invest in a Django CD, as Jon3 session is now out of time. If nothing else, it will increase familiarity with Charlie Parker!
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