lend 'em yer lobes 11 - 13/8/ 2012

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  • aka Calum Da Jazbo
    Late member
    • Nov 2010
    • 9173

    lend 'em yer lobes 11 - 13/8/ 2012

    JRR foottappers and other marvels with Alyn
    Geoffrey does 3//4
    JLU looks intersting and timely

    This weeks Jazz Line-Up pays tribute to the talents and ultimately death of trumpeter Abram Wilson by playing a set he co-produced with Jazz Line-Up at the Bath Festival in 2009 of his Live Paintings album and we re-play the backstage interview he gave to Julian Joseph.
    Also this week Kevin Le Gendre talks to Guitar Guru Pat Metheny about his new album "Pat Metheny Unity Band".
    Jon3 does rare

    Jez Nelson presents rare UK performances by two veterans of the American avant-garde: composer/multi-instrumentalist Henry Threadgill and saxophonist Roscoe Mitchell.

    Threadgill, an original member of the Chicago AACM collective, has been at the leading-edge of jazz since establishing his landmark Air trio in the 1970s. Known for his unusual combinations of instruments and musical styles, he has been credited as one of the most important and revolutionary jazz composers of recent years. His Zooid sextet, recorded here at the 2011 London Jazz Festival blends funk, gamelan and Afro-Cuban rhythms in collective improvisation, and features cellist Christopher Hoffmann and tuba player Jose Davila.
    Roscoe Mitchell is another AACM graduate and also formed the Art Ensemble of Chicago, a group still active today and known for its use of 'little instruments' such as bicycle horns and found objects. His playing typically alternates fierce energy with patient, sparse development, also reflecting the influence of contemporary classical music. This concert, recorded earlier this year, features a British rhythm section of John Edwards (bass) and Tony Marsh on drums.
    ... another one to catch ... Jex on a roll innit


    and another coz i like it

    According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37877

    #2
    This Jazz on 3 is a must, I feel, especially for having the privilege of Roscie Mitchell backed by two of our most versatile home-growns, one for whom this might have been among his last ever gigs.

    Thanks for drawing to our attention, Calum.

    Comment

    • handsomefortune

      #3
      thanking you calum da jazbo!





      Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


      One of my absolute favorite "free" / avant-garde jazz pieces, which is why I bothered uploading both parts! It may sound like a chaotic mess if you're unfami...
      Last edited by Guest; 11-08-12, 14:33.

      Comment

      • aka Calum Da Jazbo
        Late member
        • Nov 2010
        • 9173

        #4
        2 gentlemen of pensionable age take over Jazz on 3 tonight – they just happen to be a pair of the most distinctive avant-garde voices around, as proven by the fact that we're revisiting their recent and rare UK performances as part of our repeats season.

        Actually, the set we're featuring by Chicagoan saxophonist Roscoe Mitchell wasn't broadcast first time round. It's the first section from his gig with bassist John Edwards and the late Tony Marsh on drums. And there's absolutely no sense of this one-off collaboration taking any time to find its feet. Mitchell's trademark exploration of space gets things going and immediately his British rhythm section tune into his pacing of the music. And the set ends with another Mitchell classic – driving, repetitive ideas that go round and round, whirling the crowd into a frenzy.

        Before that we hear from composer/multi-instrumentalist Henry Threadgill and his sextet Zooid. Threadgill's art is to create music for the body as well as the brain – at times you feel like you're at the circus or on the dancefloor, but in a parallel, esoteric universe in which acoustic bass guitars, tubas and cellos have licence to funk. The final piece, Sap, is a brilliant example of how they move between delicate writing and collective improv, building beautifully before Threadgill's searing sax cuts through at the climax.
        newsletter

        i opened those links simultaneously handsome; quite an experience!!
        According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37877

          #5
          In Threadgill's group I anticipate something akin to his Very Very Circus, which from time-distorting memory we heard a decade or so ago? It chugged along in an amiably eccentric kind of way, but didn't exactly knock one out, unlike the Air trio with the greats McCall and Hopkins.

          Comment

          • handsomefortune

            #6
            i only just listened yesterday ....

            it was very very circus ....and refreshing to go to cafe oto, for mr marsh, mr edwards and mr roscoe's dazzling performance.

            the week before neneh cherry featured on jezon3, did no one post .... or have i just missed comments?

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 37877

              #7
              Originally posted by handsomefortune View Post

              the week before neneh cherry featured on jezon3, did no one post .... or have i just missed comments?
              Shurely Shome Mishtake? Just being the Don's stepdaughter don't make her a jass singer.

              Thoroughly enjoyed your #3 clips hsf, thanks. One learned that Novae Cadentiae Danica existed as early as 1967, too , though one never realised it was John Cleese on the trumpet . (Mongesi and Harry Beckett were to join in the early 70s iirc). Such a nice, genial guy, lovely to talk to, John Tchicai. Well, ime they nearly all are, mostly...

              Comment

              • handsomefortune

                #8
                neneh did one jazz tune, which turned out to be her dad's ....

                which i don't mean horribly, just that it's pobably the best direction to go in for neneh imv ....

                whereas neneh's choice of that monotonous phrasing, and over rock beats, aint goin no where is it!?

                when the recording of 'cherry thing' finished, jez started waxing about the drummer....not neneh...yet the drums are arguably why neneh's phrasing sounds pants?

                i've always wondered if neneh's actually interested in music any more, as she seems oddly blaze somehow? not that lack of interest is a crime of course ..... and in other ways she seems quite likeable as a person, which is pretty rare in mainstream pop imo.

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