Back to the Dan: the recording of Aja, and in particular how they got Wayne Shorter to play on it http://www.jazzwax.com/2011/07/how-s...e-shorter.html
JRR: testing the boundaries
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Byas'd Opinion
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Originally posted by Ian Thumwood View PostI
Bruce has raised an interesting topic and it would be fascinating to see just how far you could go with JRR selecting tracks by pop musicians where the music is effectively jazz. I think that the definition of what is or what isn't jazz changes through time as the music has evolved. I would say that this has always been a debatable issue as things from the past which may have been identified as jazz sometimes come across as being markedly divorced from it these days.
OG
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Calum
Garabek is a bit of a "marmite" musician for me. His earlier stuff in the 60's seems a poor shadow of the likes of Ayler but by the 70's he was producing some amazing work with the likes of Stanko, Jarrett, etc which is a high point in European jazz in my opinion. The later stuff with his own groups from the 90's onwards seemed increasingly "New Age" and I can no longer abide it even though i was a huge fan to begin with. I've really lost track of this musician but I did see Garbarek / Hilliard at Salisbury Cathedral about 10 years ago and the impact of the music and the architecture combined was hugely memorable. The way the sound resonated around the cathedral was amazing and gave the impression that the room inside the cathedral was almost another instrument itself. The overall result was pretty powerful . I think Garbarek is an interesting subject for debate as he seems to be "jazz" but the elements of swing, groove , blues and even improvised lines seem to have been swapped for tone production. Maybe another musician whose links with jazz will seem more remote with the passage of time.
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Originally posted by Ian Thumwood View PostCalum
I did see Garbarek / Hilliard at Salisbury Cathedral about 10 years ago and the impact of the music and the architecture combined was hugely memorable. The way the sound resonated around the cathedral was amazing and gave the impression that the room inside the cathedral was almost another instrument itself. The overall result was pretty powerful .
This whole area of jazz in churches and cathedrals, let alone the recording thereof, almost calls for a thread subject in its own right.
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Originally posted by Serial_Apologist View PostI did see Nana Vascolcelos achieve similar, deploying voice, berimbau and Bristol Cathedral to amazing effect as one big echo chamber. The David Murray Quartet which followed on as the main event, on the contrary, took no account of acoustics, and the result was a muddled, indistinguishable mush.
This whole area of jazz in churches and cathedrals, let alone the recording thereof, almost calls for a thread subject in its own right.
Acoustic Triangle in Hexham Abbey - heard on two occasions - excellent. I also heard the Hilliards and Garbarek in Durham cathedral and would echo previous comments on this board in regard to the contribution of the building to the overall experience. The acoustic was, of course, very much taken into account by the original composers of the music played.
OG
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Lateralthinking1
Last edited by Guest; 04-06-12, 13:34.
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Originally posted by Tenor Freak View PostThanks for that link Lat...nice gospel-tinged version of one of my favourite Dan songs (relatively speaking because I love nearly all of them)
Just managed to catch up - this was always my favourite Steely Dan number back in '73 when I was listening: really an extended minor modal blues I s'pose
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Tom Adustus
Originally posted by Tenor Freak View PostNow that Alyn is running the show I thought I'd request some Steely Dan.
They snuck in some heavy jazz elements in their old LPs, and I have a couple of candidates which I think fit the bill.
Here's #1 - this is basically bebop:
(video removed) ]
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grippie
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steady, burning dog, steady lad ... that's chinese music .....
some of the Dan's finest work ...
wait for the guitar solo ...ooooooohhhhhhAccording to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.
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