Here's my dilemma - though it could well be our dilemma.
What does one do when, confronted by an album release of previously unreleased historic recordings which give wrong names in line-ups? I mention this, having yesterday come across an otherwise highly welcome release of a BBC broadcast from the 1970s on a usually dependable label, of which there were a couple of tracks to be found on Youtube.
Personal distinctiveness was an important part of the music at that stage - one does not often, unlike today, experience difficulties in ascribing what one hears being improvised to particular players, the leading lights back then were generally immediately identifiable within a matter of seconds. I am absolutely certain as to who it is I am hearing soloing in these two tracks, and it isn't anyone listed in the liner to the album. Who was doing what, contributing at given times to the history of the music, is more important than just a matter of copyright in jazz, in my opinion, though from a musician's point of view it is also important, obviously. What, I am asking the wise heads hereabouts, does one do? State ones opinions, or keep schtum, either on grounds of potential actionability for misrepresentation on my part, or put it all down to unintended errors and hope the world and its creators will just be happy with what has gone out?
Any views on this are most welcome.
What does one do when, confronted by an album release of previously unreleased historic recordings which give wrong names in line-ups? I mention this, having yesterday come across an otherwise highly welcome release of a BBC broadcast from the 1970s on a usually dependable label, of which there were a couple of tracks to be found on Youtube.
Personal distinctiveness was an important part of the music at that stage - one does not often, unlike today, experience difficulties in ascribing what one hears being improvised to particular players, the leading lights back then were generally immediately identifiable within a matter of seconds. I am absolutely certain as to who it is I am hearing soloing in these two tracks, and it isn't anyone listed in the liner to the album. Who was doing what, contributing at given times to the history of the music, is more important than just a matter of copyright in jazz, in my opinion, though from a musician's point of view it is also important, obviously. What, I am asking the wise heads hereabouts, does one do? State ones opinions, or keep schtum, either on grounds of potential actionability for misrepresentation on my part, or put it all down to unintended errors and hope the world and its creators will just be happy with what has gone out?
Any views on this are most welcome.
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