JRR sinking beneath the waves.

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Jazzrook
    Full Member
    • Mar 2011
    • 3066

    #16
    Originally posted by BLUESNIK'S REVOX View Post
    Ron Carter was a school cello who switched to bass. But did record on cello with Eric Dolphy on those Prestige New Jazz dates. And again there's Oscar Petiford, and I think Red Mitchell made an album on cello. So cello fellows!
    Joel Friedman also played cello with Albert Ayler. Here's 'Change Has Come' from 'Live At The Village Theatre' in 1967:

    Provided to YouTube by Universal Music GroupChange Has Come (Live At The Village Theatre/1967) · Albert AylerLive In Greenwich Village: The Complete Impulse ...


    JR

    Comment

    • Alyn_Shipton
      Full Member
      • Nov 2010
      • 771

      #17
      Sam Jones played cello with Nat Adderley; Percy Heath with the Heath Bros band; Ray Brown played it for a while; Nat Gershman took over from Fred Katz with Chico; and then more recently there's Ivo Perelman. And I remember doing a Bath Festival R3 broadcast with Ernst Reijseger. More recently (and on R3's Jazz Voice) Ayanna Witter-Johnson.... Not so sure about Red Mitchell, BN, but when I met him in NY in the early 80s he had adopted cello tuning for his bass.

      Comment

      • BLUESNIK'S REVOX
        Full Member
        • Dec 2010
        • 4278

        #18
        Alyn, Red Mitchell made a live album in 1961, "Rejoice", on Pacific Jazz, with himself on cello, Jim Hall, Frank Butler etc. I don't think it's particularly good and the whole thing sounds quite informal. Here's "Jim's Blues", Red's cello solo is at 4 minutes in.

        Comment

        • Quarky
          Full Member
          • Dec 2010
          • 2656

          #19
          In a Cello Mood::

          Comment

          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37614

            #20
            Abdul Wadud - great cellist of the Black Artists' Group/Chicago school, 1970s/80s, in association with Julius Hemphill, Oliver Lake, Lester Bowie... that lot. I'm sure he's been mentioned here before:

            This track is a previously unreleased track from the recording sessions for "Dogon A.D." album (1972). It's released on the album 'Coon Bid'ness (1975). Juli...

            Comment

            • Ian Thumwood
              Full Member
              • Dec 2010
              • 4160

              #21
              I have been reading the last few posts bout jazz cello with interest as there still seems to be a perception that it is something of a novelty instrument. Picking up from Alyn's post, Ernst Reijseger was my first real introduction to the cello in a jazz context when Radio 3 played a Steve Lacy concert which largely consisted of Monk compositions in a quintet that also included the great Han Bennink and trombonist George Lewis. For my money, only one other "Monk" tribute quite matche this and that also features a cello - this time Abdul Wadud on an excellent Arthur Blythe. Wadud was a mainstay with Blythe's bands in the early 1980s and this is quite an excpetional obdy of work. In fact, there seems to be an element of amnesia concerning jazz in the 1980s on this thread because no on seems to have mention Hank Roberts who also came to prominence in this period, both under his own name and in Bill Frisell's mid 1980's quartet. Another cellist who was also involved in the Downtown scene of that time was Erik Friedlander who has been involved in more "outside" work although I would recommend his more recent tribue to OScar Pettiford. Certainly, I would have chosen this more updated version of OP's work than the originals which I sometimes feel to be a bit twee.

              For recently I think Tomeka Reid has proven herself to be one of the most formidable soloists in jazz and her quartet with Mary Halvorson has produced two stunningly brilliant recoprds. For my money, she has taken Billy Bang's influence and transferred this to the cello. One of the albums actually includes one of the DLophy compositions from the album with Ron Carter on cello. I think that Reid has cropped up in so many diverse contexts that I feel she is absolutely crucial to the appreciation of jazz in the 2020s.

              Comment

              • Jazzrook
                Full Member
                • Mar 2011
                • 3066

                #22
                Julius Hemphill & Abdul Wadud live in New York, 1976:

                Recorded Live at La Mama Theatre, may 28 1976 - The music of the loft generation


                JR

                Comment

                • Alyn_Shipton
                  Full Member
                  • Nov 2010
                  • 771

                  #23
                  Following Ian's post above, we did of course, include a concert by Tomeka Reid on Jazz Now (with Mary Halvorsen). https://www.bbc.co.uk/programmes/b08xzlr7

                  Comment

                  • Tenor Freak
                    Full Member
                    • Dec 2010
                    • 1055

                    #24
                    Originally posted by Rcartes View Post
                    I have the greatest respect for Alyn Shipton, but can't escape feeling that JRR is becoming increasingly unlistenable of late <SNIP>
                    Just wait until Alyn plays my Julius Hemphill request.
                    all words are trains for moving past what really has no name

                    Comment

                    Working...
                    X