Here is Nelson Faria's first chorus on Stella by Starlight in his aforementioned duet with Mike Stern. I'm learning a lot about the rhythmical nuances of jazz and how jazzers push and pull the beat back and forth, both behind and ahead of the beat. In some instances, I am still not happy with this - particularly bar 26 going into 27, where something weird happens with the time, it's like bar 26 get elided, like it could be a quaver short because that A flat feels like beat one of the next bar, but that wouldn't work out metrically.

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