Haven't seen this before, footage of Kenny Dorham at Newport 1966. A trumpet jam with Dizzy, Clark Terry, Thad Jones etc. Kenny Burrell on guitar...
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I checked out Ian's recommendation of James Brandon Lewis and he is right this restores faith that the music can still surprise and enthral - the sort of jazz as most of us on this bored would recognise as a development within the art.
Here is a live performance of the album Ian recommended
American all-star formation around new tenor sax hero.James Brandon Lewis tenor saxophone, Aruán Ortiz piano, Brad Jones doublebass, Chad Taylor drumsJames B...
elmo
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Originally posted by elmo View PostI checked out Ian's recommendation of James Brandon Lewis and he is right this restores faith that the music can still surprise and enthral - the sort of jazz as most of us on this bored would recognise as a development within the art.
Here is a live performance of the album Ian recommended
American all-star formation around new tenor sax hero.James Brandon Lewis tenor saxophone, Aruán Ortiz piano, Brad Jones doublebass, Chad Taylor drumsJames B...
elmo
Photos by Ben Pier “I genuinely feel within the depths of my soul, that the notes are informed by something, that I’m playing ‘about’ something,” says James Brandon Lewis. The 40-year-old tenor saxophonist, composer and improviser draws inspiration from spirituality, science, philosophy, literature and visual art. “The act of blowing air through this conical thing, […]
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Last edited by Jazzrook; 19-10-24, 18:44.
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Roots: Sam Rivers, Arthur Blythe, Chico Freeman, Nathan Davis, Don Pullen, Santiago Debriano & Idris Muhammad playing ‘Lester Leaps In’, 1992:
Roots - Lester Leaps In [Salute to the Saxophone (1992, Panorama)]Arthur Blythe : alto saxophoneSam Rivers : tenor & soprano saxophonesChico Freeman : tenor ...
JRLast edited by Jazzrook; 21-10-24, 16:53.
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Howlin’ Wolf with Hubert Sumlin, Sunnyland Slim, Willie Dixon & Clifton James at Manchester Free Trade Hall in 1964.
I was lucky enough to see this group the same year at Fairfield Hall, Croydon along with Lightnin’ Hopkins, Sleepy John Estes, Sonny Boy Williamson & Sugar Pie Desanto among others!
The amazing Howlin' Wolf (otherwise known as Chester Burnett) recorded on the 19th October 1964 at the Manchester Free Trade Hall as part of the American Fol...
JR
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Last edited by Jazzrook; 08-11-24, 13:46.
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The closing session of the blues section of 1960 Newport Jazz Festival...
"Mean mistreater" Muddy Waters, Betty Jeanette (excellent) Jimmy Rushing etc, and I think Sammy Price, Otis Spann, Lafayette Thomas... & Pat Hare etc from Muddys band. Him of "Going to murder my baby" fame... Which he later did.
Muddy totally cool and majestic.
http://youtu.be/KAOLICFKTtA?si=TyBtJp_nMdo4ZTbP
Just discovered that Betty Jeanette is also. Betty Harris, the N Orleans soul singer.
"Cry to me" from 1963. The Solomon Burke hit, very nice version.
Last edited by BLUESNIK'S REVOX; 10-11-24, 19:36.
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I only have one Lou Donaldson record in my collection which us The Natural Soul. The something incongruous with a Bird styled saxophonist performing Soul Jazz but it is good fun.
Donaldson is something of a blind spot for me although I love Blue Note. The earlier stuff with Brown abd Blakey is unfamiliar and falls between original be bop and what became Hard Bop. I always felt he was a very strong player but the records were fun as opposed to having any depth.
I Once went to gig by Wynton Marsalis and ge told an amusing story about Donaldson being on a panel for a jazz award and joked about how Donaldson was something of a great character with a reputation for being quite outspoken. Marsalis clearly respected him as well as being amused by his comments. Was it Donaldson who commented that Coltrane had killed jazz ?
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Originally posted by Ian Thumwood View PostI only have one Lou Donaldson record in my collection which us The Natural Soul. The something incongruous with a Bird styled saxophonist performing Soul Jazz but it is good fun.
Donaldson is something of a blind spot for me although I love Blue Note. The earlier stuff with Brown abd Blakey is unfamiliar and falls between original be bop and what became Hard Bop. I always felt he was a very strong player but the records were fun as opposed to having any depth.
I Once went to gig by Wynton Marsalis and ge told an amusing story about Donaldson being on a panel for a jazz award and joked about how Donaldson was something of a great character with a reputation for being quite outspoken. Marsalis clearly respected him as well as being amused by his comments. Was it Donaldson who commented that Coltrane had killed jazz ?
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I think the point of Donaldson was that he was looking to maintain the connection between jazz and thr general public. Sure, many musicians of his generation had bags of technique but Donaldson's music in the 1960s sought to reconnect with a more mainstream audience. He was really vociferous about the music having a groove. Maybe more populist than Cannonball. Nothing to dislike about his music . It was always about enjoyment.
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