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  • BLUESNIK'S REVOX
    Full Member
    • Dec 2010
    • 4278

    Haven't seen this before, footage of Kenny Dorham at Newport 1966. A trumpet jam with Dizzy, Clark Terry, Thad Jones etc. Kenny Burrell on guitar...








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    • Jazzrook
      Full Member
      • Mar 2011
      • 3067

      Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter & Tony Williams in Stockholm, October 31, 1967:

      Famous and great concert colorized .Agitations 00:00Footprints 07:23'Round midnight 16:29Gingerbread boy 24:59The theme 32:35Miles Davis - trumpetWayne Short...


      JR

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      • elmo
        Full Member
        • Nov 2010
        • 543

        I checked out Ian's recommendation of James Brandon Lewis and he is right this restores faith that the music can still surprise and enthral - the sort of jazz as most of us on this bored would recognise as a development within the art.

        Here is a live performance of the album Ian recommended

        American all-star formation around new tenor sax hero.James Brandon Lewis tenor saxophone, Aruán Ortiz piano, Brad Jones doublebass, Chad Taylor drumsJames B...


        elmo

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37617

          Originally posted by elmo View Post
          I checked out Ian's recommendation of James Brandon Lewis and he is right this restores faith that the music can still surprise and enthral - the sort of jazz as most of us on this bored would recognise as a development within the art.

          Here is a live performance of the album Ian recommended

          American all-star formation around new tenor sax hero.James Brandon Lewis tenor saxophone, Aruán Ortiz piano, Brad Jones doublebass, Chad Taylor drumsJames B...


          elmo
          Most impressed - big thanks, elmo. Bordees may be interested in the interview below. Not sure I follow a lot of what Brandon Lewis says, but if his ideas shape the spirit in this music, there's no argument!

          Photos by Ben Pier “I genuinely feel within the depths of my soul, that the notes are informed by something, that I’m playing ‘about’ something,” says James Brandon Lewis. The 40-year-old tenor saxophonist, composer and improviser draws inspiration from spirituality, science, philosophy, literature and visual art. “The act of blowing air through this conical thing, […]

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          • elmo
            Full Member
            • Nov 2010
            • 543

            Prez a matter of months before he passed away but still a giant of the music, quite poignant.......



            elmo

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            • Jazzrook
              Full Member
              • Mar 2011
              • 3067

              Cecil Taylor in conversation:

              Wizard of the avant-garde, 85yr old pianist Cecil Taylor, shares his impressions of life and music history in our exclusive interview.


              JR
              Last edited by Jazzrook; 19-10-24, 18:44.

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              • Jazzrook
                Full Member
                • Mar 2011
                • 3067

                Roots: Sam Rivers, Arthur Blythe, Chico Freeman, Nathan Davis, Don Pullen, Santiago Debriano & Idris Muhammad playing ‘Lester Leaps In’, 1992:

                Roots - Lester Leaps In [Salute to the Saxophone (1992, Panorama)]Arthur Blythe : alto saxophoneSam Rivers : tenor & soprano saxophonesChico Freeman : tenor ...


                JR
                Last edited by Jazzrook; 21-10-24, 16:53.

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                • Jazzrook
                  Full Member
                  • Mar 2011
                  • 3067

                  Howlin’ Wolf with Hubert Sumlin, Sunnyland Slim, Willie Dixon & Clifton James at Manchester Free Trade Hall in 1964.
                  I was lucky enough to see this group the same year at Fairfield Hall, Croydon along with Lightnin’ Hopkins, Sleepy John Estes, Sonny Boy Williamson & Sugar Pie Desanto among others!

                  The amazing Howlin' Wolf (otherwise known as Chester Burnett) recorded on the 19th October 1964 at the Manchester Free Trade Hall as part of the American Fol...


                  JR

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                  • Jazzrook
                    Full Member
                    • Mar 2011
                    • 3067

                    Mesmerising solo piano from Cecil Taylor on ‘Free Improvisation #3’:

                    From Ron Mann's 1981 free jazz documentary "Imagine the Sound"


                    JR
                    Last edited by Jazzrook; 08-11-24, 13:46.

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                    • BLUESNIK'S REVOX
                      Full Member
                      • Dec 2010
                      • 4278

                      The closing session of the blues section of 1960 Newport Jazz Festival...

                      "Mean mistreater" Muddy Waters, Betty Jeanette (excellent) Jimmy Rushing etc, and I think Sammy Price, Otis Spann, Lafayette Thomas... & Pat Hare etc from Muddys band. Him of "Going to murder my baby" fame... Which he later did.

                      Muddy totally cool and majestic.

                      http://youtu.be/KAOLICFKTtA?si=TyBtJp_nMdo4ZTbP

                      ​​​​​
                      Just discovered that Betty Jeanette is also. Betty Harris, the N Orleans soul singer.

                      "Cry to me" from 1963. The Solomon Burke hit, very nice version.


                      Last edited by BLUESNIK'S REVOX; 10-11-24, 19:36.

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                      • BLUESNIK'S REVOX
                        Full Member
                        • Dec 2010
                        • 4278

                        Lou Donaldson RIP 9 November
                        For some (system? reason I can't post the YouTube tribute video. Or any video!


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                        • Jazzrook
                          Full Member
                          • Mar 2011
                          • 3067

                          Sad news - he was 98!
                          Here’s Lou with Jimmy Smith, Kenny Burrell & Grady Tate playing ‘Blues Walk’:



                          JR

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                          • Ian Thumwood
                            Full Member
                            • Dec 2010
                            • 4163

                            I only have one Lou Donaldson record in my collection which us The Natural Soul. The something incongruous with a Bird styled saxophonist performing Soul Jazz but it is good fun.

                            Donaldson is something of a blind spot for me although I love Blue Note. The earlier stuff with Brown abd Blakey is unfamiliar and falls between original be bop and what became Hard Bop. I always felt he was a very strong player but the records were fun as opposed to having any depth.

                            I Once went to gig by Wynton Marsalis and ge told an amusing story about Donaldson being on a panel for a jazz award and joked about how Donaldson was something of a great character with a reputation for being quite outspoken. Marsalis clearly respected him as well as being amused by his comments. Was it Donaldson who commented that Coltrane had killed jazz ?


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                            • Serial_Apologist
                              Full Member
                              • Dec 2010
                              • 37617

                              Originally posted by Ian Thumwood View Post
                              I only have one Lou Donaldson record in my collection which us The Natural Soul. The something incongruous with a Bird styled saxophonist performing Soul Jazz but it is good fun.

                              Donaldson is something of a blind spot for me although I love Blue Note. The earlier stuff with Brown abd Blakey is unfamiliar and falls between original be bop and what became Hard Bop. I always felt he was a very strong player but the records were fun as opposed to having any depth.

                              I Once went to gig by Wynton Marsalis and ge told an amusing story about Donaldson being on a panel for a jazz award and joked about how Donaldson was something of a great character with a reputation for being quite outspoken. Marsalis clearly respected him as well as being amused by his comments. Was it Donaldson who commented that Coltrane had killed jazz ?

                              Would it be unfair to suggest that that some of second generation of boppers, lacking somewhat depth and originality, sought recognition by outbidding both their predecessors and contemporaries in terms of technical wizardry? This hadn't occurred to me until now in terms of British (and other non-American) jazz musicians such as Tubby Hayes almost outdoing the Americans in speed of execution and choice of tempos on standards an additional factor in the inferiority complex at not being black and American that only really began to break down when the advent of free jazz threw out the rules and questions about jazz correctness.

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                              • Ian Thumwood
                                Full Member
                                • Dec 2010
                                • 4163

                                S A

                                I think the point of Donaldson was that he was looking to maintain the connection between jazz and thr general public. Sure, many musicians of his generation had bags of technique but Donaldson's music in the 1960s sought to reconnect with a more mainstream audience. He was really vociferous about the music having a groove. Maybe more populist than Cannonball. Nothing to dislike about his music . It was always about enjoyment.

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