Just read a piece where Trevor Watts apparently, and approvingly, coined the phrase "insect music", the little micro movement music that SME etc pioneered. To which Peter Brotzmann responded, "The British Disease"!
Alfa Mist on Jamie should be worth 2 fogs in a Shepherds Bush
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It depends if you think Jazz, as opposed to Free improv can have a Britishness/Europeaness and stay in the tradition There were loads fo people on All that Jazz who used to criticise Tubby Hayes and Co for sounding American meaning "Blues and Swing" ,but wouldnt Ronnie Scott for example have as much or possibly more in common with Stan Getz than John Surman who went down the "sounding English" path
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There's a certain "Englishness" that Garrick, Collier, Westbrook etc later turned to, often literature & poetry inspired, that leaves me totally cold. My deficiency maybe. And at the opposite end there's a British improv tradition (not all) that seems to me more "performance art" to be charitable, than music with humanity, emotion and connection. The guitarist Keith Rowe who stuck fruit pie labels on Westbrook's charts and "played" those, refused to play a Gibson because of "American Imperialism" (Chinese presumably OK?), and let his guitar gradually detune in the case between gigs because tuning was "Western" and Eurocentric. Who the Gods wish to...they provide Maoism. Godard in film, that bunch in "music".
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Originally posted by burning dog View PostIt depends if you think Jazz, as opposed to Free improv can have a Britishness/Europeaness and stay in the tradition There were loads fo people on All that Jazz who used to criticise Tubby Hayes and Co for sounding American meaning "Blues and Swing" ,but wouldnt Ronnie Scott for example have as much or possibly more in common with Stan Getz than John Surman who went down the "sounding English" pathbong ching
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Originally posted by burning dog View PostIt depends if you think Jazz, as opposed to Free improv can have a Britishness/Europeaness and stay in the tradition There were loads fo people on All that Jazz who used to criticise Tubby Hayes and Co for sounding American meaning "Blues and Swing" ,but wouldnt Ronnie Scott for example have as much or possibly more in common with Stan Getz than John Surman who went down the "sounding English" path
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Originally posted by Jazzrook View Post
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Originally posted by eighthobstruction View Post....i like sounding English....Fab times of big band sound with a small ensemble....
Big band sound sound with a small ensemble is indeed FAB
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Originally posted by Serial_Apologist View PostMany listening to the outer reaches of much of the AACM's output in the late 60s and 70s might feel it to be close in sound to the post-Webern European classical avant-garde.
and or challenging in music is more present in Wadada leo Smith than Scandajazz or Roads to St Ives or whatever. I dont have a Wynton Marsalis style ideologicaL stance on it - anyway he thought Lester Bowie couldn't play (or was that one of his high profile fans?)
I can appreciate free improv on its own terms, different - The culture of the players may influence but its not nationalistic. I get the impression that some think British jazz should have parralels with Dvorak and Sibelius in the Classical field
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Originally posted by burning dog View PostI can draw parralels with classical avant garde but think AACM is not that close. It's not really about identity or politics. What I find fulfilling
and or challenging in music is more present in Wadada leo Smith than Scandajazz or Roads to St Ives or whatever. I dont have a Wynton Marsalis style ideologicaL stance on it - anyway he thought Lester Bowie couldn't play (or was that one of his high profile fans?)
I can appreciate free improv on its own terms, different - The culture of the players may influence but its not nationalistic. I get the impression that some think British jazz should have parralels with Dvorak and Sibelius in the Classical field
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