Kurt Ruminations with Pat solutions will bring you Fame

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37851

    Kurt Ruminations with Pat solutions will bring you Fame

    Sat 4 May
    4pm - Jazz Record Requests




    5pm - J to Z
    Jumoké Fashola presents highlights from a concert given by jazz vocalist Kurt Elling, recorded last year in his native Chicago and featuring material from his album The Questions, known for his soaring baritone and minimalist style. Elling takes inspiration from the 13th century poet Rumi and songwriters from across genres, including Bob Dylan and Paul Simon.

    Concert highlights from one of the great contemporary jazz vocalists, Kurt Elling.


    12midnight - Geoffrey Smith's Jazz
    Geoffrey Smith selects highlights from the career of virtuoso jazz-rock fusion guitarist Pat Metheny, who has won huge audiences with his pulsating rhythms and sweeping melodies.



    Sun 5 May - Radio 2
    9pm - Jazz 625 Live

    Andi Oliver celebrates British jazz programming after the 1964-66 series Jazz 625 returned last week to BBC4 for a one-off live special from the Cheltenham Jazz Festival. Featuring performances by Joshua Redman, Cleo Laine, Gregory Porter, and Charlie Watts with Scott Hamilton. Plus archive classic moments.

    Like when Satchmo dropped his handkerchief. I missed that broadcast, btw; did anyone else see it? The second part of this R2 feature is on Tuesday (7th), with our Jamie introducing the BBC Concert Orchestra, Guy Barker's big band with Georgie Fame, and Jean Toussaint, Gregory Porter, Jacqui Dankworth, Robert Mitchell and others, from last Friday's BBC4 prog.

    Mayday Monday
    11pm - Jazz Now

    Soweto Kinch presents a concert by Belgian multi-instrumentalist Esinam at Mau Mau in London. And Al Ryan meets trumpeter Randy Brecker to talk about his latest album.

    No Chris Barber playing The Red Flag then? Used to be on every CND demo.

    Soweto Kinch presents Belgian multi-instrumentalist Esinam in concert.


    And this repeat, for any insomniacs out there:

    Fri 10 May - Radio 2
    3am - Jazz at the Movies - Prog 2 of 2

    Jamie Cullum shares his love for jazz and the cinema, here talking to Clint Eastwood about rebuilding the music of Charlie Parker for his Biopic Bird.

    Actually, on the Through The Night principle, that would be 3am on Saturday 11 May.
  • burning dog
    Full Member
    • Dec 2010
    • 1511

    #2
    Originally posted by Serial_Apologist View Post
    [B]Sat 4 May

    No Chris Barber playing The Red Flag then? Used to be on every CND demo.

    .
    Barber and Kenny Ball did a fundraiser for Margaret Thatcher in 77 !!

    Comment

    • Serial_Apologist
      Full Member
      • Dec 2010
      • 37851

      #3
      Originally posted by burning dog View Post
      Barber and Kenny Ball did a fundraiser for Margaret Thatcher in 77 !!
      Funny to think that when Trad started up in the late 40s it was supported by the Young Communist League. I always thought they got their socialist realisms in a twist, equating musical illiteracy with some Rousseauian idea of primitive innocence and purity, emanating from the working class stronghold of Bexley.

      Comment

      • BLUESNIK'S REVOX
        Full Member
        • Dec 2010
        • 4316

        #4
        Originally posted by burning dog View Post
        Barber and Kenny Ball did a fundraiser for Margaret Thatcher in 77 !!
        Is that so!? I can understand Kenny Ball but Barber? Gobsmaked. Mind you, Harold Pinter was a ferocious Thatcherite Tory for a while, a Hamsted "cell" enthusiast, all because an electrican's strike screwed up the opening of one of his plays. He was very shamefaced about *that* episode after. On the other hand, Slade played a benefit for the Workers Revolutionary Party. I was there. "Noddy, meet Mr Trotsky, he's a fan".

        BN.

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37851

          #5
          Originally posted by BLUESNIK'S REVOX View Post
          Is that so!? I can understand Kenny Ball but Barber? Gobsmaked. Mind you, Harold Pinter was a ferocious Thatcherite Tory for a while, a Hamsted "cell" enthusiast, all because an electrican's strike screwed up the opening of one of his plays. He was very shamefaced about *that* episode after. On the other hand, Slade played a benefit for the Workers Revolutionary Party. I was there. "Noddy, meet Mr Trotsky, he's a fan".

          BN.
          Bloimy!

          Comment

          • burning dog
            Full Member
            • Dec 2010
            • 1511

            #6
            "1977 - Mrs Margaret Thatcher Joins In With The Jazzmen: There was perfect harmony in the House of Commons when Mrs Thatcher, on clarinet, joined jazz musicians CHRIS BARBER, and KENNY BALL in a Dixieland session. When the music stopped, they discussed a jazz concert to be held at Albert Hall on Oct 25th organised by the Fulham and Hammersmith Conservative Association to help raise funds. © Keystone Pictures USA/ZUMAPRESS.com/Alamy Live News -"

            There's a picture of Thatcher with Barber and Ball but its copyrighted

            The fundraiser was actually for the Hammersmith and Fulham Conservative Association

            Comment

            • Joseph K
              Banned
              • Oct 2017
              • 7765

              #7
              Originally posted by BLUESNIK'S REVOX View Post
              On the other hand, Slade played a benefit for the Workers Revolutionary Party. I was there. "Noddy, meet Mr Trotsky, he's a fan".


              Trivia: The Best of Slade was the first CD I ever owned.

              Comment

              • Serial_Apologist
                Full Member
                • Dec 2010
                • 37851

                #8
                Originally posted by burning dog View Post
                "1977 - Mrs Margaret Thatcher Joins In With The Jazzmen: There was perfect harmony in the House of Commons when Mrs Thatcher, on clarinet, joined jazz musicians CHRIS BARBER, and KENNY BALL in a Dixieland session. When the music stopped, they discussed a jazz concert to be held at Albert Hall on Oct 25th organised by the Fulham and Hammersmith Conservative Association to help raise funds. © Keystone Pictures USA/ZUMAPRESS.com/Alamy Live News -"

                There's a picture of Thatcher with Barber and Ball but its copyrighted

                The fundraiser was actually for the Hammersmith and Fulham Conservative Association
                I remember there was a lot of talk about that photo at the time to the effect that Thatcher obviously couldn't have been able to play the clarinet, from the way she was holding it.

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #9
                  "Gudbuy T'Chains"?
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • Serial_Apologist
                    Full Member
                    • Dec 2010
                    • 37851

                    #10
                    I just returned home from my afternoon walk (delayed under tree by sudden hailstorm), switched on JRR and said to myself, "Tuby Hayes", though I hadn't heard the track previously. Funny how instantly recogniseable some musicians are.

                    Comment

                    • Ian Thumwood
                      Full Member
                      • Dec 2010
                      • 4242

                      #11
                      I was delighted to hear Binker Golding select Duke Ellington's wonderful "East St Louis toodle-oo" as an inspirational track. I have always found this composition haunting (I believe the title originated from something encountered on an advertising hoarding) and slightly disturbing. It is an amazing arrangement. However, it was a real shock to hear Guns n' Roses selected afterwards especially as it sounded so incompatible with both the Ellington and Coltrane tracks. It was better than expected but the real interesting aspect of it was the recording process which seemed 180 degree opposed to the spontaneity preferred in jazz.

                      The Ashley Henry track was good. This is the ianist I heard at Winchester last year fronting a terrific trio. Have to say he is a really good bloke too and a bit of an Errol Garner fan.

                      Comment

                      • Serial_Apologist
                        Full Member
                        • Dec 2010
                        • 37851

                        #12
                        Originally posted by Ian Thumwood View Post
                        I was delighted to hear Binker Golding select Duke Ellington's wonderful "East St Louis toodle-oo" as an inspirational track. I have always found this composition haunting (I believe the title originated from something encountered on an advertising hoarding) and slightly disturbing. It is an amazing arrangement. However, it was a real shock to hear Guns n' Roses selected afterwards especially as it sounded so incompatible with both the Ellington and Coltrane tracks. It was better than expected but the real interesting aspect of it was the recording process which seemed 180 degree opposed to the spontaneity preferred in jazz.

                        The Ashley Henry track was good. This is the ianist I heard at Winchester last year fronting a terrific trio. Have to say he is a really good bloke too and a bit of an Errol Garner fan.
                        Which programme are you talking about, Ian?

                        Comment

                        • Ian Thumwood
                          Full Member
                          • Dec 2010
                          • 4242

                          #13
                          Originally posted by Serial_Apologist View Post
                          Which programme are you talking about, Ian?
                          J-Z interview. Some interesting points made by Binker and a good argument as to why he favoured the Guns n' Roses track. It seemed at odd selection for a jazz musician to make because of the fact that , as explained, the studio editing from extreme. I think there is some interesting stuff that has emerged recently in British jazz but fair play to Binker for investigating styles of music which might seem mutually antagonistic. Can't imagine that many jazz fans being so generous to Guns n'Roses but be interesting to see of there are any fans of them who contribute on this board who are brave enough to admit to being a fan.

                          Got to say that I find most Rock music to be totally cliched. Got to dash - "Line of Duty"....

                          Comment

                          Working...
                          X