Sat 22 Dec
4pm - Jazz Record Requests
5pm - J to Z
There's a Christmas party feel to the last edition of the year, which comes from Kansas Smitty's bar in Hackney, east London. With live music from the house band and special guests.
12midnite - Geoffrey Smith's Jazz
Geoffrey Smith pays tribute to a New Orleans immortal, the pianist/composer Jelly Roll Morton (1890-1941), whose 1938 interviews at the Library of Congress provide a feast of memory and music from the great days of the "Crescent City".
RT does not indicate if this is a repeat.
Xmas Eve
11pm - Jazz Now
Soweto Kinch presents Entropi recorded in concert at West Yorkshire's Marsden Jazz Festival in October.
Alto saxophonist Dee Byrne's Entropi's inaugural CD of a couple of years ago took cues from Filles de Kilimanjaro-era Miles, courtesy the finely nuanced trumpet of US-born André Cannière (cf. James Darcy Argue, Maria Schneider, Donny McCaslin, ao), and some, er, canny group interplay; since when this feisty woman has pursued directions which have taken her into both free and hip-hop territories, so it will be interesting to see if this is reflected beyond the comparatively restrained character of the music represented in the recording.
One more set of jazz programmes to end the year, for which I will return in good time.
4pm - Jazz Record Requests
5pm - J to Z
There's a Christmas party feel to the last edition of the year, which comes from Kansas Smitty's bar in Hackney, east London. With live music from the house band and special guests.
12midnite - Geoffrey Smith's Jazz
Geoffrey Smith pays tribute to a New Orleans immortal, the pianist/composer Jelly Roll Morton (1890-1941), whose 1938 interviews at the Library of Congress provide a feast of memory and music from the great days of the "Crescent City".
RT does not indicate if this is a repeat.
Xmas Eve
11pm - Jazz Now
Soweto Kinch presents Entropi recorded in concert at West Yorkshire's Marsden Jazz Festival in October.
Alto saxophonist Dee Byrne's Entropi's inaugural CD of a couple of years ago took cues from Filles de Kilimanjaro-era Miles, courtesy the finely nuanced trumpet of US-born André Cannière (cf. James Darcy Argue, Maria Schneider, Donny McCaslin, ao), and some, er, canny group interplay; since when this feisty woman has pursued directions which have taken her into both free and hip-hop territories, so it will be interesting to see if this is reflected beyond the comparatively restrained character of the music represented in the recording.
One more set of jazz programmes to end the year, for which I will return in good time.
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