Now give us an A to I of jazz.

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37814

    Now give us an A to I of jazz.

    Sat 7 Apr
    4pm Jazz Record Requests

    Among this week's selection of music from all styles and periods of jazz requested by listeners, Alyn Shipton includes music by the French pianist Michel Petrucciani.



    5pm J to Z - New series
    A programme featuring the best in jazz - past, present and future. Jumoké Fashola presents UK band of the moment Sons of Kemet in session. Led by saxophonist Shabaka Hutchings, the band features two drummers and a tubist to create a sound influenced by London's dancefloors.

    Be advised, there are no Loose Tubes or Muppets to be found in this band.



    12midnight Geoffrey Smith's Jazz
    A repeat of your favourite removals firm's singing chorus, featuring We Plough the Streets and Scatter your Belongings.

    Geoffrey Smith's Jazz, a personal journey taking in great musicians and great music.


    Mon 9 Apr
    Jazz Now

    Soweto Kinch presents a concert at London's Vortex club by saxophonist Julian Siegel's Quartet.

    If I'd known Soweto and chums would be there, I'd have gone along.

    Soweto Kinch presents Julian Siegel's Quartet in concert.


    Fri 13 Apr - BBC2 TV
    9pm Nat King Cole: Afraid of the Dark

    A look into the private journals of the music icon, who overcame a period of racial segregation and prejudice in America to become one of the greatest jazz stars of all time. He was the only major black television star in Hollywood during his heyday - but, behind closed doors, those around him were thinking of a way to package him as a quasi white. A candid account of what really happened in and around his "fairy-tale" life is taken from his own written thoughts, interviews with his widow Maria, and contributions by other family members and fellow musicians.

    I for one knew nothing of any of this must-see documentary. Of all the American black musicians of that period, it's hard to think of anyone else who went more out of his way to offer a self-image more packageable for the white market.
  • BLUESNIK'S REVOX
    Full Member
    • Dec 2010
    • 4314

    #2
    JRR today...just now:

    DISC 4

    Artist Lucky Thompson

    Title Where or When

    Composer Rodgers / Hart

    Album Accent on Tenor Saxophone

    Label Fresh Sound

    Number CD 355 Track 2

    Duration 6.27

    FABULOUS. And that opening by Lucky!

    BN.

    Performers: Lucky Thompson, ts; Billy Taylor, p; Oscar Pettiford, b; Osie Johnson, d. NYC 1954.

    Comment

    • Serial_Apologist
      Full Member
      • Dec 2010
      • 37814

      #3
      Originally posted by BLUESNIK'S REVOX View Post
      JRR today...just now:

      DISC 4

      Artist Lucky Thompson

      Title Where or When

      Composer Rodgers / Hart

      Album Accent on Tenor Saxophone

      Label Fresh Sound

      Number CD 355 Track 2

      Duration 6.27

      FABULOUS. And that opening by Lucky!

      BN.

      Performers: Lucky Thompson, ts; Billy Taylor, p; Oscar Pettiford, b; Osie Johnson, d. NYC 1954.


      And the new Jay to Zee of Jazz is getting off to a pretty good start, with a funky track that's throwing me all over the place with its swapped metres and rhythms. I like the manner of the new presenter - a young Brit-born black singer, if I'm correct. Maybe there is a future after all...

      Gosh: Norma Winstone as the second track!!!

      Comment

      • BLUESNIK'S REVOX
        Full Member
        • Dec 2010
        • 4314

        #4
        Yep, she's got a very engaging manner. Now, when she gets that rare BASF tape of Elmo Hope playing an old upright at Swindon town hall in 1960, we'll have the makings of a program.

        Comment

        • Alyn_Shipton
          Full Member
          • Nov 2010
          • 777

          #5
          I'd have to say Sons of Kemet rather pale into insignificance compared to Miles's quintet....

          Comment

          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37814

            #6
            Originally posted by Alyn_Shipton View Post
            I'd have to say Sons of Kemet rather pale into insignificance compared to Miles's quintet....
            Also from 1960, that Miles!!! - I must get that. Sons of Kemet is interesting in the way it titters on an edge between the firm regularity of an African-influenced rhythmic substrate, and its destabilisation in response to Shabaka's freeish phrasing over the top providing the main focus. I'm very much with what Shabs is saying about positioning their practice within an internationalised jazz legacy - it's one of the areas with which I am in disagreement with Ian and others who say the impulse has primarily to come from America, and gets our prime seal of approval when it does so once more - or who speak or write as if that is the position. Sons of Kemet is just one manifestation, of which there are now many.

            Comment

            • Alyn_Shipton
              Full Member
              • Nov 2010
              • 777

              #7
              I just thought it had a total absence of harmony or beauty. Repetitive, rhythmically predictable and tonally two dimensional. Miles had beauty, intelligence, harmonic innovation and rhythmic subtlety. All things I know Shabaka possesses but not apparent in this setting....

              Comment

              • Nick Armstrong
                Host
                • Nov 2010
                • 26572

                #8
                Originally posted by Serial_Apologist View Post
                And the new Jay to Zee of Jazz is getting off to a pretty good start, with a funky track that's throwing me all over the place with its swapped metres and rhythms.
                Yes that is a terrific album. Very good track; and I like this one too:



                Originally posted by Serial_Apologist View Post
                I like the manner of the new presenter - a young Brit-born black singer, if I'm correct. Maybe there is a future after all...
                Agreed. I must say I found the 'cliché hip' of Julian Joseph pretty intolerable (Kevin Legendre slightly better) and never listened to the programme which J to Z has replaced, unlike the preceding impeccable and endlessly enjoyable and informative JRR...
                "...the isle is full of noises,
                Sounds and sweet airs, that give delight and hurt not.
                Sometimes a thousand twangling instruments
                Will hum about mine ears, and sometime voices..."

                Comment

                • Quarky
                  Full Member
                  • Dec 2010
                  • 2672

                  #9
                  Originally posted by Serial_Apologist View Post


                  And the new Jay to Zee of Jazz is getting off to a pretty good start, with a funky track that's throwing me all over the place with its swapped metres and rhythms. I like the manner of the new presenter - a young Brit-born black singer, if I'm correct. Maybe there is a future after all...

                  Gosh: Norma Winstone as the second track!!!
                  Way Out Man, Way Out. Jolly Jazzy start from Jumoke; can Julian follow her lead?

                  Packed full of Jazz, with no apparent concession to the early evening slot, and easy-listening. Shabaka [due for a session on Jazz Now] occupied less than 30 minutes, and the rest was all Jazz of a high standard.

                  No complaints from this quarter!

                  Comment

                  • Serial_Apologist
                    Full Member
                    • Dec 2010
                    • 37814

                    #10
                    Originally posted by Serial_Apologist View Post
                    [B]

                    Fri 13 Apr - BBC2 TV
                    9pm Nat King Cole: Afraid of the Dark

                    A look into the private journals of the music icon, who overcame a period of racial segregation and prejudice in America to become one of the greatest jazz stars of all time. He was the only major black television star in Hollywood during his heyday - but, behind closed doors, those around him were thinking of a way to package him as a quasi white. A candid account of what really happened in and around his "fairy-tale" life is taken from his own written thoughts, interviews with his widow Maria, and contributions by other family members and fellow musicians.

                    I for one knew nothing of any of this must-see documentary. Of all the American black musicians of that period, it's hard to think of anyone else who went more out of his way to offer a self-image more packageable for the white market.
                    Just bumping this telly programme up on the attention list,

                    Comment

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