Originally posted by Lat-Literal
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Gender balance at festivals
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Originally posted by teamsaint View PostSurely the important thing in a conversation is to speak and then listen, or vice versa, and thus inform oneslf and develop ones views?
Otherwise the old prejudices just get further entrenched.
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Originally posted by cloughie View PostNo, they were Suffragettes eg Ethel Smyth!Last edited by Lat-Literal; 02-03-18, 17:21.
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Originally posted by Lat-Literal View PostI will suggest something. It is that a lot of middle class women might not really want to be at the HCMF while women of poor backgrounds could be there in droves given the chance.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostNot entirely sure what you're on about here, Lats.
I will suggest something. It is that a lot of middle class women might not really want to be at the HCMF while women of poor backgrounds could be there in droves given the chance.
Would you like to hear my views on the Offside Rule ?
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Originally posted by MrGongGong View PostWould you like to hear my views on the Offside Rule ?
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by ferneyhoughgeliebte View PostNot entirely sure what you're on about here, Lats.
Well, maybe it has a bit.
Sistema and the like in other countries seem very popular!
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Originally posted by Lat-Literal View PostIt's just back to early education opportunities vis a vis the curriculum and funding. No woman - or man - of a certain background is going to get to the HCMF in their 20s if there is a whole class of people who will never know about it from the day they are born until the day they die. I'm using HCMF as a metaphor here for a lack of access to classical music.
and having a more gender balanced programme is part of it
if young women (and I'm particularly thinking about people like the one who directed one of the pieces at the gig that Ferny was at last year!) never see anyone "like them" , then the idea that they could become the creators of the art is completly alien to them.
(not very well put, I know)
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Is there an issue with women undergrads being more risk averse ( and I dont mean that as a negative in this instance) in module choices, which tend to channel them away from composition, conducting, etc?I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Lat-Literal View PostIt's just back to early education opportunities vis a vis the curriculum and/or funding. No woman - or man - of a certain background is ever going to get to the HCMF in their 20s if there is an entire class of people who will never know about it from the day they are born until the day they die. I am using HCMF as a metaphor here for a lack of access to classical music.
Can you see my problem in following your logic?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by MrGongGong View PostSome of us are doing things to try and change this
and having a more gender balanced programme is part of it
if young women (and I'm particularly thinking about people like the one who directed one of the pieces at the gig that Ferny was at last year!) never see anyone "like them" , then the idea that they could become the creators of the art is completly alien to them.
(not very well put, I know)Originally posted by teamsaint View PostIs there an issue with women undergrads being more risk averse ( and I dont mean that as a negative in this instance) in module choices, which tend to channel them away from composition, conducting, etc?Originally posted by ferneyhoughgeliebte View PostOK - but how is that expressed in your It is that a lot of middle class women might not really want to be at the HCMF while women of poor backgrounds could be there in droves given the chance? You seem to be suggesting that "a lot of middle class women" composers wrote to the 640-odd performing ensembles (ie those who didn't offer even a single work by any woman composer) to tell them not to offer any of their compositions for inclusion in their proposed programmes to the UK's foremost New Music Festival because they (these middle-class women) didn't really want to be featured there?
Can you see my problem in following your logic?
There is to my mind a link there with the question "are private/independent girls' schools coming up with the goods or is music there taking second or third stage?" Because you can guarantee that the state school system won't be delivering what with severe money constraints and organisation. A very strong argument for prioritising this area in the state sector along with the obvious ones is that the middle classes have had their opportunity and failed.
This thread is on the jazz forum. It is incredible that anyone of any gender ever makes it into jazz. There is nothing of it in any schooling and there never has been. So another thing you might like to do is study how jazz people become jazz people to see if there are additional lessons to be learned there. I still feel that trying to bump up numbers at the top end is all wrong. There should be so many people coming through that the numbers need to be got down.
A couple of further points.
As a trend, I have noticed that elderly women are more inclined than elderly men to be participatory and try out new things. To some extent, this may also be true of younger people. But young women are not only understandably focussed on being independently as secure as they can be before having families. In contrast, young men feel they can dilly-dally a bit. They are also being brought into a political dialogue about power roles and outdoing the men.
That incentivises aims towards the professions and boardrooms, reinforced by posh parents. It is also leading to increased participation in sport. With the best will in the world, it doesn't scream "take up the piano or the violin". So there may be a tailing off there, not that the bar was ever set high. As for those who have nothing they are told "stick with we women and you'll be a CEO". What they need to told is that it's a myth so risk doing what interests you.
So, yes, access to proper music in schools and parents being prepared to say "to be blunt it is concert pianist or supermarket till".........they will, as I said, be at the HCMF in droves.Last edited by Lat-Literal; 02-03-18, 19:32.
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Originally posted by teamsaint View PostIs there an issue with women undergrads being more risk averse ( and I dont mean that as a negative in this instance) in module choices, which tend to channel them away from composition, conducting, etc?
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