The Blue Note label has had a fine tradition of signing great trumpet players over its 60-plus-year history – Lee Morgan and Terence Blanchard to name but two across the decades. Well, Ambrose Akinmusire has certainly got the chops to share in that company. His searing top notes are something to behold, but it’s more than just razzle-dazzle. He uses dramatic leaps and sudden changes of tone to channel the deeply expressive musical voice he’s been developing ever since Steve Coleman told him he needed to find a concept – just listen to the second tune from the first set, a spellbinding duet with pianist Sam Harris. The rest of the band isn’t half bad either, with Walter Smith III amazingly tuned into Akinmusire’s musical train of thought when they exchange melodies, backed assertively by Harish Raghavan’s bass and Justin Brown on drums.
In the break between his two sets, jazz briefly disappears over the horizon as Akinmusire talks about wider musical influences with Kevin Le Gendre. And pop’s influence on jazz is also apparent in the gig we have from another heralded young American, saxophonist Marcus Strickland. He and his trio delve into material by hip-hop outfit Outkast and Björk, bringing the same exuberant invention as Akinmusire’s band but showing a very different, groove-based direction.
from Jon3 newsletter
In the break between his two sets, jazz briefly disappears over the horizon as Akinmusire talks about wider musical influences with Kevin Le Gendre. And pop’s influence on jazz is also apparent in the gig we have from another heralded young American, saxophonist Marcus Strickland. He and his trio delve into material by hip-hop outfit Outkast and Björk, bringing the same exuberant invention as Akinmusire’s band but showing a very different, groove-based direction.
from Jon3 newsletter
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