Long Tall Shorty

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 38184

    Long Tall Shorty

    Sat 13 Aug
    5.00 Jazz Record Requests

    Alyn Shipton revisits the life and career of another consummate clarinettist Edmond Hall (1901-67).



    6.00 Jazz Line-Up
    Julian Joseph meets influential American producer, arranger and composer Quincy Jones, recorded last month at the Montreux Jazz Festival [sic], in Switzerland. The Illinois-born studio giant has worked with Frank Sinatra, Ray Charles, Dinah Washington, Lesley Gore and Michael Jackson [who he? - ed.], among many others. He speaks about studying with Nadia Boulanger [heard of her - ed.] in Paris, his early work scoring for films and of his 1991 collaboration with Miles Davis at the Montreux Jazz [sic ] Festival . With recordings featuring Art Farmer, Herbie Hancock and Sarah Vaughan, and his popular 1962 instrumental track Soul Bossa Nova. [Never heard of it - ed.]

    Julian Joseph meets producer/arranger Quincy Jones at the 2016 Montreux Jazz Festival.


    12.00 Geoffrey Smith's Jazz
    Geoffrey Smith pays tribute to West Coast jazz trumpeter Shorty Rogers (1924-94), who starred with Woody Herman and Stan Kenton, led his own quirky bands and wrote jazz scores for hit Hollywood films and composed extensively for television.

    Geoffrey Smith celebrates the music of trumpeter-composer Shorty Rogers.


    There used to be an oldish bloke who played S London pubs in very good Shorty Rogers style till quite recent years but seems to have dropped off the radar or passed on. Can't now recall his name. Not Dick Pearce, who's more towards Art Farmer methinks.

    Mon 15 Aug
    11.00 Jazz Now

    Femi Tomowo and the Engines Orchestra recorded in July at the TW12 Jazz Festival in Twickenham.



    And for Jamie lovers, he's interviewing the long tall Danish bass player Jasper Hoiby, who also is due to play on his programme on (Shhhh) Radio 2 next Tuesday (16th) at 7 pm. Jamie C was on the late Prom last night, doncha know.
  • Old Grumpy
    Full Member
    • Jan 2011
    • 3693

    #2
    Originally posted by Serial_Apologist View Post
    And for Jamie lovers, he's interviewing the long tall Danish bass player Jasper Hoiby, who also is due to play on his programme on (Shhhh) Radio 2 next Tuesday (16th) at 7 pm. Jamie C was on the late Prom last night, doncha know.
    I did know, and I wanted to watch it (it's one of the televised proms) - but could I find it, NO - it's not broadcast until 23rd August or thereabouts. The whole of BBC4 (and BBC1 and BBC2 seems to have been taken over by the ***** Olympics


    Ahhhh, that's better...

    ...


    OG

    Comment

    • Serial_Apologist
      Full Member
      • Dec 2010
      • 38184

      #3
      Originally posted by Old Grumpy View Post
      the ***** Olympics


      Ahhhh, that's better...

      ...


      OG




      ,,,and such a nice day, too!

      Comment

      • Ian Thumwood
        Full Member
        • Dec 2010
        • 4361

        #4
        Never quite sure about Quincy Jones. My Dad is a big fan of his big band that toured Europe in the early sixties and I would concur that this was a terrific band. These records are choc-bloc with jazz talent, swing like mad and are extremely hip. For a short period of time, this orchestra presented a viable , alternative mainstream big band at the very time that Gil Evans was challenging what a jazz orchestra should sound like. Had Jones purely produced these discs and the scores for the likes of Basie and Sarah Vaughn he would have deserved his place in jazz history but I think he increasingly edged towards the pop field whereby his collaborations with Michael Jackson raised the bar for pop music. Several years ago there was a terrific two-part documentary on BBC 2 about Jones which effectively outlined just how significant his contribution was to popular music in the late 20th Century. Anyone who is anybody seems to have worked with him and I think there is a level of musicianship and craftsmanship about him which does set him aside from many of his contemporaries even if there is some dispute as to just how much music he was actually responsible for. I believe that some of his big band charts are supposed to have actually have been collaborations but even giants like Duke Ellington and Fletcher Henderson would divvy-up writing duties. This is not unusual.

        The curious thing for me is that Jones seems to have so much jazz kudos. I have seen him personally direct a French big band and witnessed the transformation in performance as the musicians were clearly inspired. Jazz musicians of all generations and abilities seem to love and respect him. However, I think that his jazz legacy is pretty thin and am not convinced that he was been a serious jazz artist since his work with Basie in the 1960's. I certainly don't feel that is any better than , say, Sammy Nestico who at least was never guilty of such monumental cheese as "Soul Sambo." I respect and admire his ability and desire to work with such a broad range of musicians, many of whom like Bono, for example, represent a significant miss-match in ability. Since the 1970s Jones has been far more influential as a catalyst and producer and I don't see that any of the developments in jazz post- Coltrane have any bearing or influence whatsoever on his music. If anything, the jazz he has produced has become increasingly influenced by fusion and pop music. There is a real sense that Quincy Jones is probably the first instrumentalist and writer to have really to have outgrown jazz and whilst I think that he has been hip enough to embrace such forward-thinking musicians as Herbie Hancock, it is fair to say that he has no bearing whatsoever on being "progressive" or "cutting edge" in a jazz sense. To me, Jones is the consummate pro and the ultimate musical polymath but it is difficult to conclude that his jazz recordings are either a major part of his output or that he has produced a substantial body of jazz recordings that befitted his ability. There is almost an element of Bob Farnon about him, insofar that other musicians truly admire his ability yet, at the end of the day, this is superior quality pop music. 9Not to say that there is necessarily anything wrong with that.) A tribute to Quincy Jones could just as well be on Radio 1 or Radio 2 as well as a jazz programme on Radio 3.

        I would be very interested to hear Richard Barrett's take on Quincy Jones.

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 38184

          #5
          And I would be very interested to hear Quincy Jones's take on Richard Barrett!

          Thanks for your thoughtful contribution, Ian.

          JRR looks interesting today - quite a few rarities in there.

          Comment

          • Quarky
            Full Member
            • Dec 2010
            • 2684

            #6
            Straight No Chaser [arr. Jones]

            If ever there were a need to justify Jazz as a novel, inventive, and game-changing form of music, I would cite this.

            Comment

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