Originally posted by Oddball
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What Jazz are you listening to now?
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Originally posted by Ian Thumwood View PostThe jazz gigs I have walked out of have tended to be freer stuff which has not got going. I have only done it rarely although the Italian Instabile Orchestra was shockingly bad and I never returned to the second set which got a good review from John Fordham in The Guardian. This made be start doubting reviews in magazines afterwards as I was staggered that someone could be so wrong about a gig. Sometimes I think people will say something is great if it has a shock value but when you attend as many concerts as I go to over the course of a year, you get a feel for what is poor and what is good.
I walked out of a French film with Ludovine Sagnier which was dreadful but I think it is easier not to make a mistake with films because they are finite. You can be underwhelmed by a film but not put off as you can be when the music is unlistenable as was the case with Mary J Blige. If anything, pop music is more of a revealing experience because the poor quality artists quickly get exposed as such. The better artists tend to really know their music even if not necessarily going to the extremes of Niles Rodgers of Chic who warmed up the last time I saw him by playing Thelonious Monk!
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Chet Baker & Paul Bley duo - "Diane". Steeplechase, Denmark, 1985.
I keep coming back to this one. At first sight an surprising combination, but a hugely complimentary one. One of Chet's finest and most committed later hours and made possible by Bley's wonderful presence and support. No sweeping pianistics or lush backgrounds but exactly right every time.
"If I should lose you", the opening track, is simply stunning.
BN.
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Originally posted by BLUESNIK'S REVOX View PostChet Baker & Paul Bley duo - "Diane". Steeplechase, Denmark, 1985.
I keep coming back to this one. At first sight an surprising combination, but a hugely complimentary one. One of Chet's finest and most committed later hours and made possible by Bley's wonderful presence and support. No sweeping pianistics or lush backgrounds but exactly right every time.
"If I should lose you", the opening track, is simply stunning.
BN.
Chet Baker (1929-1988) was an idol during his early career in music. Good-looking, talented, he played trumpet mainly by ear and sang in a soft, attractive s...
Thinking of the Bley/Peacock project of the early 1970s, I often think how fascinating it could have been had he and Billie Holiday got a session together. Chet and Dick Zwardzig were in Paris at the same time in the late 1950s - did they ever get to play together, anybody know?
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Richard Twardzik died of a heroin overdose in a Paris hotel on 21 October 1955.
I can't see anything from the European tour dates or bootlegs, but it's more possibly they may have met/played together in Boston at the Storyville, a common location and gig for all three of them.
Not many people know : 4579 ....Dick Twardzik played for a few months with the Lionel Hampton band...toured the South with Betty Carter etc. Now that is a strange one! I had to read that twice.
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Chet Baker & Dick Twardzik can be heard on the 'Complete Studio Sessions with Dick Twardzik'(LONE HILL JAZZ LHJ 10161) recorded in Paris in 1955.
A great album if you can find it!
From 1955 here is Dick Twardzik, with the Chet Baker quartet, with his composition, "The Girl From Greenland".Dick Twardzik - pChet Baker - tptJimmy Bond - b...
JRLast edited by Jazzrook; 04-09-17, 08:17.
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Yes indeed, but I took SAs thoughts as whether Billie, Chet and Dick recorded together, or indeed ever played together?
Btw, the Barcley album Chet recorded right AFTER DT died is, despite that, very very good. Brooding and dark, as well it might be. I think Bobbie Jasper is on some tracks.
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Originally posted by Stunsworth View PostIke Quebec: Blue and Sentimental
One of the DeAgostini jazz LP reissues. Nothing groundbreaking, but gorgeous playing and as usual from Blue Note a stunning recording.
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