Originally posted by Stanfordian
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What Jazz are you listening to now?
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Originally posted by Serial_Apologist View PostSpeaking of modes of another sort, those Blue Note sleeve covers were magnificent, weren't they!
Hiya Serial_Apologist,
Many of the covers was super art but they started going tasteless in the mid-to-late sixties usually containing a fashionably dressed chic on the front cover rather than the leader or band members.
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Originally posted by Stanfordian View PostHiya Serial_Apologist,
Many of the covers was super art but they started going tasteless in the mid-to-late sixties usually containing a fashionably dressed chic on the front cover rather than the leader or band members.
Just now I've been listening to "Let Freedom Ring" (2003), the second album by Denys Baptiste, a saxophonist of African Caribbean descent whom I consider an important voice, and thoroughly decent bloke, from the Black British jazz community. This link from the time, probably taken from a VHS tape, has Denys introducing the work, its motivation and choice of personnel; I can't help remarking on the fact that one of the two Americans in that line-up, the trumpeter Abram Wilson, is no longer with us; the other, Rod Youngs, well deserving of greater profiling in the UK: another thoroughly nice man and that rare thing, a thoroughly musical, and never merely showy drummer, is still on the scene, and has shown up down here, with Denys, still, and in a number of other groupings.
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I'm glad there is you (no, not you)- Sarah Vaughan (Clifford Brown ) https://www.youtube.com/watch?v=uU6O601qFvA
Superb delivery, tons of vibrato, no silly shooby dooing, no catchy toon. The way it ought to be - where did female jazz singers go wrong?
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Originally posted by Serial_Apologist View PostHerbie Hancock in company with Sonny Rollins didn't happen that often, did it? I think I should seek to get that one.
I'm playing, and have been for days, Chris McGregor's (The Blue notes) "Very Urgent", their first album for Polydor in 1968. Bloody glorious.
BN.
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This tune has been getting a lot of airplay on the radio today following the passing of Glen Campbell. I have to admit that I really hate C&W and find it pretty unforgiveable. Campbell may have been a Django fan and an accomplished studio musician yet the stuff produced under his own name is the epitome of middle of the road bland. I think that Jimmy Webb wrote some good tunes yet the execution of them was rarely as good as this which becomes quite dissonant by the end:-
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Originally posted by Ian Thumwood View PostThis tune has been getting a lot of airplay on the radio today following the passing of Glen Campbell. I have to admit that I really hate C&W and find it pretty unforgiveable. Campbell may have been a Django fan and an accomplished studio musician yet the stuff produced under his own name is the epitome of middle of the road bland. I think that Jimmy Webb wrote some good tunes yet the execution of them was rarely as good as this which becomes quite dissonant by the end:-
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Originally posted by Serial_Apologist View PostHerbie Hancock in company with Sonny Rollins didn't happen that often, did it? I think I should seek to get that one.
JR
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Originally posted by Braunschlag View PostTrilok Gurtu - Usfret.
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Originally posted by Serial_Apologist View Posthe's the only percussionist I have yet come across, knowingly, who can maintain a strict tempo in one part of the kit, while doing a rallentando or accelerando in another. He must be possessed of two brains!
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