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Provided to YouTube by Universal Music GroupThere Are Such Things · Sonny RollinsWorktime℗ 1982 Fantasy, Inc.Released on: 1982-01-01Composer Lyricist: Stanl...
From "The Drums" 3 LP set on Impulse! Records.Sunny Murray - drumsCecil Taylor - pianoJimmy Lyons - altoArchie Shepp - tenorHenry Grimes - bassYou can find m...
Listen without limits, with BBC Sounds. Catch the latest music tracks, discover binge-worthy podcasts, or listen to radio shows – all whenever you want
Annoyingly listening to and commenting on radio 3...
Provided to YouTube by Mesa/BluemoonFace First · Tribal TechFace First℗ 1993 Bluemoon Recordings, a division of Mesa / Bluemoon Recordings, Ltd.Bass Guitar:...
Downloaded this on Apple music. I’m taking your recommendation seriously.
Thank you, sainty! Honestly, the song 'Low Levels, High Stakes' is so sublime, with stunningly beautiful harmonies, Holdsworth's solo has definite vibes of unbridled ecstasy about it, and he achieves such an intensity of tone and phrasing, unlike almost any other guitarist except perhaps McLaughlin, who achieves similar things with different means.
Goodness me!!! When I spoke to him, at the 1986 Bracknell Festival, he was just a typical friendly, ruddy-faced regular American guy!
It does seem odd to think Stern is now 70! I grew up seeing him in guitar magazines ... almost 20 years ago now.
I'm currently listening to Time In Place, specifically the tune 'After All' which as the title suggests, is a bit cheesy. Some of the tunes on this album are good, others are a bit cheesy, still others combine elements that are good with those that are cheesy or corny - these latter aspects sound more pop to my ears. Now 'Four Shades' is on which is better, with its varying harmonic rhythm, some chords hang around enough to be deemed modal, while others are cadential (the II-V-I) it makes for more interesting listening.
I like Stern's playing on Miles' "The man with the horn." I had not heard this record for years until a friend gave me an LP copy. It was Miles' comeback album in the early 1980s but was quickly written off in favour of the albums that followed in it's wake. With the passage of time, I think it was probably fair to say that the trumpeter was trading on a lot of credit in the 1980s and the music has not really stood up to the test of time. "TMWTH" does have a lousy vocal on it yet, in my opinion, it was probably the last album he made where he was really jamming. Most of the appeal comes from Stern in my opinion. I feel that it is probably quite under-rated and maybe has more jazz content than what followed. It doesn't rank with the groups of the 50s and 60s but worthy of more praise,perhaps ?
Got to say that Mike Stern is another of those musicians I feel who are too closely associated with "fusion." I quite like some of his records but I would echo some of Joseph's reservations, especially as I think there have been more interesting guitar players in the 40-odd years he has been active. Was wondering if maybe my memory was playing up but I thought Stern was edgier back in the 1980s. The recent stuff I have heard if what I would call "FM friendly" and the kind of jazz that is usually off my radar.
Art Pepper, one of the major bop altoists to emerge during the '50s, started his comeback with this excellent set, Living Legend. After 15 years filled with ...
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