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Curtis Counce Quintet - Landslide (1956)Personnel: Jack Sheldon (trumpet), Harold Land (tenor sax), Carl Perkins (piano), Curtis Counce (bass), Frank Butler ...
For the first time in many a year, it's Miles' "Nefertiti". I listened to "Sorcerer" last week.
Just finishing the title track, and into "Fall".
Both beautiful albums, though Sorcerer has a bit of an incongruous last song, if memory serves. 'Pee Wee' by Tony Williams, on which Miles sits out, is a very beautiful thing indeed. And Nefertiti is highly suggestive and fertile stuff, I tend to associate it with 'Hand Jive' and 'Madness', two enigmatic numbers without piano comping for the most part...
Betty Carter, "Spring can really hang you up the most", from "An audience with Betty Carter". I bought the double vinyl of this in the mid 1980s and it's the standout track. I now find some of her late stuff indulgent, stretched beyond her limits and pointless, but THIS is something else...http://youtu.be/kmgGBuxb4KI
Bluesie - Great song and great version by Ms Carter - here is Ella's equally beautiful version
Both beautiful albums, though Sorcerer has a bit of an incongruous last song, if memory serves. 'Pee Wee' by Tony Williams, on which Miles sits out, is a very beautiful thing indeed. And Nefertiti is highly suggestive and fertile stuff, I tend to associate it with 'Hand Jive' and 'Madness', two enigmatic numbers without piano comping for the most part...
My copy of Sorcerer is a reissue from the 80s by CBS France with the horrible grey cover. It lacks that last track, fortunately!
On Nefertiti, I always think that the tracks Hand Jive, Fall and Pinocchio make a great little suite (I had a cassette with those tracks in that order).
all words are trains for moving past what really has no name
Provided to YouTube by Kontor New Media GmbHAsk Me Now · Bennie WallacePlays Monk℗ ENJA Records M. Winckelmann GmbHReleased on: 1981-05-27Artist: Bennie Wall...
A new one for me. After a couple of tracks I thought: this is what I always thought the MJQ should have sounded like but didn't because they weren't really that "modern". Hill's compositions are fascinating and oblique as usual, & memorable playing from him, Bobby Hutcherson, Richard Davis and Elvin Jones.
A new one for me. After a couple of tracks I thought: this is what I always thought the MJQ should have sounded like but didn't because they weren't really that "modern". Hill's compositions are fascinating and oblique as usual, & memorable playing from him, Bobby Hutcherson, Richard Davis and Elvin Jones.
Steady RB - they were a bit modern when I first heard them in 1964 - what did you want them to do call themselves the ‘Jazz Quartet formerly known as Modern’. I recently purchased a couple of sets of their albums - really enjoyed them!
Milt Jackson Quartet - Moonray (1955) Personnel: Milt Jackson (vibraphone), Horace Silver (piano), Percy Heath (bass), Connie Kay (drums)from the original al...
Vinyl, LP, Album, Reissue, Stereo, PR (Presswell Pressing), US -1974Atlantic — SD 16221080p - 60fpsSide 1:00:00 - - - A1 — Freedom Jazz Dance (Eddie Harris) ...
Miroslav Vitous - bass
Joe Henderson - tenor sax
Herbie Hancock - electric piano
John McLaughlin - guitar
Jack DeJohnette/Joe Chambers -drums - Nov 1969.
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