Originally posted by BLUESNIK'S REVOX
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What Jazz are you listening to now?
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Apparently Bobby Hutcherson became a vibes player because whilst walking past a record shop in California in the mid 50's. Milt Jackson's solo on "Bemsha Swing" from the Xmas 1954 session with Miles and Monk was playing in the record shop and Milt's solo coincided with Bobbies hip walking speed so he went straight into the shop and bought the record - never looked back.
Here is Bobbies version of Bemsha Swing with Mulgrew Miller, John Heard and Billy Higgins.
elmo
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Jackie McLean and the Cosmic Brotherhood (Sextet) - "Adrian's Dance", Steeplechase 1974. I'd forgotten how good and full of fire this band and the album was ("New York Calling") until it came up somewhere else. Jackie put together some very good recordings post Bluenote on a variety of labels...
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Originally posted by BLUESNIK'S REVOX View PostJackie McLean and the Cosmic Brotherhood (Sextet) - "Adrian's Dance", Steeplechase 1974. I'd forgotten how good and full of fire this band and the album was ("New York Calling") until it came up somewhere else. Jackie put together some very good recordings post Bluenote on a variety of labels...
http://youtu.be/b1JXdG9Negw
It did make me think that I have not heard of Greg Osby for ages ? Another alto player of McLean's ilk.
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Love Theme From Spartacus · Yusef Lateef
Bass: Ernie Farrow, Drums: Lex Humphries, Piano: Barry Harris
Finding this confusing: this Spartacus is from the 1960 film. Nothing to do with Khachaturian's composition, which should properly be referred to as - Adagio from Spartacus.
No doubt, it's more complicated than that.
,
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Originally posted by Quarky View PostLove Theme From Spartacus · Yusef Lateef
Bass: Ernie Farrow, Drums: Lex Humphries, Piano: Barry Harris
Finding this confusing: this Spartacus is from the 1960 film. Nothing to do with Khachaturian's composition, which should properly be referred to as - Adagio from Spartacus.
No doubt, it's more complicated than that.
,
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Oscar Peterson's 'Strictly for my Friends' 5 disc set from 1968. As if I needed reminding of his astonishing playing, musical imagination and utter command of the keyboard - maybe the greatest of all jazz piano virtuosi - never forgetting that he could swing everything he played. Yes, I'm a fan.
The chordal improvisation on Girl Talk is just wonderful but it gets even better as that side progresses. Glad I got the turntable running again.
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Charlie Parker, Dizzy Gillespie, John Lewis, Al McKibbon & Joe Harris playing 'Confirmation' at Carnegie Hall on September 29, 1947:
JRLast edited by Jazzrook; 29-09-21, 20:52.
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