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I picked up a copy of "Sonny meets Hawk" this week as this is a record I had read alot about, albeit largely for the remarkable solo by Paul Bley on "All the things you are." I cannot recall hearing this record previously but I once had a conversation about the Bley solo with an acquaintance at Vienne who had sung the record's praises albeit he had never listened to anything Bley had made under his own name.
I have to be quite honest as say that I am staggered that this record enjoys such a great reputation. To my ears, it is one of the worst records I have heard from that era. Bley is almost absent as a soloist and in every case Hawkins' work is imperious. My issue is with Rollins' lack of empathy with the older player and the almost non-musical reponses to the elder player's work. I believe that many of the musicians are alleged to have dropped acid before this session yet even this cannot explain the courseness of Rollins' otherwise fabulous tone. I have never heard Rollins so out of kilter before and have been massively shocked that he could have had this kind ofperformance within himself. Usually I love his work and the stream of consciousness inhis solos make his playing totally compelling. On this record, Rollins just seems totally obvlvious to what Hawkins was doing to the extent that he is almost disrespetful.
The reviews I have read tend to favour Hawkins' playing whilst stating that this disc features Rollins' most "outside" playing on record. I find the whole recrd reall ydifficult to listen to. I understand that Hawkins' apporach to improvisation is very harmonic whereas Rollins' tend to favour motifs and rhythms. You would not expect it to be similar to the Webster / Hawkins encounter yet I had anticipated that it would have been interesting. Unfortunately, the creativity was not working during the dates f the recording sessions and I think it is not so much a mismatch but an abortion. The record is only worthwhile for the Bley solo and the ever-excellent Hawkins. I have never heard Rollins quite so out of sorts.
Wondered if anyone else had felt the same? The reviews on line are favourable.
Charles Mingus featuring Eric Dolphy, "Peggy's blue skylight", live in Stuttgart 1964Musicians:·Charles Mingus (bass)·Eric Dolphy (alto sax, flute, bass clar...
My favorite soul-jazz tune of all time, "Makin' Out" by John Wright. Recorded June 23, 1961, by the great Rudy Van Gelder, at his studio in Englewood Cliffs,...
Just now, an old 'Dixieland' favourite, with impeccable recording history and also played by every band in Ireland in my youth. I think this July 2021 version stands up well in competition with the best and leaves most of the others in the shade. No apologies for banging the same old drum - and note, this band has no drummer.
The band plays a rousing old standard while Greg passes the tip bucket then dances at the end of the video. Watch for him in the foreground near the end of ...
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