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Today is the 50th Anniversary of the death of Louis Armstrong. I admired him for many reasons including, of course, his trumpet sound and skill, and also his singing sound and skill from 'scat' to popular, solo or duet. I did not know until now that The Lord's Prayer was sung at his funeral service by Peggy Lee. Wonderful.
I can't say that I have just one number that sums up Louis Armstrong for me, but West End Blues touches on his trumpet and vocal skills, establishes the standard for musical introductions, demonstrates his sense of humour - this Hot Five has Six members - and shows development as a jazz musician in the personnel he chooses.
Louis Armstrong's Hot Five Louis Armstrong (tp vcl)Fred Robinson (tb)Jimmy Strong (cl ts)Earl Hines (p)Mancy Cara (bj)Arthur Zutty Singleton (d)Chicago 28 J...
Today is the 50th Anniversary of the death of Louis Armstrong. I admired him for many reasons including, of course, his trumpet sound and skill, and also his singing sound and skill from 'scat' to popular, solo or duet. I did not know until now that The Lord's Prayer was sung at his funeral service by Peggy Lee. Wonderful.
I can't say that I have just one number that sums up Louis Armstrong for me, but West End Blues touches on his trumpet and vocal skills, establishes the standard for musical introductions, demonstrates his sense of humour - this Hot Five has Six members - and shows development as a jazz musician in the personnel he chooses.
Today is the 50th Anniversary of the death of Louis Armstrong. I admired him for many reasons including, of course, his trumpet sound and skill, and also his singing sound and skill from 'scat' to popular, solo or duet. I did not know until now that The Lord's Prayer was sung at his funeral service by Peggy Lee. Wonderful.
I can't say that I have just one number that sums up Louis Armstrong for me, but West End Blues touches on his trumpet and vocal skills, establishes the standard for musical introductions, demonstrates his sense of humour - this Hot Five has Six members - and shows development as a jazz musician in the personnel he chooses.
I am enjoying this. I'm currently on the last track, which shares its name with the title of the album, and I could be mistaken but it sounds like a contrafact of 'So What' - who'd have thought it? It has a swing rhythm too, just like another post-boppish track 'Right Here, Right Now, Right On'. John also - to my pleasure - seems to gives himself room to stretch out in solos more than perhaps other recent records. Overall the album features a variety of personnel and as you would expect musical approaches. There are also two piano tracks with John playing the piano which are either old pieces reworked or reminiscent of old music of his, and IMO these are filler - they don't add much, and an additional composition (where he plays guitar with a band) could have taken their place.
Wynton Marsalis's first Columbia album "Wynton Marsalis" from 1982. Dug this out today, first time in years, and was surprised by how useful it was. Lifts from Mile's second quintet and Shorter etc, "Doesn't he think we did it right the first time?!" MD, but it's an interesting début & compositions. If he hadn't been caught up in the hype/fostered it, where would he have gone. Anyway, "Father Time"....
"http://youtu.be/eGeEvIXTmTQ
For much superior to Marsalis's reworkings, Kenny Cox and the Contemporary Jazz Quintet, Blue note 1968, "Mystique", Leon Henderson on tenor, Joe's youngest brother. 2 marvellous LPs from this group as Bluenote lost interest, they were based in Detroit.
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