Originally posted by Jazzrook
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What Jazz are you listening to now?
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Tubby Hayes Quartet with Mike Pyne, Ron Matthewson & Tony Levin playing a marathon version of 'Mexican Green' live at The Little Theatre, Rochester, Kent, April 2, 1970:
Provided to YouTube by The state51 ConspiracyMexican Green (Live at The Little Theatre, Rochester, Kent, April 2nd 1970) · The Tubby Hayes QuartetTubby Hayes...
JR
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Originally posted by Jazzrook View PostTubby Hayes Quartet with Mike Pyne, Ron Matthewson & Tony Levin playing a marathon version of 'Mexican Green' live at The Little Theatre, Rochester, Kent, April 2, 1970:
Provided to YouTube by The state51 ConspiracyMexican Green (Live at The Little Theatre, Rochester, Kent, April 2nd 1970) · The Tubby Hayes QuartetTubby Hayes...
JR
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Bill Evans' Sunday at the Village Vanguard arrived today.
It feels as though I've banged on about this album quite a lot, but it is staggeringly beautiful - come to think of it, I can't think of a trio album I like more. It conjures a smoky, often haunting atmosphere. Rhythmically Evans departs quite a bit from the quaver-based bebop rhythms instead favouring often longer durations, which enables bassist Scott LaFaro greater scope to interact with the pianist. Some of the modal harmonies have something very soulful and kind of gospel about them. Terrible that LaFaro died in a car crash not long after recording this, I love his chords and overall style and 'Gloria's Step' is a fine composition.
This transcription might aid appreciation:
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Martin Speake's band Change of Heart - "Unrepentant": Speake (as) Bobo Stenson (p) Steve Watts (b) Jeff Williams (d) -25 Feb 2009
"Unrepentant" (Speake). Martin Speake's "Change of Heart" featuring Martin Speake (alto sax), Bobo Stenson (piano), Steve Watts (double bass), Jeff Williams...
Steve Watts did a gig in our garden when I first came to live here! - a fundraiser for a charity. "What are you doing here? I thought you were in Bristol?" he said. "I live here!" I told him! Place been going downhill ever since...
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Stumbled onto some old KPM library music dates. Here's an example by David Lindup (father of Mike Lindup of Level 42). He'd clearly been listening to a lot of Gil Evans arrangements when he did this. Listen out for a solo by a musician who needs no intro on this Bored, at 1:52. His style is unmistakeable.
all words are trains for moving past what really has no name
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