If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
Definitely in the mood for oud as the ECM Lockdown Jass FestivalTM covers the recordings of Anouar Brahem. NP: Khomsa, but also had Thimar (with Surman & Holland), Le Voyage de Sahar, The Astounding Eyes of Rita and Souvenance. Before that played a couple of Billy Hart releases Find The Way, All Our Reasons and One Is The Other.
all words are trains for moving past what really has no name
Definitely in the mood for oud as the ECM Lockdown Jass FestivalTM covers the recordings of Anouar Brahem. NP: Khomsa, but also had Thimar (with Surman & Holland), Le Voyage de Sahar, The Astounding Eyes of Rita and Souvenance. Before that played a couple of Billy Hart releases Find The Way, All Our Reasons and One Is The Other.
I have been playing one ECM today - Tomasz Stanko's "Suspended night" which I had not listened to for ages. I quite like Stanko's brooding approach but still prefer "Matka Joanna." In addition to this, I have listened to Billy Bang's "Rainbow Gladiator", Los Hombres Calientes Vol 2 and Myra Melford's "Snowy Egret. However, the album I have enjoyed the most is "Lento" by the South Korean singer Youn Sun Nah.
This is only one of three ACT records I have in my collection, the other two being by Vijay Iyer. The Youn Sun Nah record includes a line up of guitar, bass, accordion and percussion. she sings a very wide repertoire which takes in Scriabin, Nine Inch Nails, folk music from Korea, originals and pop standards. It is difficult to really argue whether it is pop or jazz. Her voice is incredible and one of the purest I have heard in any context. She started off singing opera and I think her range is a giveaway as you need a degree of training to achieve that. I quite like the originals yet NIN's "Hurt" strikes me as being a great example of when someone in pop music manages to produce a gem of a song. Got to be honest here and say "Hurt" is as potent as any acoustic blues performance from 1920s - deeply personal and honest account of letting people down through drug addiction. (On NIN's part, not the singers!!) It is simply a very, very good record.
"'Lady Bird' is a clean gas. Shepp does a reverse Ornette and picks up the alto, shedding many of his mannerisms on the way, although some of the honks and timbral manipulations remain. Mostly, though, he sounds like those fine second-division altos of the mid-Fifties: Ernie Henry, Clarence Sharpe and John Jenkins. In other words, not enough technique or imagination to be Bird, but pots full of passion, a raw sound and a desire to bop."
'The Sermon!' - Jimmy Smith
i) Jimmy Smith with Lee Morgan, Lou Donaldson, Tina Brooks, Kenny Burrell & Art Blakey.
ii) Jimmy Smith with Lee Morgan, George Coleman, Eddie McFadden, Donald Bailey.
Blue Note (1958/59)
Ernie Henry, "second division"?! I sense blood....
Yes, I've always thought that his 1957 album 'Seven Standards and a Blues' with Wynton Kelly, Wilbur Ware & Philly Joe Jones was first-division material:
The Quartet album with Kenny Dorham and Wilbur Ware & GT Hogan, where the pianist didn't show up (or maybe designed that way), "Two Horns, Two Rythym" 1957, is great and a personal favourite...
Yes, I've always thought that his 1957 album 'Seven Standards and a Blues' with Wynton Kelly, Wilbur Ware & Philly Joe Jones was first-division material:
The Quartet album with Kenny Dorham and Wilbur Ware & GT Hogan, where the pianist didn't show up (or maybe designed that way), "Two Horns, Two Rythym" 1957, is great and a personal favourite...
Thanks, BN. I have that CD somewhere and will have to dig it out again.
Henry also takes a fine solo on Monk's 'Ba-lue Bolivar Ba-lues-are' from 'Brilliant Corners'.
Tragic that he died not long after that session aged only 31.
Well, what with me getting my channel back up and running, it would seem that Youtube's graciously removed the arbitrary 10 minute video restriction in the y...
I fully agree with all the above comments and selections re Ernie Henry. I really like his passionate treatment of Autumn Leaves and All the things....... that follows this video
Al McLean Quartet - "Theme for Ernie" ,written by Fred Lacey (a guitarist I believe), in tribute to the then recently deceased Ernie Henry. Song picked up by John Coltrane on "Soultrane"...Al McLean is a Canadian saxophonist I like a lot...
Comment