Tal Farlow and Lenny Breau - Cherokee
What Jazz are you listening to now?
Collapse
X
-
'Blowing in from Chicago' - Cliff Jordan, John Gilmore
Cliff Jordan & John Gilmore with Horace Silver, Curly Russell & Art Blakey
Blue Note (1957)
One of my favourite jazz albums!Last edited by Stanfordian; 18-12-19, 10:17.
Comment
-
-
Charles Mingus Sextet with Eric Dolphy, Clifford Jordan, Johnny Coles, Jaki Byard & Dannie Richmond at Cornell University on March 18, 1964:
Charles Mingus Sextet at Cornell University - Take the "A" Train (1964)Personnel: Johnny Coles (trumpet), Eric Dolphy (bass clarinet), Clifford Jordan (tenor...
JR
Comment
-
-
Just now listened to "Folks" - a duet of Paul Dunmall and bassist Paul Rogers, broadcast from the 1995 Bath Festival. Rogers announces, "That was an old folk tune - about ten minutes old". This was Dunmall's first outing on border pipes, in addition to his soprano sax and clarinet. A few years earlier he had been in Danny Thompson's folk-inspired band Whatever - Tony Roberts was the one on the pipes in that, John Etheridge on guitar and really in his element. Danny's usp ensured something of a folkie following, through I remember two of the Shetland cardigan brigade leaving at half-time, the man saying to his partner, "And I thought this was going to be a folk gig". Keith Tippett, in the audience, had said, "If this is folk music, then my band is folk music"!
Comment
-
-
Originally posted by BLUESNIK'S REVOX View PostBlue Mitchell, "Alone, Alone and Alone" (Bluenote), a lovely ballad written by trumpeter Terumasa Hino during Blue's tour there. "They really listen there, it's a great tune and he's a very good trumpet player" - Blue Mitchell.
http://youtu.be/q1Xtz-Xj1NQLast edited by Stanfordian; 19-12-19, 14:07.
Comment
-
-
Originally posted by Serial_Apologist View Post
Ah, I just twigged!
Blue's big feature was (appropriately) "I remember Clifford".
Comment
-
-
Comment
-
-
From Organissimo...
"Down Beat, May 20, 1976 -- Blue Mitchell on touring with John Mayall:
"I've never seen them (Basie and Ellington) get the kind of receptions we used to get. When we were abroad in Australia or New Zealand, there would be receptions at the airports, and press conferences in rooms filled with cameras and floodlights. I must say John (Mayall) wasn't a selfish man, because when they started asking him too many questions he'd say, "Talk to some of my men; you've got Blue Mitchell here and Clifford Solomon, they're well-known musicians."
Jack Walrath, who was also in Ray Charles band with Blue, said that while he didn't have (or perhaps use) a great range, all his solos immediately grabbed you because of his tone, feeling and phrasing. I really think the Horace Silver front line of Junior Cook and Blue Mitchell needs some recognition. They produced some outstanding stuff, they were not just merely adequate or just OK, as Cool/Morton implies.
Comment
-
Comment