What Jazz are you listening to now?

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  • Joseph K
    Banned
    • Oct 2017
    • 7765

    Sonny Rollins - Rollins Plays for Bird

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    • Serial_Apologist
      Full Member
      • Dec 2010
      • 37559

      Originally posted by Stanfordian View Post

      ‘Someday My Prince Will Come’ - Miles Davis

      Miles Davis with John Coltrane, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb & Philly Joe Jones
      Columbia (rec. 1961)
      But now I have my own printer, so I don't have to wait.

      Terrible joke for what is now I think recognised as a great recording, but was once estimated as from a low period, waiting for the coming of Herbie, Wayne, Ron and Tony.

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      • Joseph K
        Banned
        • Oct 2017
        • 7765

        Originally posted by Joseph K View Post
        Sonny Rollins - Rollins Plays for Bird
        Saxophone Colossus now.

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        • Joseph K
          Banned
          • Oct 2017
          • 7765

          Miles Davis - Four & More

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          • Stanfordian
            Full Member
            • Dec 2010
            • 9308

            Originally posted by Joseph K View Post
            Saxophone Colossus now.



            A classic album!

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            • Joseph K
              Banned
              • Oct 2017
              • 7765

              Originally posted by Stanfordian View Post



              A classic album!

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              • Bryn
                Banned
                • Mar 2007
                • 24688

                A private binaural mix of John Butcher, N O Moore, Hannah Marshal and Eddie Prevost (iklectik, June 26th this year). A wonderful evening, a few clips from which concerrt can be found on YouTube (Gus IYOUVID) e.g.



                That's my Zoom H3-VR in the foreground towards the end of the clip.

                Comment

                • Serial_Apologist
                  Full Member
                  • Dec 2010
                  • 37559

                  Thanks for reproducing that, Bryn. Unfortunately I was at Deirdre Cartwright's gig at The Vortex that night - one of those "rare clashes".

                  Comment

                  • Bryn
                    Banned
                    • Mar 2007
                    • 24688

                    Originally posted by Serial_Apologist View Post
                    Thanks for reproducing that, Bryn. Unfortunately I was at Deirdre Cartwright's gig at The Vortex that night - one of those "rare clashes".
                    I should make it clear that the recordings in those YouTube clips are stereo from Gus's Mini-disc recorder. That night no professional close-mic recording was made.
                    Last edited by Bryn; 12-12-19, 09:53. Reason: Inserted missing "n" of "in".

                    Comment

                    • Ian Thumwood
                      Full Member
                      • Dec 2010
                      • 4129

                      Originally posted by Serial_Apologist View Post
                      But now I have my own printer, so I don't have to wait.

                      Terrible joke for what is now I think recognised as a great recording, but was once estimated as from a low period, waiting for the coming of Herbie, Wayne, Ron and Tony.
                      Miles alludes to this in his autobiography and suggests a lack of inspiration in this period. I believe that there was a group with Frank Strozier from around this time which was never recorded. As for "SDMPWC", when I was getting into jazz in the 1980s it was largely celebrated purely for the return of John Coltrane on a few tracks. I would have to say that I find it amongst Miles' least satisfactory studio recordings as a whole. "Teo" is the most interesting thing about the record but I have always felt that this was one record that actually sounds a bit retrograde and perhaps as if Miles wanted to make a record that sounded like a Blue Note disc but cast in his own image. You can understand the logic of this with his employment of Hank Mobley which did not work out. In my opinion, this pairing was ill-matched and not sufficiently contrasting as a front line to fascinate like the combinations with Coltrane, Adderley and Shorter who were harmonically more complex and made a better juxtaposition. Like many records from this era, one if the best reasons for buying the record is the piano playing of Wynton Kelly who was easily the best "group" pianist of that generation.

                      Whilst I concur that it is seem as something of a transitional album, this is also the case with "Seven steps" which, for my money, is probably the most under-rated record in Miles' discography. This is obviously famous for the first appearance of the second quintet but the West Coast tracks with Victor Feldman are fantastic. I feel the ballads on this record are more focused than the somewhat sleepy stuff on "Prince."

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                      • Jazzrook
                        Full Member
                        • Mar 2011
                        • 3061

                        Max Roach Quartet's 1984 album 'Scott Free' with Odean Pope, Cecil Bridgewater & Tyrone Brown.
                        The music was inspired by the case of the Scottsboro Boys who, in 1931, were falsely accused of the rape of two white girls on a train in Alabama.
                        They were later exonerated but some of them were in prison for over 15 years.

                        Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


                        JR

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                        • Stanfordian
                          Full Member
                          • Dec 2010
                          • 9308

                          ‘Naturally!’ – Nat Adderley
                          Nat Adderley with Joe Zawinul/Wynton Kelly, Sam Jones/Paul Chambers, Louis Hayes/Philly Joe Jones
                          Jazzland (1961)

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                          • Stanfordian
                            Full Member
                            • Dec 2010
                            • 9308


                            ‘Way Out’ – Johnny Griffin

                            Johnny Griffin with Kenny Drew, Wilbur Ware & Philly Joe Jones
                            Riverside (1958)

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                            • Jazzrook
                              Full Member
                              • Mar 2011
                              • 3061

                              To cheer myself up, Thelonious Monk's 1953 version of 'Friday the 13th' with Sonny Rollins, Julius Watkins, Percy Heath & Willie Jones:

                              Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


                              JR

                              Comment

                              • Serial_Apologist
                                Full Member
                                • Dec 2010
                                • 37559

                                Originally posted by Jazzrook View Post
                                To cheer myself up, Thelonious Monk's 1953 version of 'Friday the 13th' with Sonny Rollins, Julius Watkins, Percy Heath & Willie Jones:

                                Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


                                JR

                                Comment

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