Miles Davis - Filles de Kilimanjaro
What Jazz are you listening to now?
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Art Blakey Quintet live at Birdland in 1954 playing 'A Night In Tunisia' with Clifford Brown, Lou Donaldson, Horace Silver & Curley Russell:
PersonnelClifford Brown, TrumpetLou Donaldson, Alto SaxHorace Silver, PianoCurly Russell, BassArt Blakey, DrumsComposers1 Announcement By Pee Wee Marquette 0...
JR
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Ornette Coleman's 'Invisible' from his 1958 album 'Something Else!!!!' with Don Cherry(cornet); Walter Norris(piano); Don Payne(bass) & Billy Higgins(drums):
Ornette Coleman - Something Else (1958) Ornette Coleman -- alto saxophone Don Cherry -- cornet Walter Norris -- piano Don Payne -- double bassBilly Higgins -...
John Coltrane playing 'Invisible' from 'The Avant-Garde' with Don Cherry(trumpet); Perch Heath(bass) & Ed Blackwell(drums):
John Coltrane & Don Cherry"The Invisible"The Avant Garde1960Bass -- Percy HeathDrums -- Ed BlackwellTenor Saxophone -- John ColtraneTrumpet -- Don Cherry
JRLast edited by Jazzrook; 23-07-19, 09:06.
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Originally posted by burning dog View Post
BN.
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Originally posted by BLUESNIK'S REVOX View PostIt is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band.
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Originally posted by BLUESNIK'S REVOX View PostIt is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band. The "silences" in Monk's solos are from when he was dancing with the Baroness. When the date was over at dawn, they had to push start her Rolls, and then Monk & Nica just drove of and left them standing!
BN.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
JR
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I'm currently listening to a video of a Kurt Rosenwinkel clinic. His chord vocabulary on playing a blues sounds simultaneously fresh and yet definitely grounded in jazz tradition... there must be precedents for his playing, I can think of Joe Pass (and on another clinic he mentions George van Eps) but Rosenwinkel is more relaxed in his phrasing, and his voice leading concepts and harmonic devices are all very hip.
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Originally posted by BLUESNIK'S REVOX View PostIt is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band. The "silences" in Monk's solos are from when he was dancing with the Baroness. When the date was over at dawn, they had to push start her Rolls, and then Monk & Nica just drove of and left them standing!
BN.
I'd forgotten all about that recording of Monk with the Jazz Messengers, now fondly remembered from my school days.
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