What Jazz are you listening to now?

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  • Joseph K
    Banned
    • Oct 2017
    • 7765

    Miles Davis - Filles de Kilimanjaro

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    • Jazzrook
      Full Member
      • Mar 2011
      • 3038

      Art Blakey Quintet live at Birdland in 1954 playing 'A Night In Tunisia' with Clifford Brown, Lou Donaldson, Horace Silver & Curley Russell:

      PersonnelClifford Brown, TrumpetLou Donaldson, Alto SaxHorace Silver, PianoCurly Russell, BassArt Blakey, DrumsComposers1 Announcement By Pee Wee Marquette 0...


      JR

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      • LMcD
        Full Member
        • Sep 2017
        • 8097

        'Ham Gravy', played by Thomas Morris and His Seven Hot Babies - track 4 on ABMMCD 1153 'Harlem Jazz The 20s'

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        • BLUESNIK'S REVOX
          Full Member
          • Dec 2010
          • 4247

          Clark Terry - "Colour Changes" Album. Candid 1960. With Yusef Lateef, Jimmy Kneeler etc. I had never heard of this before and its VERY good. Terry given a free hand to pick the group, the tunes and the arrangements. Lots of gems like this to be found...

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          • Stanfordian
            Full Member
            • Dec 2010
            • 9286


            ‘Breezin’

            Sonny Redd with Sonny Red, Yusef Lateef, Blue Mitchell, Barry Harris, Bob Cranshaw & Albert 'Tootie' Heath
            Jazzland (1960)

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            • Jazzrook
              Full Member
              • Mar 2011
              • 3038

              Little Walter playing 'Mean Old World' from AFBF in 1967:

              Walter Jacobs vcl, hca, Hound Dog Taylor gtr, Dillard Crume bs, Odie Payne dms,


              JR

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              • Joseph K
                Banned
                • Oct 2017
                • 7765

                Provided to YouTube by Universal Music GroupOpening Nights · Kevin EubanksOpening Nightâ„— A Verve Label Group Release; â„— 1985 UMG Recordings, Inc.Released on:...


                Kevin Eubanks - Opening Night

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                • Jazzrook
                  Full Member
                  • Mar 2011
                  • 3038

                  Ornette Coleman's 'Invisible' from his 1958 album 'Something Else!!!!' with Don Cherry(cornet); Walter Norris(piano); Don Payne(bass) & Billy Higgins(drums):

                  Ornette Coleman - Something Else (1958) Ornette Coleman -- alto saxophone Don Cherry -- cornet Walter Norris -- piano Don Payne -- double bassBilly Higgins -...


                  John Coltrane playing 'Invisible' from 'The Avant-Garde' with Don Cherry(trumpet); Perch Heath(bass) & Ed Blackwell(drums):

                  John Coltrane & Don Cherry"The Invisible"The Avant Garde1960Bass -- Percy HeathDrums -- Ed BlackwellTenor Saxophone -- John ColtraneTrumpet -- Don Cherry


                  JR
                  Last edited by Jazzrook; 23-07-19, 10:06.

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                  • Stanfordian
                    Full Member
                    • Dec 2010
                    • 9286

                    ‘Bluesnik’
                    Jackie McLean with Freddie Hubbard, Kenny Drew, Doug Watkins & Pete LaRoca
                    Blue Note (1961)

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                    • burning dog
                      Full Member
                      • Dec 2010
                      • 1509

                      Love this album.

                      Bill Hardman is the surprise package - brilliant!

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                      • BLUESNIK'S REVOX
                        Full Member
                        • Dec 2010
                        • 4247

                        Originally posted by burning dog View Post
                        Love this album.

                        Bill Hardman is the surprise package - brilliant!

                        It is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band. The "silences" in Monk's solos are from when he was dancing with the Baroness. When the date was over at dawn, they had to push start her Rolls, and then Monk & Nica just drove of and left them standing!

                        BN.

                        Comment

                        • Padraig
                          Full Member
                          • Feb 2013
                          • 4196

                          Originally posted by BLUESNIK'S REVOX View Post
                          It is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band.
                          Was going to post this last night on the Poetry page. Three Blind Mice is followed by "Freddie Hubbard's mournful trumpet on 'Blue Moon'". (8.30)

                          United Artists Jazz - 69 011A1. Three Blind Mice 00:00A2. Blue Moon 08:20A3. That Old Feeling 14:20B1. Plexis 20:56B2. Up Jumped Spring 26:07B3. When Lights ...

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                          • Jazzrook
                            Full Member
                            • Mar 2011
                            • 3038

                            Originally posted by BLUESNIK'S REVOX View Post
                            It is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band. The "silences" in Monk's solos are from when he was dancing with the Baroness. When the date was over at dawn, they had to push start her Rolls, and then Monk & Nica just drove of and left them standing!

                            BN.
                            Here's Bill Hardman in 1968 with Bennie Maupin, Horace Silver, John Williams & Billy Cobham playing 'Nutville':

                            Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


                            JR

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                            • Joseph K
                              Banned
                              • Oct 2017
                              • 7765

                              I'm currently listening to a video of a Kurt Rosenwinkel clinic. His chord vocabulary on playing a blues sounds simultaneously fresh and yet definitely grounded in jazz tradition... there must be precedents for his playing, I can think of Joe Pass (and on another clinic he mentions George van Eps) but Rosenwinkel is more relaxed in his phrasing, and his voice leading concepts and harmonic devices are all very hip.

                              Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

                              Comment

                              • Serial_Apologist
                                Full Member
                                • Dec 2010
                                • 37314

                                Originally posted by BLUESNIK'S REVOX View Post
                                It is indeed a great session, with Hardman's "pecking" phrasing. Apparently he was a very helpful guy and taught Freddie Hubbard the Blakey book when Hubbard was about to join the band. The "silences" in Monk's solos are from when he was dancing with the Baroness. When the date was over at dawn, they had to push start her Rolls, and then Monk & Nica just drove of and left them standing!

                                BN.


                                I'd forgotten all about that recording of Monk with the Jazz Messengers, now fondly remembered from my school days.

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