It's London Jazz Festival time!

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37814

    It's London Jazz Festival time!

    Sat 21 Nov
    4.00 Jazz Record Requests

    Alyn Shipton highlights performances by singer Juliet Kelly and pianist Kate Williams, recorded last weekend at the Barbican Free Stage at the London Jazz festival. And listeners are given a chance to introduce their own requests.




    5.00 Jazz Line-Up
    Julian Joseph introduces a special live gig by Gareth Williams and his European Trio, recorded on 13 November on the Jazz Line-Up stage at the London Jazz Festival. The line-up features drummer Daniel Fredriksson and his bassist Martin Sjostedt, both considered among Sweden's finest jazz musicians.

    Pianist Gareth Williams and his European Trio in concert at the 2015 London Jazz Festival.


    Gareth is someone Tim Richards of Spirit Level fame would describe as one of those Mister Fastfingers, and I was there for most of this set, which charged away at a bullish pace - not quite my thing when it comes to piano trios, but pretty advanced stuff nonetheless, in a sort of turbocharged post-Bill Evansish kind of way.

    12.00 Geoffrey Smith's Jazz
    Geoffrey Smith plays tribute to Phil Woods, who died in September, aged 83. The Massachusetts-born bebop alto saxophonist, clarinettist, bandleader and composer worked alongside greats such as Thelonious Monk.

    Geoffrey Smith celebrates the work of alto saxophonist and bandleader Phil Woods.


    Before JLU Hear and Now kicks off at 10 pm with what are described as Lol's Tunes - stuff by the late sop saxophone soliloquist and all-rounder Lol Coxhill (once nicknamed the Thelonious Rollins of Aylesbury or some such) arrranged by Christopher Hobbs, who used to be associated with the Cornelius Cardew school of leftish politics-linked British improv, and two pieces by two other much missed characters from our homegrown jazz/improv avant-garde, guitarist Derek Bailey and trombonist Paul Rutherford.

    Mon 23 Nov
    11.00 Jazz on 3

    Jez Nelson with highlights from Adventures in Sound, an afternoon of improvisation recorded last week at the London Jazz Festival, curated by Jazz on 3. This year's event features short sets and one-off collaborations by Polish piano trio RGG, Danish saxophonist Julie Kjaer and her trio with British improv veterans John Edwards and Steve Noble, virtuoso harmonica-player Philip Achille, and Dinosaur, a young London-based quartet led by trumpeter and BBC Radio 3 New Generation Artist Laura Jurd.

    Highlights from Adventures in Sound at the 2015 EFG London Jazz Festival.


    For those who may not be sure, I'll just say this will be mostly at the free jazz as opposed to the plinky-plonk end of free improvisation; people should be aware of John Edwards as the astonishing bass playing regular with Evan Parker who can go from vocalised histrionics to pinpoint accurate walking line to harmonics before you've time to shake your fist at Jeremy Hunt so you get to hear it all as one, Steve Noble as the drummer who does likewise with the entire tradition of traps drumming from Baby Dodds to today, Laura Jurd as the lady with the fringe on top who just plays amazing trumpet, and if you ain't yet heard Julie Kjaer you'll want to marry her.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37814

    #2
    Originally posted by Serial_Apologist View Post

    Gareth is someone Tim Richards of Spirit Level fame would describe as one of those Mister Fastfingers, and I was there for most of this set, which charged away at a bullish pace - not quite my thing when it comes to piano trios, but pretty advanced stuff nonetheless, in a sort of turbocharged post-Bill Evansish kind of way.
    I rather wish I hadn't now written the above, having just listened to Gareth's set again, because it contains all the concentrated energy and inspiration I always seek in new music, and sounds really committed and good. Perhaps my original reception was coloured by having just walked across London from the Barbican in the pouring rain, losing my way at one point, and arriving at the Festival Hall shoes full of water in which I stood for the duration as there was nowhere to sit down. And the friend I'd been supposed to meet hadn't turned up!

    At one point being interviewed by Le Gendre, Gareth says that one's favourite records don't have to be restricted to one style of jazz. Among the many things I found myself in strong agreement with in what he said that opened a fresh door on Mr Williams, this was something that hadn't previously occurred to me - but I do find it to be true in my own case, and applying across music in general as well.

    Comment

    • BLUESNIK'S REVOX
      Full Member
      • Dec 2010
      • 4314

      #3
      Originally posted by Serial_Apologist View Post
      I rather wish I hadn't now written the above, having just listened to Gareth's set again, because it contains all the concentrated energy and inspiration I always seek in new music, and sounds really committed and good. Perhaps my original reception was coloured by having just walked across London from the Barbican in the pouring rain, losing my way at one point, and arriving at the Festival Hall shoes full of water in which I stood for the duration as there was nowhere to sit down. And the friend I'd been supposed to meet hadn't turned up!

      At one point being interviewed by Le Gendre, Gareth says that one's favourite records don't have to be restricted to one style of jazz. Among the many things I found myself in strong agreement with in what he said that opened a fresh door on Mr Williams, this was something that hadn't previously occurred to me - but I do find it to be true in my own case, and applying across music in general as well.
      It was a good set, I would have liked it to have been even longer. I've taped it to add to the C90 mountain but will replay it tomorrow.

      BN.

      Played it back and it was an extremely good set. Maybe more influenced by the earlier Bill Evans of "Everybody Digs Bill Evans" with Philly Joe but no worse for that. One to keep.

      BN.
      Last edited by BLUESNIK'S REVOX; 22-11-15, 16:23.

      Comment

      • Quarky
        Full Member
        • Dec 2010
        • 2672

        #4
        Originally posted by Serial_Apologist View Post
        Sat 21 Nov
        4.00 Jazz Record Requests

        Alyn Shipton highlights performances by singer Juliet Kelly and pianist Kate Williams, recorded last weekend at the Barbican Free Stage at the London Jazz festival. And listeners are given a chance to introduce their own requests.


        Hear and Now kicks off at 10 pm with what are described as Lol's Tunes - stuff by the late sop saxophone soliloquist and all-rounder Lol Coxhill (once nicknamed the Thelonious Rollins of Aylesbury or some such) arrranged by Christopher Hobbs, who used to be associated with the Cornelius Cardew school of leftish politics-linked British improv, and two pieces by two other much missed characters from our homegrown jazz/improv avant-garde, guitarist Derek Bailey and trombonist Paul Rutherford.
        Yes, listening to Hear and Now, I had a sense of deja vu, and thought I might be listening to one of Alyn Shipton's outside broadcasts. Can we look forward to a convergence of Hear and Now and the Jazz programmes (if that has not happened already)?

        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          #5
          Originally posted by Oddball View Post
          Yes, listening to Hear and Now, I had a sense of deja vu, and thought I might be listening to one of Alyn Shipton's outside broadcasts. Can we look forward to a convergence of Hear and Now and the Jazz programmes (if that has not happened already)?
          The H&N programme was broadcast Live from this year's Huddersfield Contemporary Music Festival, where plinky-plonk Musics of all persuasions find a home.
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • Bryn
            Banned
            • Mar 2007
            • 24688

            #6
            Originally posted by ferneyhoughgeliebte View Post
            The H&N programme was broadcast Live from this year's Huddersfield Contemporary Music Festival, where plinky-plonk Musics of all persuasions find a home.
            I though Chris Hobbs did a fine job in rescuing and arranging Lol's Tunes.

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 37814

              #7
              Originally posted by Bryn View Post
              I though Chris Hobbs did a fine job in rescuing and arranging Lol's Tunes.


              And Trevor Watts in that particular ensemble too, which took me by surprise. I wonder if he's ever attended at Huddersfield before.

              Comment

              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #8
                Our Huddersfield Correspondent writes:

                Originally posted by Serial_Apologist View Post
                And Trevor Watts in that particular ensemble too, which took me by surprise. I wonder if he's ever attended at Huddersfield before.
                I think Watts has appeared at the Festival at least once in the past (in 2013, if I'm right). The Coxhill/Hobbs pieces were "unearthed" (as the programme notes say) in the enormous archive of material of the British Music Information Collection, which is housed in the Heritage Quay building at the University of Huddersfield (and which is a real treasure trove!) - the band playing this concert, Ensemble Anomaly, is described in the Festival Programme book as "an especially selected ensemble of players put together by Simon H Fell" - it's not clear whether it was put together for the purpose of this particular concert, or is a regularly performing, touring outfit.
                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                Comment

                • Lat-Literal
                  Guest
                  • Aug 2015
                  • 6983

                  #9
                  I listened to an interview with Terri Lyne Carrington on her involvement in the London Jazz Festival and a new CD. She said that it was interesting to release jazz albums and find them being nominated in the R and B category for awards. On paper, the new CD has an impressive line-up of vocalists including Nancy Wilson and Chaka Khan but it sounds very commercial to me. The plus is that it is 80s' sounding commercial rather than 00s' "R and B" commercial but given her background I was expecting something more obviously jazz.

                  Terri Lyne Carrington and Nancy Wilson - Imagine This - https://www.youtube.com/watch?v=0Le8Ty4Sees

                  What would be one of the best examples of what she has produced in her career that is unequivocally jazz?

                  Comment

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