Phil Woods RIP

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  • BLUESNIK'S REVOX
    Full Member
    • Dec 2010
    • 4327

    Phil Woods RIP

    "Phil Woods, an alto saxophonist revered
    in jazz circles for his bright, clean sound
    and his sterling technique — and widely
    heard on songs by Billy Joel, Paul Simon
    and others — died on Tuesday in East
    Stroudsburg, Pa. He was 83.

    The cause was complications of
    emphysema, Joel Chriss, his longtime
    booking agent, said.

    Mr. Woods was one of the leading alto
    saxophonists in the generation that
    followed Charlie Parker, who had set an
    imposing new bar for the instrument
    while defining the terms of bebop.
    Rigorous, complex and brisk, bebop’s
    stylistic language would be a constant
    for Mr. Woods throughout his prolific
    career, as both a leader and a sideman." - New York Times, just now.

    I suspect Phil is not a favorite player here and its often rather a snide put down to say of someone, 'he played like Phil Woods' (clean but recycled Bird), but he cut some wonderful records, "Right of Swing" on Candid and "Musique de Bois" on Muse with Byard, Davis and Dawson, Booker Ervin's old section. Wonderful.

    RIP.

    BN.

    "Just three weeks ago, jazz legend and
    saxophonist Phil Woods gave a historic
    performance of Charlie Parker’s classic ‘With
    Strings’ album alongside the Pittsburgh
    Symphony Orchestra.
    However, right before launching into his last
    song of the night, Gerry Mulligan’s “Rocker,” he
    explained that his emphysema had worsened and
    as a result the song would, in fact, serve as his
    last performance ever .
    On September 4, 2015 Phil Woods left his alto
    saxophone on stage at the Manchester
    Craftsmen’s Guild in Pittsburgh, officially marking
    the end of an illustrious 70-year career making
    incredible music and serving as inspiration for
    countless future musicians.
    Now, it is with great sadness we report
    that Woods has passed away.
    The Bensing-Thomas Funeral Home in
    Stroudsburg, PA confirmed that Woods died this
    morning (September 29) to The Jazz Line. He
    was 83.
    Arrangements are currently being made for what
    is expected to be a private service for family and
    close friends." - Jazz Line.
    Last edited by BLUESNIK'S REVOX; 30-09-15, 13:06.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37907

    #2
    RIP Phil Woods.



    Our own Peter King, still happily going strong, most often brings Phil to mind for me.

    Comment

    • BLUESNIK'S REVOX
      Full Member
      • Dec 2010
      • 4327

      #3
      Originally posted by Serial_Apologist View Post
      RIP Phil Woods.



      Our own Peter King, still happily going strong, most often brings Phil to mind for me.
      Quite a few of that generation of saxophonists died from emphysema or its related effects - David Newman, Harold Land, Joe Henderson etc. Whether from a earlier lifetime playing in smoke filled clubs etc I don't know.

      Then, my mother died from emphysema and she only played a few gigs with Sun Ra.

      BN.

      *Richard Williams on his blog recommends Phil Wood's solo on Gil Evans (Willie Dixon) Spoonful from the Individualism of Gil Evans album. It is indeed a very fine bluesy languid solo making something special out of a fairly sparse theme.
      Last edited by BLUESNIK'S REVOX; 30-09-15, 14:16.

      Comment

      • Ian Thumwood
        Full Member
        • Dec 2010
        • 4272

        #4
        Originally posted by BLUESNIK'S REVOX View Post
        *Richard Williams on his blog recommends Phil Wood's solo on Gil Evans (Willie Dixon) Spoonful from the Individualism of Gil Evans album. It is indeed a very fine bluesy languid solo making something special out of a fairly sparse theme.

        This is one of the truly great solos in jazz.

        I am a bit perplexed by the comment that Phil Woods isn't a favourite player. Why not? Fair enough, Be-bop may seem deeply unfashionable today when a hip Blue Note albums means the forthcoming Go Go Penguin effort, but the alto player was the genuine article and most genuine jazz fans would have admired the grit within his playing. He has always impressed me.

        Woods has always impressed me but maybe more as an abrasive version of Cannonball Adderley as well as a fine big band writer. His arrangements often cropped up in the repertoire of the BBC Radio Big Band which included a fine tribute to Cannonball and Willie Dennis. There is also a suite called "The Right of Swing" which I recall being good.

        My introduction to Phil Woods was with Benny Goodman with whom he toured at one stage. Although Woods was no fan of Goodman as a bandleader, the recordings made in Europe are under-valued and Woods' inclusion perhaps demonstrates Goodman's more modernistic approach at the time.

        The comparisons with King are justified and I suppose the appeal does lie in the fact that Woods always sounded genuine and edgy in a way that eluded the less interesting alto playing of someone like Paul Desmond. You could also say the same about Bud Shank who shares some of Woods' bite.

        Comment

        • BLUESNIK'S REVOX
          Full Member
          • Dec 2010
          • 4327

          #5
          Ian, my passing point was that Woods was sometimes considered facile by some (not me) producing a well oiled post Bird alto regime. Art Pepper's jokey put down that "Phil wanted to sound that much like Bird that he even married his old lady (Chan) and played his horn". One of the hazards of being that good.

          I find his mid 50s stuff hugely enjoyable, the two alto band he led with Gene Quill being a gem. He was also one of the highspots of Quincy Jones's band. The later albums I mention above have no sense of glibness and are a really honest attempt to address the music and stretch both himself and it.

          BN.

          Comment

          • Ian Thumwood
            Full Member
            • Dec 2010
            • 4272

            #6
            The comparison with Bird is really wide of the mark. I my opinion Phil Woods had a far more abrasive tone . True enough, we came out of Charlie Parker yet he really produced something unique and he was always distinctive.

            I can't understand Pepper's put down as his earlier stuff really fell more under the spell of Parker than Woods and I think he only started to hit the top[ gear when he came out of prison in the late 60's. The albums like the one with the medium sized big band are great yet I don't feel this was as individualistic as his later work. By contrast, Woods was easily identifiable and was a brilliant addition to many big bands, not just Goodman and Evans as mentioned. His work with Monk's larger ensemble is one of the highlights of the disc and I would also highly recommend the album of Gerry Mulligan arrangements performed by Gene Krupa's big band in the mid fifties which is an essential recording in my view. I am a bit anti-Krupa yet this is one of the finest modern jazz big bands of it's time with Woods again coming up trumps. It is strange just how often he rocked up on brilliant records and came away stealing the solo honours. Jazz would be a better place nowadays if more players took their cues from him instead of the light and pretty tones favoured by many of today's players.

            Checked out Dave McDonnell yet? You should.

            Comment

            • BLUESNIK'S REVOX
              Full Member
              • Dec 2010
              • 4327

              #7
              John Fordham's obit for Phil Woods is now in the Guardian. There are also some very good interviews on the web where Woods talks about Parker et al and the ups and downs of his career, studio work, Europe etc.

              BN.

              Comment

              • clive heath

                #8
                "Integrity" by the Phil Woods Quintet comprising:

                Phil Woods (alt, cl), Tom Harrell (tpt), Hal Galper (pno), Steve Gilmore (bass), Bill Goodwin (dms)

                is a Double LP recorded in Bologna, Italy in April 1984 and can be found at

                Clive Heath transcribes 78 records onto CD and gets rid of the crackle.


                This is one of my favourite Phil Woods discs and one of the best live recordings I know. He solos well on Quincy Jones excellent album "Quintessence". A great talent.

                Comment

                • burning dog
                  Full Member
                  • Dec 2010
                  • 1511

                  #9
                  RIP


                  Woods = an absolute MONSTER of the alto. Never met any jazz alto player of my age or older who didn't rave about him. Loved him

                  Superlative saxophone playing from Phil Woods and his Quartet ... (not sure if this might not be his original 'European Rhythm Machine') ... George Gruntz on...

                  Comment

                  • Jazzrook
                    Full Member
                    • Mar 2011
                    • 3127

                    #10
                    Originally posted by BLUESNIK'S REVOX View Post
                    "Phil Woods, an alto saxophonist revered
                    in jazz circles for his bright, clean sound
                    and his sterling technique — and widely
                    heard on songs by Billy Joel, Paul Simon
                    and others — died on Tuesday in East
                    Stroudsburg, Pa. He was 83.

                    The cause was complications of
                    emphysema, Joel Chriss, his longtime
                    booking agent, said.

                    Mr. Woods was one of the leading alto
                    saxophonists in the generation that
                    followed Charlie Parker, who had set an
                    imposing new bar for the instrument
                    while defining the terms of bebop.
                    Rigorous, complex and brisk, bebop’s
                    stylistic language would be a constant
                    for Mr. Woods throughout his prolific
                    career, as both a leader and a sideman." - New York Times, just now.

                    I suspect Phil is not a favorite player here and its often rather a snide put down to say of someone, 'he played like Phil Woods' (clean but recycled Bird), but he cut some wonderful records, "Right of Swing" on Candid and "Musique de Bois" on Muse with Byard, Davis and Dawson, Booker Ervin's old section. Wonderful.

                    RIP.

                    BN.

                    "Just three weeks ago, jazz legend and
                    saxophonist Phil Woods gave a historic
                    performance of Charlie Parker’s classic ‘With
                    Strings’ album alongside the Pittsburgh
                    Symphony Orchestra.
                    However, right before launching into his last
                    song of the night, Gerry Mulligan’s “Rocker,” he
                    explained that his emphysema had worsened and
                    as a result the song would, in fact, serve as his
                    last performance ever .
                    On September 4, 2015 Phil Woods left his alto
                    saxophone on stage at the Manchester
                    Craftsmen’s Guild in Pittsburgh, officially marking
                    the end of an illustrious 70-year career making
                    incredible music and serving as inspiration for
                    countless future musicians.
                    Now, it is with great sadness we report
                    that Woods has passed away.
                    The Bensing-Thomas Funeral Home in
                    Stroudsburg, PA confirmed that Woods died this
                    morning (September 29) to The Jazz Line. He
                    was 83.
                    Arrangements are currently being made for what
                    is expected to be a private service for family and
                    close friends." - Jazz Line.
                    Apart from 'Rights of Swing'(CANDID), Phil Woods' European Rhythm Machine 'At the Frankfurt Jazz Festival 1970'(ATLANTIC) with Gordon Beck(piano); Henri Texier(bass) & Daniel Humair(drums) shouldn't be missed. Exciting and adventurous music.



                    Phil Woods & His European Rhythm Machine - JosuaPhil Woods (as), Gordon Beck (p, el-p), Henri Texier (b), Daniel Humair (ds)Album:"Phil Woods & His European ...


                    RIP Phil Woods

                    JR
                    Last edited by Jazzrook; 01-10-15, 08:59.

                    Comment

                    • charles t
                      Full Member
                      • Nov 2010
                      • 592

                      #11
                      From backstage at Shelly's ManneHole

                      [IMG][/IMG]

                      Comment

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