Charles Tolliver remembers Max Roach on Thursday's RM

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37812

    Charles Tolliver remembers Max Roach on Thursday's RM

    Sun 17 Nov





    Mon 18 - Fri 22 Nov

    The Jazz Record Requests host finally gets to pick his own favourites.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37812

    #2
    Overlooked by me, on BBC4 TV tonight for any night owls:

    11.55 Jazz 625: the British Jazz Explosion

    Sons of Kemet, Nubya Garcia, Kokoroko, Poppy Ajudha, Matthew Halsall, Moses Boyd Exodus and Ezra Collective play live in this 2020 revival of the jazz showcase which originally ran on the BBC in the 1960s.

    The biggest bands on the buzzing UK scene play in a new edition of the iconic jazz show.


    From whom have emerged an exponential plethora of new names, too many to keep up with let alone tabs on!

    Excellent JRR today - The Bessie track with Louis must've been one of the earliest black jazz recordings. We'd had the ODJB, NORK and Paul Whiteman, but they had all been white bands. When was the first black jazz actually recorded? Was it 1924? Blues, Gospel and Ragtime had been recorded earlier or in the case of Ragtime put on piano rolls. I know, I really should know! John Etheridge remarked that 60 years amounted to jazz's version of The Archers! Not quite, John!

    Comment

    • Alyn_Shipton
      Full Member
      • Nov 2010
      • 777

      #3
      As I say in my New History of Jazz it’s arguable the first jazz recordings by African Americans were by Ciro’s Club Orchestra in 1916 in London playing string band jazz. Listen to My Mother’s Rosary or other tracks from their work.

      Comment

      • Ian Thumwood
        Full Member
        • Dec 2010
        • 4223

        #4
        SA

        i would hazard a guess that black jazz artists were already well documented by 1921 at the latest. Even by 1923, the first truly great jazz unit, King Oliver's Ceole Jazz band with a young Louis, had produced its greatest works. I believe Kid Ory had debuted in California around 1921 with Reb Spikes.

        Prior to this, James Reece Europe made his first proto jazz recordings around 1913 to 14 bur if you delve into the history of territory bands, it is surprising just how many black musicians were recording before 1924 and how widespread the jazz scene was by then. I would suggest that jazz was already pretty widespread by 1921 and that many bands from the provinces were recording by then. The now defunct Red Hot Jazz website used to be a good source of acoustic jazz recordings.

        The oDJB get alot of stick but they were only one of a number of white jazz groups from late teens. Plenty of Black artists recorded before them but it is open debate as ti who was playing jazz or indeed whether the ODJB played jazz themselves. I do not feel jazz had crystallised by then but it certainly had by 1921. By 1923 i believe Jelly Roll Mortin had recorded with NORK and within a year of this, Henderson was making his first recordings with what you might consider er to be the next generation of jazz musicians.

        I have read sufficient books in jazz by now which makes it clear that jazz was ubiquitous on records by 1924 and firmly spread across the States by then. I find it staggered how quickly it caught on after 1917 not only amongst dancers and music fans but also amongst serious classical composers. There must have been hundreds of black jazz musicians making records by 1924 and not just in hotshots like New Orieans, New York or Chicago . There would have been black jazz groups at least performing if not making records in most American cities by then. Albert Mccarthy' s book on big band jazz offers some staggering insights.

        Comment

        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37812

          #5
          Originally posted by Alyn_Shipton View Post
          As I say in my New History of Jazz it’s arguable the first jazz recordings by African Americans were by Ciro’s Club Orchestra in 1916 in London playing string band jazz. Listen to My Mother’s Rosary or other tracks from their work.

          Comment

          • Tenor Freak
            Full Member
            • Dec 2010
            • 1061

            #6
            Hate to advertise Gilles Peterson on 6Music again but he's got a featured interview with Charles Tolliver on last Saturday's show. Ah, here it is> https://www.bbc.co.uk/sounds/play/m0024xhc

            At one point Mr. Tolliver mentions being able to buy a suit when he was in London with Max Roach - weren't they sold in Guineas back then? I wouldn't know, etc. Start around 1:33:13 to hear some Jackie Mac from "It's Time!" which precedes the interview.
            all words are trains for moving past what really has no name

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 37812

              #7
              Originally posted by Ian Thumwood View Post
              SA

              i would hazard a guess that black jazz artists were already well documented by 1921 at the latest. Even by 1923, the first truly great jazz unit, King Oliver's Ceole Jazz band with a young Louis, had produced its greatest works. I believe Kid Ory had debuted in California around 1921 with Reb Spikes.

              Prior to this, James Reece Europe made his first proto jazz recordings around 1913 to 14 bur if you delve into the history of territory bands, it is surprising just how many black musicians were recording before 1924 and how widespread the jazz scene was by then. I would suggest that jazz was already pretty widespread by 1921 and that many bands from the provinces were recording by then. The now defunct Red Hot Jazz website used to be a good source of acoustic jazz recordings.

              The oDJB get alot of stick but they were only one of a number of white jazz groups from late teens. Plenty of Black artists recorded before them but it is open debate as ti who was playing jazz or indeed whether the ODJB played jazz themselves. I do not feel jazz had crystallised by then but it certainly had by 1921. By 1923 i believe Jelly Roll Mortin had recorded with NORK and within a year of this, Henderson was making his first recordings with what you might consider er to be the next generation of jazz musicians.

              I have read sufficient books in jazz by now which makes it clear that jazz was ubiquitous on records by 1924 and firmly spread across the States by then. I find it staggered how quickly it caught on after 1917 not only amongst dancers and music fans but also amongst serious classical composers. There must have been hundreds of black jazz musicians making records by 1924 and not just in hotshots like New Orieans, New York or Chicago . There would have been black jazz groups at least performing if not making records in most American cities by then. Albert Mccarthy' s book on big band jazz offers some staggering insights.
              Thanks for your very informative reply Ian - along with apologies for this belated one.

              Comment

              • Serial_Apologist
                Full Member
                • Dec 2010
                • 37812

                #8
                Originally posted by Tenor Freak View Post
                Hate to advertise Gilles Peterson on 6Music again but he's got a featured interview with Charles Tolliver on last Saturday's show. Ah, here it is> https://www.bbc.co.uk/sounds/play/m0024xhc

                At one point Mr. Tolliver mentions being able to buy a suit when he was in London with Max Roach - weren't they sold in Guineas back then? I wouldn't know, etc. Start around 1:33:13 to hear some Jackie Mac from "It's Time!" which precedes the interview.
                Tremendous tracks too, none of which had I encountered before, including some rare early Funk, so many thanks - not being a R6 listener I would never have known otherwise. I really envy Charles his memory!

                Comment

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