JRR 8 NOv 14

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  • Alyn_Shipton
    Full Member
    • Nov 2010
    • 777

    JRR 8 NOv 14

    081114

    DISC
    Artist Chet Baker
    Title Let’s Get Lost
    Composer McHugh / Loesser
    Album Best of Chet Baker Sings
    Label Pacific
    Number C 92932 Track 12
    Duration 3.53
    Performers: Chet Baker, t, v; Russ Freeman, p; Carson Smih, b; Bob Neel, d.



    DISC
    Artist Harry Sweets Edison
    Title Simply Sweets
    Composer Edison / Coker
    Album Simply Sweets
    Label Pablo
    Number 903.2 Track 5
    Duration 4,24
    Performers Sweets Edison, t; Dolo Coker, p; Harvey Newmark, b. 1977.


    DISC
    Artist Bobby Lamb / Ray Premru Orchestra
    Title Cuchulain
    Composer Lamb
    Album Live at Ronnie Scotts
    Label BBC Records
    Number 116S S2 T3
    Duration 6.00
    Performers: Tony Fisher (tp, flh), Derek Healey (tp, flh), Gus Galbraith (tp, flh), Ronnie Hughes (tp, flh), Kenny Wheeler (tp, flh), Cliff Hardie (tb), Chris Pyne (tb), David Horler (tb), Jack Thirlwall (tb), Ray Premru (tb), Bobby Lamb (tb), John Jenkins (tuba), Ronnie Chamberlain (as), Alan Branscombe (as), Tony Roberts (ts, fl), Jimmy Phillip (ts), Ken Dryden (bs, fl), Nick Busch (horn), Colin Horton (horn), John Jpingneguy (horn), Tony Lucas (horn), Kenny Clare (dr), Steve Gray (p), Arthur Watts (b, el-b), John Dean (perc).


    DISC
    Artist Art Pepper
    Title When You’re Smiling
    Composer Fisher / Goodwin / Shay
    Album Road Game
    Label Original Jazz Classics
    Number OJCCD 774 Track 3
    Duration 8.52
    Performers Art Pepper, cl; George Cables, p; David Williams, b; Carl Burnett, d. 1981.


    DISC
    Artist Venuti / Lang Blue Five
    Title Raggin’ the Scale
    Composer Venuti / Lang
    Album Venuti Lang and Rollini
    Label Gralin Music
    Number Track 1
    Duration 3.25
    Performers Eddie Lang (g); Joe Venuti (vln); Jimmy Dorsey (cl, as); Adrian Rollini (bass sax); Phil Wall (p)

    DISC
    Artist Luis Russell
    Title Jersey Lightning
    Composer Russell
    Album n/a
    Label Parlophone
    Number R740 Side B
    Duration 3.20
    Performers: Bill Coleman, Henry Allen, t; J C Higginbotham, tb; Albert Nicholas, Charlie Holmes, Teddy Hill, reeds; Luis Russell, p; Will Johnson, g; Pops Foster, b; Paul Barbarin, d. 6 Sept 1929.


    DISC
    Artist Henry Red Allen
    Title Feelin’ Drowsy
    Album n/a
    Label Victor
    Number BVE-53929, S1
    Duration 3.37
    Performers: Henry Allen, t; J C Higginbotham, tb; Albert Nicholas, Charlie Holmes, Teddy Hill, reeds; Luis Russell, p; Will Johnson, g; Pops Foster, b; Paul Barbarin, d. 17 July 1929.



    DISC
    Artist Karin Krog / Bengt Hallberg
    Title Ain’t Nobody’s Business
    Album Two of a Kind
    Label Meantime
    Number
    Duration 3,43
    Performers Karin Krog, v; Bengt Hallberg, p. 1982.




    DISC
    Artist Acker Bilk
    Title Summer Set
    Composer Bilk
    Album single
    Label Columbia
    Number DB 4382 Side A
    Duration 3.38
    Performers Acker Bilk, cl; Dave Collett p; Roy James, bj; Ernie Price, b; Ron McKay, d 14 Oct 1959.


    DISC
    Artist Get the Blessing
    Title The Word For Moonlight is Moonlight
    Album Bugs in Amber
    Label Cake / Candid
    Number Track 2
    Duration 4.22
    Performers Jake McMurchie, reeds; Peter Judge, t; Jim Barr, b; Clive Deamer, d. 2009


    DISC
    Artist Ivo Neame
    Title Free at Last
    Composer Neame
    Album Caught in the Light of Day
    Label Edition
    Number Track 6
    Duration 6.24
    Performers Ivo Neame, p; Jim Hart, vib; Jasper Hoiby, b; James Maddren, d. 2009.
    Last edited by Alyn_Shipton; 07-11-14, 23:40.
  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37876

    #2
    Can it possibly be 5 years since Ivo Neame's excellent Free at Last came out? How time flies!

    Track 3 - the Bobby Lambe/Ray Premru Orchestra - if this is the one I think it is - was recorded on March 7 1971, if My Philippe Renaud serves me correctly, for anyone interested.

    Thanks again, Alyn.

    Comment

    • BLUESNIK'S REVOX
      Full Member
      • Dec 2010
      • 4323

      #3
      Karin Krog. .she knows her Norwegians, Oslo they say...

      I'll get my ski boots.


      BN

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37876

        #4
        Originally posted by BLUESNIK'S REVOX View Post
        Karin Krog. .she knows her Norwegians, Oslo they say...

        I'll get my ski boots.


        BN
        Stay as Swede as you were...

        Sonny Rollins (ts), Henry Grimes (b), Pete LaRoca (ds)Album:“Sonny Rollins / Contemporary Leader - In Stockholm 1959”Recorded:Stockholm, Sweden, March 4, 1959

        Comment

        • BLUESNIK'S REVOX
          Full Member
          • Dec 2010
          • 4323

          #5
          Talking of "Swinging" Swedes, I've just been reading a long essay on Lars Gullin. I knew he had 'chemical issues' but never realised the extent. The 1950s and 1960's, what an era. Once it all maybe seemed romantic. No more.

          BN.

          Comment

          • Tenor Freak
            Full Member
            • Dec 2010
            • 1064

            #6
            I really enjoyed the Bobby Lamb / Ray Premru and the Ivo Neame tracks...

            As for Lars Gullin, he's a name I have heard of but not familiar with his work, even though I enjoy European, Scandinavian and cool jazz. I think Sven Klangs Kvintett was shown many years ago on BBC2 as part of a jazz season when they did that kind of thing but I missed it - it would be nice to see it again on BBC FOUR (fat chance) though I have found a version on the Tube which has French subtitles: http://youtu.be/McIGH0ghPt8. I have always wanted to get a baritone sax, perhaps one day...
            all words are trains for moving past what really has no name

            Comment

            • BLUESNIK'S REVOX
              Full Member
              • Dec 2010
              • 4323

              #7
              Originally posted by Tenor Freak View Post
              I really enjoyed the Bobby Lamb / Ray Premru and the Ivo Neame tracks...

              As for Lars Gullin, he's a name I have heard of but not familiar with his work, even though I enjoy European, Scandinavian and cool jazz. I think Sven Klangs Kvintett was shown many years ago on BBC2 as part of a jazz season when they did that kind of thing but I missed it - it would be nice to see it again on BBC FOUR (fat chance) though I have found a version on the Tube which has French subtitles: http://youtu.be/McIGH0ghPt8. I have always wanted to get a baritone sax, perhaps one day...
              Its a great film based losely on Gullin. There are a stack of retrospective box sets of Swedish jazz available from Sweden. Some exceptional stuff from the 60s and 70s that certainly matches the Brit output in invention and awareness.

              R3.......? Yeah well....

              BN.

              Comment

              • Ian Thumwood
                Full Member
                • Dec 2010
                • 4254

                #8
                Originally posted by BLUESNIK'S REVOX View Post
                Its a great film based losely on Gullin. There are a stack of retrospective box sets of Swedish jazz available from Sweden. Some exceptional stuff from the 60s and 70s that certainly matches the Brit output in invention and awareness.

                R3.......? Yeah well....

                BN.
                It's funny how, back in the 1980's, any reference to Scandinavian jazz would have got the thumbs up from me with the likes of Jan Garbarek, Terje Rypdal and Jon Christenson being luminaries in the then contemporary jazz scene. On top of these masters, there were other musicians like Sidsel Endressen, Jon Balke and Arild Anderson who seemed to play Norway at the top of te jazz tree. Elsewhere, Danes like Palle Mikkelborg seemed hugely important. all this was based on the Swedish success of the 1950's / 60's which seemed to mark the country out as a serious jazz powerhouse.

                These days, the Scandinavian scene seemed to produce a flood of techno / electronic / contemporary grooves stemming from the success of Nils Petter Molvaer's "Khymer" after which Scandinavian jazz seemed tobe dominated by this style of jazz. I'm not convinced that it is typical but the combination of Bugge Wesseltoft "Nu jazz" and the increasingly folkloric music churned out from ECM, Scandinavian jazz seems a very poor relation these days in comparison with jazz produced elsewhere. EST only seemed to amplify the extent of the superficial nature of jazz from Nw Europe. It is curious to learn that the music churned out by the record companies isn't100% typical of what is being played and I was hugely impressed by the current Nils Lan Doky trio earlier this year which is producing genuine, compelling jazz that is not at the whims of popular taste. I think the cool approach of the likes of Gullin and Domnerus has it's merits but the potential seems to have been dissipated in the early 2000's as the music became increasingly cosmetic.

                Comment

                • aka Calum Da Jazbo
                  Late member
                  • Nov 2010
                  • 9173

                  #9
                  oh i dunno Ian mebbe they had an unfashionable preference for eating ...

                  According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

                  Comment

                  • BLUESNIK'S REVOX
                    Full Member
                    • Dec 2010
                    • 4323

                    #10
                    Originally posted by aka Calum Da Jazbo View Post
                    oh i dunno Ian mebbe they had an unfashionable preference for eating ...

                    "Herrings, Herrings, Oh bring me Herrings til I die."

                    Listening to Danish and Swedish public jazz radio last night and all morning. Now convinced R3 needs/deserves a scorched earth approach. Burn it down and start again. Or just forget it exists.

                    BN.

                    Comment

                    • aka Calum Da Jazbo
                      Late member
                      • Nov 2010
                      • 9173

                      #11
                      Now convinced R3 needs/deserves a scorched earth approach. Burn it down and start again. Or just forget it exists.
                      absolut!
                      According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

                      Comment

                      • Quarky
                        Full Member
                        • Dec 2010
                        • 2672

                        #12
                        Originally posted by BLUESNIK'S REVOX View Post
                        Listening to Danish and Swedish public jazz radio last night and all morning. Now convinced R3 needs/deserves a scorched earth approach. Burn it down and start again. Or just forget it exists.

                        BN.
                        Too sweeping statement BN, imv. Got a lot out of the Jazz programmes last night.

                        i feel Alyn et al are doing what R3 sets out to do: inform, educate ....

                        For me the sweet spot was Art Pepper + Venuti/ Lang.

                        and I see JLU is displacing Cinema Classics next week!

                        Comment

                        • BLUESNIK'S REVOX
                          Full Member
                          • Dec 2010
                          • 4323

                          #13
                          I sweep as I find. Seriously, the Scandinavian countries are prepared to give the music the time and respect it deserves. As does France Musique for history and analysis *. The BBC is now an empty shell living off its own self regard.

                          That's why I have taken a lump hammer to my Grundig Bop Broadcaster transistor radio (vintage 1963).

                          Free at last, Free at last!

                          BN.

                          * at this moment running a two hour program on the flute in jazz. And we ain't talking whistles ..

                          Comment

                          • aka Calum Da Jazbo
                            Late member
                            • Nov 2010
                            • 9173

                            #14
                            name of station el senor?
                            According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

                            Comment

                            • BLUESNIK'S REVOX
                              Full Member
                              • Dec 2010
                              • 4323

                              #15
                              The Danish jazz (public) station is P8. The French is France Musique which has a raft of jazz programs from its history right up to current reviews and concert material. The one I was recently listening to was "On ne badine pas avec le jazz". The two guys pick a token theme each week and spin a show and tracks around it. Anything from Jazz and Art to Adolf Sax to Jazz Flute to Jazz and War. Just an excuse to play what they like and all very "French" but it works! And no banjos, Kenny Ballux, 1950s university jazz clubs or RAF fly pasts.

                              If you get my drift.

                              BN.

                              Comment

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