Hear and Now ~ Roscoe Mitchell/George Lewis/Fred Frith

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  • Jazzrook
    Full Member
    • Mar 2011
    • 3041

    Hear and Now ~ Roscoe Mitchell/George Lewis/Fred Frith

    Hear and Now(Radio 3, Saturday, 19 April, 10pm)

  • Quarky
    Full Member
    • Dec 2010
    • 2648

    #2
    Originally posted by Jazzrook View Post
    Hear and Now(Radio 3, Saturday, 19 April, 10pm)

    https://www.glasgowconcerthalls.com/...w-4-americana/
    Looks like it should be a worthwhile listen!

    Comment

    • aka Calum Da Jazbo
      Late member
      • Nov 2010
      • 9173

      #3
      good spot jazzrook! ta
      According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37330

        #4
        Yeh, thanks JR - I did think of posting this on the H&N broad.

        Comment

        • Quarky
          Full Member
          • Dec 2010
          • 2648

          #5
          Originally posted by Jazzrook View Post
          Hear and Now(Radio 3, Saturday, 19 April, 10pm)

          https://www.glasgowconcerthalls.com/...w-4-americana/
          Interesting programme. Take away the rhythm section and replace the horns with a string section, and the connection with Jazz is not outstandingly obvious.

          The improv section between Mitchell, Lewis and Frith would have been worthy of Jon3, but for the orchestral pieces, I found myself listening with a pair of classical ears and intense concentration. Whereas for Jazz, I tend to let the music flow over me. May be I have got some way to go in my approach to listening - there must be a link-up somewhere!

          Comment

          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37330

            #6
            Originally posted by Oddball View Post
            Interesting programme. Take away the rhythm section and replace the horns with a string section, and the connection with Jazz is not outstandingly obvious.

            The improv section between Mitchell, Lewis and Frith would have been worthy of Jon3, but for the orchestral pieces, I found myself listening with a pair of classical ears and intense concentration. Whereas for Jazz, I tend to let the music flow over me. May be I have got some way to go in my approach to listening - there must be a link-up somewhere!
            For me the link-up is with the post-Boulez/Stockhausen avant-garde in the late 60s, subsequently virtually abandoned by the classical mainstream apart from often-m entioned examples on this forum, including a couple of contributers, and the improvised music scenes here and in other countries.

            Comment

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