Easter JRR playlist & All Our Eggs in One Basket

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  • Alyn_Shipton
    Full Member
    • Nov 2010
    • 777

    Easter JRR playlist & All Our Eggs in One Basket

    JRR 190414


    DISC
    Artist Dave Brubeck
    Title Take Five
    Composer Desmond
    Album Jazz The Essential Performances
    Label Columbia
    Number J2K 65807 CD 2 Track 1
    Duration 2.54
    Performers: Paul Desmond, as; Dave Brubeck, p; Gene Wright, b; Joe Morello, d. 1959.


    DISC
    Artist Count Basie
    Title Vine Street Rumble
    Composer Benny Carter
    Album Kansas City Suite
    Label Fresh Sound
    Number 713 Track 1
    Duration 3.38
    Performers: Thad Jones, Snooky Young, Sonny Cohn, Joe Newman, t; Al Grey, Henry Coker, Benny Powell, tb; Marshal Royal, Billy Mitchell, Frank Wess, Frank Foster, Charlie Fowlkes, reeds; Count Basie, p; Freddie Green, g; Eddie Jones, b; Sonny Payne, d. 7 Sep 1960.


    DISC
    Artist Adelaide Hall and Fats Waller
    Title That Old Feeling
    Composer Fain, Brown,
    Album Hall of Memories
    Label Conifer
    Number CDHD 169 Track 17
    Duration 3.03
    Performers Adelaide Hall, v; Fats Waller, org. 28 Aug 1938.


    DISC
    Artist Port of Harlem Jazzmen
    Title Pounding Heart Blues
    Composer trad
    Album Shake em up
    Label Avid
    Number AMSC694 CD 1 Track 11
    Duration 4.07
    Performers Frankie Newton, t; J C Higginbotham, tb; Sidney Bechet, cl; Meade Lux Lewis, p; Teddy Bunn, g; John Williams, b; Sid Catlett, d. 8 June 1939.


    DISC
    Artist Earl Hines
    Title Lightly and Politely
    Composer Bring / Leaf / Snider, arr. Mundy
    Album Classic Earl Hines Sessions 1928-1935
    Label Mosaic
    Number MD 7 254 CD 05 Track 6
    Duration 2.36
    Performers: Walter Fuller, Ed Sims, Milton Fletcher, t; John Ewing, Ed Burke, Joe McLewis, tb; George Dixon, Omer Simeon, Leroy Harris, Budd Johnson, Bob Crowder, reeds; Earl Hines, p; Claude Roberts, g; Quinn Wilson, b; Alvin Burroughs, d. 6 Oct 1939.


    DISC
    Artist Bill Harris
    Title C Jam Blues
    Composer Ellington
    Album Bill Harris Complete 50s Sessions
    Label Lonehill
    Number LHJ 10252 CD ? Track ?
    Duration 3.00
    Performers Bill Harris, Eddie Bert, Ollie Wilson (tbns), Bart Varsalona (btbn), Jack Greenberg, Sam Marowitz, Pete Mondello, Murray Williams (saxes), Ralph Burns (pno), Chubby Jackson (bs), Don Lamond (dms) Rec. NY 15 Jan 1952
    DISC
    Artist Holly Cole
    Title Something Cool
    Composer Barnes
    Album Shade
    Label Magada International
    Number 528103 Track 2
    Duration 3.58
    Performers: Holly Cole, v; Aaron Davis, kb; David Piltch, b. 2003.


    DISC
    Artist Esbjorn Svensson
    Title Elevation of Love
    Composer Svensson
    Album Seven Days of Falling
    Label ACT
    Number 9012-2 Track 7
    Duration 6.43
    Performers: Esbjorn Svensson, p; Dan Berglund, b; Magnus Ostrom, d. 2003.


    DISC
    Artist Stan Getz
    Title Menina Moca (Young Lady)
    Composer Luiz Antonio
    Album With Guest Artist Laurindo Almeida
    Label Verve
    Number V6 8665 Track 1
    Duration 5.41
    Performers: Stan Getz, ts; Laurindo Almeida, g; Steve Kuhn, p; George Duvivier, b; Dave Bailey, d; José Paulo, Luis Parga, perc. March 1963.



    DISC
    Artist Bobby Wellins / Stan Tracey
    Title Bright Mississippi
    Composer Monk
    Album Play Monk
    Label Resteamed
    Number 03 Track 8
    Duration 6.37
    Performers: Bobby Wellins, ts; Stan Tracey, p; Andrew Cleyndert, b; Clark Tracey, d.

    DISC
    Artist Miles Davis
    Title Blue In Green
    Composer Davis / Evans
    Album Miles Davis and John Coltrane Complete Columbia Recordings
    Label Columbia
    Number AC6K 65833 CD 4 Track 5
    Duration 5.38
    Performers: Miles Davis, t; Cannonball Adderley, as; John Coltrane, ts; Bill Evans, p; Paul Chambers, b; Jimmy Cobb, d. 2 March 1959.


    DISC
    Artist Louis Armstrong and Dave Brubeck
    Title The Real Ambassador
    Composer Dave and Iola Brubeck
    Album The Real Ambassadors
    Label Columbia
    Number Track 10
    Duration 3.08
    Performers: Louis Armstrong, t, v; Dave Brubeck, p; Gene Wright, b; Joe Morello, d; Lambert Hendricks and Ross, v; Sept 1961
  • aka Calum Da Jazbo
    Late member
    • Nov 2010
    • 9173

    #2
    blimey! two earthquakes and now two playlists!

    many thanks Alyn some egg shaped morsels to appreciate there!

    other eggs are available:

    JLU features Tim Garland and his Songs to the North Sky

    Geoffrey does a return to the Big Easy for his Easter Surpirises [find the eggs!]

    Jon3 continues its adventurous [commendably so] presentations:
    New York composer and guitarist Elliott Sharp appears in a rare UK performance, playing his piece Foliage at the Vortex in London.

    A key component in the downtown experimental scene for over 30 years, Sharp has spanned orchestral music and techno, no wave rock and film scores. For Foliage however, it's a complex relationship with graphic scores and visuals that lies at the heart of the music. Using graphic software, the composer manipulates traditional musical notation and images by means of filtering, stretching and layering - paralleling similar methods that can be used to affect sounds in a studio. These graphics are then interpreted by improvising musicians - in this concert, Sharp is joined by players from the UK scene, including Percy Pursglove (trumpet), Jeremy Price (trombone), Liam Noble (piano), Riaan Vosloo (bass) and Andrew Bain (drums).
    Last edited by aka Calum Da Jazbo; 18-04-14, 07:57.
    According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

    Comment

    • BLUESNIK'S REVOX
      Full Member
      • Dec 2010
      • 4323

      #3
      Thanks also Alyn. JRR...Earl Hines, "Lightly and Politely". Didn't Sinclair Traill have his column named after this in Jazz Journal?

      BN.

      Academic footnote. ...in the 1890s UK jazz critics and presenters were called "Sinclair" or "Humphrey" and were Old Etonians by law. Now they are all called LestR D'Jezza...well almost all.
      Last edited by BLUESNIK'S REVOX; 18-04-14, 09:59.

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37877

        #4
        Many thanks to both Alyn and Calum for the alerts. Brave of our lads to take on Elliott Sharpe's music - heavy duty stuff, and pretty scary too!

        Oh, I never knew Satchmo recorded, let alone played, with the Brubeck Trio. L,H & R as the backing group presumably - it's imaginable such a celebrity gathering as this taking place today, but I'll bet a few high brows were hackled back in '61!

        Comment

        • Ian Thumwood
          Full Member
          • Dec 2010
          • 4255

          #5
          It will be interesting to hear the Earl Hines track as I am not familiar with this number. I became interested in jazz piano after hearing a number of tribute programmes shortly after he died in the early 1980's. Hines was the first jazz pianist who really made an impression on me but his big band seemed to have an almost mythical reputation. For me, it was discovering that he had employed the arranger Jimmy Mundy to write charts prior to the latter's employment by Goodman which sparked an interested but when I heard the track with Burroughs on drum I was staggered at how differently this band swung. There was almost a feeling than Hines big band was a free-wheeling juggernaut powered by the driving drummer that attacked the music with the kind of pugnacious aggression that I feel is a characteristic of a lot of jazz from Chicago right up today's musicians such as Ken Vandermark, Josh Berman or Jason Roebke. Jazz from Chicago seems much "harder" than from New York where the music appears to sound more sophisticated and knowingly contemporary. I suppose the city produces jazz at the opposite spectrum to more laid back Mew Orleans styles or the more breezy approach to jazz on the West coast. For some reason, Hines' big band always sounded different from anyone else's and regardless of the fact that it was led by one of the most exciting and unpredictable jazz pianists of any era, I am really looking forward to hearing this.

          This is one of my favourite Hines' recording. I didn't realise that this tune was actually before by yet another Chicago legend, the tenor saxophonist Franz Jackson who I believe was playing up until the 1990's. This track always seems to be bristling with modernity and pointed the way for the more bop orientated stuff that it later recorded:-




          On the subject of Chicago tenor men, I was intrigued by the new CD by Ari Brown - not a familiar name to me but his latest effort sounds very good from the samples on a well known on line retailer.

          Comment

          • Ian Thumwood
            Full Member
            • Dec 2010
            • 4255

            #6
            Here's some Ari Brown which should please the likes of Bluesnik and Jazzrook:-


            Comment

            • aka Calum Da Jazbo
              Late member
              • Nov 2010
              • 9173

              #7
              here is a 30 min radio broadcast Ian:



              swings innit!
              According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

              Comment

              • BLUESNIK'S REVOX
                Full Member
                • Dec 2010
                • 4323

                #8
                Originally posted by Ian Thumwood View Post
                Here's some Ari Brown which should please the likes of Bluesnik and Jazzrook:-


                Good stuff Ian. He goes back a long way...reading a long piece on the Vanguard and he was in one of Elvin's bands.

                BN.

                Just listening back to some old Woody Shaw records...getting to really like what he was about back then. Much Mo than Wynton.

                Comment

                • Alyn_Shipton
                  Full Member
                  • Nov 2010
                  • 777

                  #9
                  Back in the Jazz Notes days, did a couple of programmes on Roy Eldridge which included interviews with Franz Jackson, who played in his band as well as the Hines and Fats Waller big bands, with whom I toured quite a bit in the UK in the 80s. A great tenor player, and actually a rather good clarinettist.
                  Ari Brown was in the Chicago Revolution jazz file series I did for the AACM's 35th birthday in 2000. Maybe Bluesnik has a C120 with him talking along with the Art Ensemble guys, Jodie Christian, Chuck Nessa, Von Freeman et al...

                  Comment

                  • BLUESNIK'S REVOX
                    Full Member
                    • Dec 2010
                    • 4323

                    #10
                    Thanks Alyn! I will force open the locked steel boxes in the cellar...

                    Dont remember much call for Woody Shaw on JRR? May seek to address this...

                    BN.

                    Comment

                    • Andrew Slater
                      Full Member
                      • Mar 2007
                      • 1799

                      #11
                      Many thanks. I've added the details to the printable listings and to the blog version.

                      Comment

                      • Serial_Apologist
                        Full Member
                        • Dec 2010
                        • 37877

                        #12
                        I spotted the Pastorius big band influence on Loose Tubes before Kevin Le G pointed it out just now.

                        Glad to see Tori Freestone getting a track airing from her trio album.

                        Comment

                        • Tenor Freak
                          Full Member
                          • Dec 2010
                          • 1064

                          #13
                          Originally posted by Serial_Apologist View Post
                          I spotted the Pastorius big band influence on Loose Tubes before Kevin Le G pointed it out just now.

                          Glad to see Tori Freestone getting a track airing from her trio album.
                          I remember an interview with Steve Berry - this was on Sounds of Jazz with Peter Clayton, c.1986 - where he played "Three Views of a Secret" and Steve was very clear that this was influential on his writing for teh Tubes
                          all words are trains for moving past what really has no name

                          Comment

                          • Tenor Freak
                            Full Member
                            • Dec 2010
                            • 1064

                            #14
                            Originally posted by BLUESNIK'S REVOX View Post
                            Thanks Alyn! I will force open the locked steel boxes in the cellar...

                            Dont remember much call for Woody Shaw on JRR? May seek to address this...

                            BN.
                            Woody was in the Larry Young group I requested a few years ago...I thought about requesting something from Tyrone Washington's LP "Natural Essence"...something from "Rosewood" perhaps?
                            all words are trains for moving past what really has no name

                            Comment

                            • BLUESNIK'S REVOX
                              Full Member
                              • Dec 2010
                              • 4323

                              #15
                              Originally posted by Tenor Freak View Post
                              Woody was in the Larry Young group I requested a few years ago...I thought about requesting something from Tyrone Washington's LP "Natural Essence"...something from "Rosewood" perhaps?
                              "By the time of the Bemsha Swing
                              session *, it seemed that Woody at 41
                              was almost a figure from a past era.
                              Changes in the jazz business and
                              the fashion for "young lions" had
                              marginalized one of the most
                              important voices in the music. It
                              seemed that there was little interest
                              for this swinging but forward-leaning
                              music as young players turned to
                              other, often conservative models for
                              their nascent and marketable styles.
                              Shaw would keep playing brilliantly
                              until his tragic death after a subway
                              accident in 1989, but the message of
                              his accessible yet challenging music
                              was overlooked. Woody's music and
                              playing had true originality, building
                              on tradition but never content to
                              follow, always striving to lead. The
                              implications of his music have still
                              not been explored by the musicians
                              who have come after him to the
                              extent that it, and he, truly
                              deserves."

                              Reviewer: Brian Lynch



                              I've got a friends big birthday later this year so it will def. be something from "Rosewood" for her.


                              BN.

                              *Woody Shaw - trumpet
                              Geri Allen - piano
                              Robert Hurst - bass
                              Roy Brooks - drums

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