Well, yes - but the word "inspirational" covers a multitude of sins and virtues. Berlioz "didn't understand a word of" Shakespeare (quite literally) but he found what he didn't understand "inspirational" enough to write the greatest (most astonishing, most colourful, most vivid) Musical response to it that any composer has produced. Parra's Music is worthy of attention in its own terms (much more, I thought, than was suggested in Oddy's post) - the fact that it originated in ideas beyond his comprehension doesn't (/"shouldn't"?) detract from this, even if it would have been better for that Music if, in his comments on it, he'd concentrated on its treatment of sound.
H&n: 30/11/13 - hcmf 2
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Richard Barrett
I don't think the parallel with Berlioz/Shakespeare is really valid. For a start Berlioz may have "misunderstood" Shakespeare's work but he certainly devoted himself profoundly to it for many years, as his Memoirs make clear, rather than having some vague idea about it. Secondly, Shakespeare invites an almost infinite range of approaches and interpretations, even (especially) mutually contradictory ones, which you could say is the nature of art, while scientific theories don't invite those things in the same kind of way, and treating them "as if they were art" IMO compromises what's beautiful in them; they are in a fundamental sense explanations and someone who doesn't understand an explanation is surely in some sense missing its point. As I say, I wouldn't expect many to share this opinion, but I think I know exactly how Oddball feels regarding this matter.
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Originally posted by Richard Barrett View PostI don't think the parallel with Berlioz/Shakespeare is really valid. For a start Berlioz may have "misunderstood" Shakespeare's work but he certainly devoted himself profoundly to it for many years, as his Memoirs make clear, rather than having some vague idea about it.
Secondly, Shakespeare invites an almost infinite range of approaches and interpretations, even (especially) mutually contradictory ones, which you could say is the nature of art, while scientific theories don't invite those things in the same kind of way, and treating them "as if they were art" IMO compromises what's beautiful in them; they are in a fundamental sense explanations and someone who doesn't understand an explanation is surely in some sense missing its point. As I say, I wouldn't expect many to share this opinion, but I think I know exactly how Oddball feels regarding this matter.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Richard Barrett
To me it's a bit like watching GĂ©rard Depardieu's left-hand fingers twitching randomly when he's pretending to play the viola da gamba in Tous les matins du monde - while recognising that many if not most viewers won't notice, and that many if not most of those who do aren't going to be much bothered, I can't help bemoaning (while recognising the pragmatic reasons for) the fact that taking the little extra effort to make it look convincing wasn't thought desirable. Wenn schon, denn schon, as they say around here.
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Originally posted by ferneyhoughgeliebte View PostI think that I do (at least partly) share your opinion - the beauty of a scientific theory or a mathematical formula is complete in itself, and I find it more valuable to spend time trying to get to grips with the concepts behind these than to try and find their correspondences with what an Artist tells me are in a work of Art ('tho' this can be fun, too). But "missing its point" doesn't damage such a Theory or Formula's beauty, nor prevent a composer who so misses from producing something worth hearing (all those "parallels" with Expanding Universes, or Fractal Geometry, or cell division - naively amusing at best, but producing valid pieces of Music). It's all simile - an attempt to communicate with words what has been done in Sound, for the benefit of Programme Notes for listeners not neccesarily versed in either Music or Science: irritating for those who are so versed, but (when the Music matters, as I think Parra's does) not so much to distract from the Musical artefact - which (and I completely apologize if I've got this wrong) is how I understood the (ring)tone of Oddy's "smartphone" comment.
Anyhow 5 dimensions are old hat - The Higgs Boson was predicted as I understand it from consideration of M-Space - Space of 11 dimensions! http://www.abc.net.au/science/articl...10/3542763.htm
Theoretical Physics left me far behind with Richard Feynmanns work - a great populariser of the subject. These days I am content with the observation that Mobile phone transmissions are encoded with CDMA - which may be regarded as a multi-dimensional space.
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Originally posted by Richard Barrett View PostTo me it's a bit like watching GĂ©rard Depardieu's left-hand fingers twitching randomly when he's pretending to play the viola da gamba in Tous les matins du monde - while recognising that many if not most viewers won't notice, and that many if not most of those who do aren't going to be much bothered, I can't help bemoaning (while recognising the pragmatic reasons for) the fact that taking the little extra effort to make it look convincing wasn't thought desirable. Wenn schon, denn schon, as they say around here.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostI believe it's being wrapped ready for a Christmas surprise for me even as we speak.
Considering that many books on Music (from Ashgate and CUP, for instance) are on sale at ÂŁ30 and more, I thought ÂŁ20 for such a substantial work didn't seem at all bad.
Where do they get these people?
If you are going to let people have coffee breaks..................I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostWell if its anything like the publisher that I work for , they.............oh, well you already know .
If you are going to let people have coffee breaks..................
It wasn't me, by the way!
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Richard Barrett
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