Recorded 22 June 2012 for future transmission on Hear and Now.
"New German Mythmakers": recent German music inspired by literature
Anyone familiar with these?
I found the Reimann a bit dull - despite using different sections of the orchestra for different pieces, the overall (ominous) mood of the music remained much the same throughout, and there was no sense of overall development.
The Henze was inspired by "A Midsummer Night's Dream", and there was a definite sense of the magical world interacting with the earthly one - or at least of interplay between light-textured music and more solid sounding sections. Definitely a piece I'd like to hear again.
To me the Pintscher was a bit long: it started off well, got a bit monotonous after a while, and then became interesting again about two-thirds of the way through. There was some imaginative orchestration - although the bowing of the sides of the vibraphone/xylophone bars was a bit over-used - with much of the cello writing being at the top end of the register.
But from the conversations I heard on the way out, opinions varied about which had been the most impressive pieces.
"New German Mythmakers": recent German music inspired by literature
- Reimann: Nine Pieces for Orchestra
- Henze: 8th Symphony
- Pintscher: Reflections on Narcissus for Cello and Orchestra
Anyone familiar with these?
I found the Reimann a bit dull - despite using different sections of the orchestra for different pieces, the overall (ominous) mood of the music remained much the same throughout, and there was no sense of overall development.
The Henze was inspired by "A Midsummer Night's Dream", and there was a definite sense of the magical world interacting with the earthly one - or at least of interplay between light-textured music and more solid sounding sections. Definitely a piece I'd like to hear again.
To me the Pintscher was a bit long: it started off well, got a bit monotonous after a while, and then became interesting again about two-thirds of the way through. There was some imaginative orchestration - although the bowing of the sides of the vibraphone/xylophone bars was a bit over-used - with much of the cello writing being at the top end of the register.
But from the conversations I heard on the way out, opinions varied about which had been the most impressive pieces.
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