Some interesting discussion about this on FB at the moment
PRS "Resonate" pieces
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Originally posted by MrGongGong View PostSome interesting discussion about this on FB at the moment
https://prsfoundation.com/2019/04/23...ac-iU-TkFsqgRg
Heigh-ho - time to play
I've already posted a downloadable excerpt from this recording, which is of the only performance so far of this piece (in February 2005, by the BBC Symphony Orchestra conducted by Tadaaki Otaka). Here
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
(or, for that matter):
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
or:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Quite a number of orchestral works by Birtwistle from the past quarter-century, too, of course - perhaps their more frequent performances abroad disqualifies them from inclusion in the PRS criteria, in spite of their neglect by British Orchestras?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Dave2002 View PostI'm not sure that I like too much of James MacMillan's music (some is very good ...) - the Dunedin Consort are usually worth hearing. What is the Seven Last Words from the Cross like?
I found it a dreary sequence of note-spinnings, uninteresting, and predictable (in the sense that, when I first heard it, it sounded familiar - when I heard it the second time, I couldn't remember much from the first, but there was still that sense of having heard something like the bits I couldn't remember somewhere before). But that's how I feel about most of MacMillan's output.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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