One might suppose that it was inevitable that this piece would become the butt of jokes of various kinds, some even funny, but the fact that it remains so today beggars belief, as arguably does the threadbare humour of of some of the would-be jokers who might be better advised to follow the example of the performance instructions as pictured above when commenting on it, namely TACET, TACET and TACET...
4:33" interpretations
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Originally posted by Eine Alpensinfonie View PostUnfortunately I didn't manage to memorise them. But I did like the pianist's new clothes.
John Cage: Of course - I consider laughter preferable to tears.
He was always several steps ahead of the "new clothes" comments...
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Much enjoying Cage's 'In a Landscape', played by Brooklyn Rider (on a CD I bought for the Debussy quartet). Altogether a terrific CD - not so easy to locate … https://www.amazon.co.uk/Dominant-Cu...inant+curve%22
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Originally posted by verismissimo View PostMuch enjoying Cage's 'In a Landscape', played by Brooklyn Rider (on a CD I bought for the Debussy quartet). Altogether a terrific CD - not so easy to locate … https://www.amazon.co.uk/Dominant-Cu...inant+curve%22
Check out "The Imposter", with Béla Fleck. Great banjo playing, to boot.
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Originally posted by Richard Barrett View PostIf Alpensinfonie plays Rachmaninov in the middle of the forest and nobody is there to hear it, does it really make a sound?
If Alpie made a recording of his playing, and left it in the middle of the forest with a delay on the player so that it only started several minutes after he (or whoever) had gone beyond hearing range of the playback, then the question might be asked.
And, of course (yes, "of course") the answer is "Yes". Sound does not depend upon human hearing in order to exist; a recording device placed next to the playback would "collect" all the information from the vibrations in the air, regardless of whether a human ever got round to listening to it. Enough of this anthropocentric nonsense - that's what's gotten us into this fine mess, Stanley.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostIn that instance, as Alpie is there to hear himself, then ...
If Alpie made a recording of his playing, and left it in the middle of the forest with a delay on the player so that it only started several minutes after he (or whoever) had gone beyond hearing range of the playback, then the question might be asked.
And, of course (yes, "of course") the answer is "Yes". Sound does not depend upon human hearing in order to exist; a recording device placed next to the playback would "collect" all the information from the vibrations in the air, regardless of whether a human ever got round to listening to it. Enough of this anthropocentric nonsense - that's what's gotten us into this fine mess, Stanley.
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Originally posted by ferneyhoughgeliebte View Post"
And, of course (yes, "of course") the answer is "Yes". Sound does not depend upon human hearing in order to exist; a recording device placed next to the playback would "collect" all the information from the vibrations in the air, regardless of whether a human ever got round to listening to it. Enough of this anthropocentric nonsense - that's what's gotten us into this fine mess, Stanley.
"According to substance theory, a substance is distinct from its properties, while according to bundle theory, an object is merely its sense data... "
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