A gathering of pieces, mostly performed at Café Oto earlier this year, makes up this week's edition.
Members of Danish-based Ensemble Scenatet give the UK premiere of British composer Matt Rogers(b 1981)' 45-minute trio for Clarinet, Viola, and 'cello, Weep at the Elastic as it Stretches; Joseph Houston plays The thing is, I think for piano and electronics by New Zealander Antonia Barnett-McIntosh(b1983); and a work for composer and audience, David Helbich(b Berlin, 1973)'s No Music.
There's also Music by Greek-born, Berlin-based sound sculptor, Marianthi Papalexandri-Alexandri(b1974) who constructs the instruments on which she creates and performs her work, and a bonus from the recent Tectonics Festival in Glasgow, 'cellist Deborah Walker's realization of French composer Pascale Criten(b1954)'s Chaoscaccia, recorded at a portrait concert of the composer's work, given on 6th May - and from which, I fervently hope, more pieces were recorded for future broadcast.
Members of Danish-based Ensemble Scenatet give the UK premiere of British composer Matt Rogers(b 1981)' 45-minute trio for Clarinet, Viola, and 'cello, Weep at the Elastic as it Stretches; Joseph Houston plays The thing is, I think for piano and electronics by New Zealander Antonia Barnett-McIntosh(b1983); and a work for composer and audience, David Helbich(b Berlin, 1973)'s No Music.
There's also Music by Greek-born, Berlin-based sound sculptor, Marianthi Papalexandri-Alexandri(b1974) who constructs the instruments on which she creates and performs her work, and a bonus from the recent Tectonics Festival in Glasgow, 'cellist Deborah Walker's realization of French composer Pascale Criten(b1954)'s Chaoscaccia, recorded at a portrait concert of the composer's work, given on 6th May - and from which, I fervently hope, more pieces were recorded for future broadcast.
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