What is Modern Music?

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  • doversoul1
    Ex Member
    • Dec 2010
    • 7132

    #16
    Do we actually talk about ‘modern music’ in classical music/Radio3 context? From a quick Googling, I get an impression that modern music refers to something like ‘the music created in our lifetime’. For example (I gave up before finding classical music here):



    We talk about someone’s music is modern but do we have a programme of modern music?

    Comment

    • Beef Oven!
      Ex-member
      • Sep 2013
      • 18147

      #17
      Originally posted by ardcarp View Post
      [Second Viennese School]...........which was then (roughly) 50 yeras old.
      Now it's OLD HAT, OLD FASHIONED, NOT MODERN, NOT NEW. Still interesting though.
      We are 'exchanging ideas on how far back from the present we can go in our definition of contemporary'.

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      • ardcarp
        Late member
        • Nov 2010
        • 11102

        #18
        Taking that at face value, how about:

        New = ink still wet on the page (if indeed ink is involved)
        Cotemporary = written in the past 10 years
        Late Modern = written in the past 50 years (i.e. since 1965)
        Early Modern = wtitten between 1905 and 1965

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        • Beef Oven!
          Ex-member
          • Sep 2013
          • 18147

          #19
          Originally posted by ardcarp View Post
          Taking that at face value, how about:
          Ok, here goes.....

          New = ink still wet on the page (if indeed ink is involved)
          What Lloyd-Webber has in the pipeline?

          Cotemporary = written in the past 10 years
          Karl Jenkins - Requiem

          Late Modern = written in the past 50 years (i.e. since 1965)
          Howard Blake - The Snowman


          Early Modern = wtitten between 1905 and 1965
          Elgar - Pomp & Circumstance Marches 4&5


          I think something's missing from your criteria

          Comment

          • ahinton
            Full Member
            • Nov 2010
            • 16123

            #20
            Originally posted by Beef Oven! View Post
            = composed.
            Sure, but that embraces both the written and the unwritten.

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            • Beef Oven!
              Ex-member
              • Sep 2013
              • 18147

              #21
              Originally posted by ahinton View Post
              Sure, but that embraces both the written and the unwritten.
              Sure, so long as we acknowledge that writing music isn't the only way of composing.

              Comment

              • doversoul1
                Ex Member
                • Dec 2010
                • 7132

                #22
                Originally posted by ardcarp View Post
                Taking that at face value, how about:

                New = ink still wet on the page (if indeed ink is involved)
                Cotemporary = written in the past 10 years
                Late Modern = written in the past 50 years (i.e. since 1965)
                Early Modern = wtitten between 1905 and 1965
                In the past 10/50 years from when? Will some music from each category be ‘downgraded’ in term of modern-ness this time next year? Also, as the term ‘early modern’ already exists in a wider historical sense, can it not be rather confusing?

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                • ahinton
                  Full Member
                  • Nov 2010
                  • 16123

                  #23
                  Originally posted by Beef Oven! View Post
                  My own very subjective opinion (I allow myself such luxuries from time to time) is that modern music is........

                  Any music, composed from 1890 to present, that radically breaks from the past and either deliberately or accidentally forms a symbiosis with the concurrent forms of new and different forms of expression in the arts.
                  OK, that's yours, for you, but any particular reason why 1890?

                  Originally posted by Beef Oven! View Post
                  Beefheart
                  Yes, I already knew that you have one!

                  Comment

                  • ahinton
                    Full Member
                    • Nov 2010
                    • 16123

                    #24
                    Originally posted by Beef Oven! View Post
                    Ok, here goes.....



                    What Lloyd-Webber has in the pipeline?



                    Karl Jenkins - Requiem



                    Howard Blake - The Snowman




                    Elgar - Pomp & Circumstance Marches 4&5


                    I think something's missing from your criteria
                    !!!

                    Comment

                    • ahinton
                      Full Member
                      • Nov 2010
                      • 16123

                      #25
                      Originally posted by Beef Oven! View Post
                      Sure, so long as we acknowledge that writing music isn't the only way of composing.
                      Quite (which is what I was seeking to do in what I wrote).

                      Comment

                      • Beef Oven!
                        Ex-member
                        • Sep 2013
                        • 18147

                        #26
                        Originally posted by ahinton View Post
                        OK, that's yours, for you, but any particular reason why 1890?
                        Completely subjective and anecdotal; much of the Strauss, Mahler Schoenberg, Zemlinsky etc that I listened to,seemed to start to turn around that time. Can't really put it into words.

                        Comment

                        • Beef Oven!
                          Ex-member
                          • Sep 2013
                          • 18147

                          #27
                          Originally posted by ahinton View Post
                          Quite (which is what I was seeking to do in what I wrote).
                          No, you said and/or. I'm saying they are identical. No and, and no or about it.

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                          • ahinton
                            Full Member
                            • Nov 2010
                            • 16123

                            #28
                            Originally posted by Beef Oven! View Post
                            No, you said and/or. I'm saying they are identical. No and, and no or about it.
                            No, they cannot be identical in terms of how they're produced; one depends on written notation of some kind and the other may not, but they're each still means of/towards composition.

                            Comment

                            • ahinton
                              Full Member
                              • Nov 2010
                              • 16123

                              #29
                              Originally posted by Beef Oven! View Post
                              Completely subjective and anecdotal; much of the Strauss, Mahler Schoenberg, Zemlinsky etc that I listened to,seemed to start to turn around that time. Can't really put it into words.
                              OK.

                              Comment

                              • ardcarp
                                Late member
                                • Nov 2010
                                • 11102

                                #30
                                I'm enjoying this....

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