Hear & Now : Howard Skempton, etc 04.10.2014

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 38003

    #16
    Originally posted by smittims View Post
    Thanks, I missed that. Howard was a breath of fresh air in the somewhat stuffy air of British composing. I enjoyed his approach to music.
    Well worth listening to - the new piano concerto was a delight, almost the sort of thing Malcolm Arnold would have composed, and the rest of the pieces were more than interesting.

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    • esmondo
      Full Member
      • Sep 2020
      • 16

      #17
      I missed the broadcast too, which is a shame because it's exactly the kind of thing I want to be hearing on R3.

      I was completely unaware of Skempton until I went to see the BBC Welsh play Lento in Cardiff a few years back. I was fascinated by the music - the irregular rhythms that leave you in doubt of where the beat is, and then the way it just stops without attempting any kind of "ending". Oddly though, I have the "Ancora" CD featuring this work but find it an unsatisfactory listen - the live orchestral experience is always better (discuss).

      I've tried listening to the Piano Concerto a couple of times but I've found it disappointingly unsubstantial.

      I do greatly enjoy playing some of his little pieces from the OUP "Collected Piano Pieces", though - things like Saltaire Melody and Quavers 5.

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      • smittims
        Full Member
        • Aug 2022
        • 4601

        #18
        I don't know if Faber Music's little selection of Skempton's shorter piano pieces is still in print. They were delightful, and a welcome change for amateurs who would not have the technique to tackle a Tippett or Boulez sonata.

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 38003

          #19
          Originally posted by esmondo View Post
          I was completely unaware of Skempton until I went to see the BBC Welsh play Lento in Cardiff a few years back. I was fascinated by the music - the irregular rhythms that leave you in doubt of where the beat is, and then the way it just stops without attempting any kind of "ending". Oddly though, I have the "Ancora" CD featuring this work but find it an unsatisfactory listen - the live orchestral experience is always better (discuss).

          I've tried listening to the Piano Concerto a couple of times but I've found it disappointingly unsubstantial.
          I would agree were you to have voiced the same opinions about the two works in question, but swapped them around!

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          • Serial_Apologist
            Full Member
            • Dec 2010
            • 38003

            #20
            Originally posted by smittims View Post
            I don't know if Faber Music's little selection of Skempton's shorter piano pieces is still in print. They were delightful, and a welcome change for amateurs who would not have the technique to tackle a Tippett or Boulez sonata.
            Tackling any one of Tippett's piano sonatas would be a doddle compared to Boulez's!

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            • edashtav
              Full Member
              • Jul 2012
              • 3676

              #21
              Originally posted by Alison View Post
              Did anyone hear Howard Skempton’s Piano Concerto last night?

              Enjoyed reading this conversation again.
              Goodness gracious, I missed that, Alison . I must locate it on SOUNDS.

              Oh dear, only one channel working Skempton may have been a minimalist but …
              Last edited by edashtav; 28-01-25, 17:09.

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              • Keraulophone
                Full Member
                • Nov 2010
                • 1996

                #22
                We once commissioned a carol from Howard Skempton for Truro's Nine Lessons with [sic] Carols. He attended the rehearsals and first performance.

                We didn't enjoy singing it very much - 'clever' repetitive minimalism doesn't really lend itself to that well-loved occasion. AFAIK it has not been sung since.

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