Muriel Murrill

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  • Finzi4ever
    Full Member
    • Nov 2010
    • 589

    #16
    I should have remembered HK Andrews, but always know by his initials. I can still just about hum his D major setting. Famously died 'at the wheel' so to speak at his inaugural recital at Trin. Coll. Oxon.

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    • mopsus
      Full Member
      • Nov 2010
      • 818

      #17
      Originally posted by ardcarp View Post

      The only other piece I know by him is Murrill in E, still cropping up on cathedral music lists, but less frequently than 30 years ago.
      There's an Anglican chant by him that is still in the repertoire.

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      • Braunschlag
        Full Member
        • Jul 2017
        • 484

        #18
        Originally posted by mopsus View Post
        There's an Anglican chant by him that is still in the repertoire.
        And there's his Carillon which is a fun piece if you have nifty feet. Always fondly remembered from that EMI King of Instruments LP played by Simon Preston

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        • Pulcinella
          Host
          • Feb 2014
          • 10941

          #19
          Originally posted by Braunschlag View Post
          And there's his Carillon which is a fun piece if you have nifty feet. Always fondly remembered from that EMI King of Instruments LP played by Simon Preston

          I once could (just about) play it!
          The Preston recording made it into this French EMI 2CD set, available ridiculously cheaply (used): well worth it!

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          • Braunschlag
            Full Member
            • Jul 2017
            • 484

            #20
            Originally posted by Pulcinella View Post

            I once could (just about) play it!
            The Preston recording made it into this French EMI 2CD set, available ridiculously cheaply (used): well worth it!
            https://www.amazon.co.uk/Grandes-Toc.../dp/B000025019
            I just about managed it in more balletic days! Isn't this the set with the Rawsthorne Duruflé Toccata with that 'original' ending? Whatever, he does a fantastic job and the articulation is wonderful in Liverpool Cathedral, you really can hear every note very cleanly played. It might not be the last word in 'French' style, certainly not in sound but, by 'eck' it's a belting rendition.

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            • Pulcinella
              Host
              • Feb 2014
              • 10941

              #21
              Originally posted by Braunschlag View Post
              I just about managed it in more balletic days! Isn't this the set with the Rawsthorne Duruflé Toccata with that 'original' ending? Whatever, he does a fantastic job and the articulation is wonderful in Liverpool Cathedral, you really can hear every note very cleanly played. It might not be the last word in 'French' style, certainly not in sound but, by 'eck' it's a belting rendition.
              It's certainly got Rawsthorne playing the Duruflé Toccata.
              I didn't know (or, perhaps worse, hadn't noticed ) that there were original and revised endings; must compare with the other two recordings I have (Scott and Latry) to spot the difference!

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              • Braunschlag
                Full Member
                • Jul 2017
                • 484

                #22
                Originally posted by Pulcinella View Post
                It's certainly got Rawsthorne playing the Duruflé Toccata.
                I didn't know (or, perhaps worse, hadn't noticed ) that there were original and revised endings; must compare with the other two recordings I have (Scott and Latry) to spot the difference!
                If you have real 'eagle ears' you might also spot that, in the last pedal triplet figures, John Scott hits a wrong note, just the once and I never noticed until someone else pointed it out. Makes no difference to a superlative performance though. Latry takes it at a fair lick too, another great performance. The first time I heard the 'new' ending was from a Simon Preston recording broadcast from Christ Church Oxford on their new Rieger. I don't think the old ending exists now in a modern publication. Room for both.

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                • Dafydd y G.W.
                  Full Member
                  • Oct 2016
                  • 108

                  #23
                  Originally posted by ardcarp View Post
                  Why though did Herbert alter Walton's opening rhythmic figure? And why didn't OUP object? It should be semiquaver-qhaver-semiquaver...which is the way I always play it. Did Herbert think that organs couldn't repeat the note fast enough? Or that organists couldn't do it?
                  Not quite. It's SQ SQ SQ_rest SQ with an accent on the first semi-quaver.

                  But certainly odd that Murrill should change it, but perhaps it was to achieve an effect similar to that of an accent on the start of the figure. If one were to attempt an agogic accent by lengthening the first note, given the shortness of the note values it would run into the second and thus produce a quaver.

                  ?????

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                  • Keraulophone
                    Full Member
                    • Nov 2010
                    • 1945

                    #24
                    Originally posted by ardcarp View Post
                    The only other piece I know by him is Murrill in E...
                    Tenebrae dir. Nigel Short included Murrill's attractive and chromatic 'Two Songs from Shakespeare's Twelfth Night' in their recent 'Path of Miracles' tour programme in the south west. Well worth hearing.

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                    Also on their CD of part songs 'Music of the Spheres'.

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