Originally posted by mercia
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Muriel Murrill
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Originally posted by Braunschlag View PostAnd there's his Carillon which is a fun piece if you have nifty feet. Always fondly remembered from that EMI King of Instruments LP played by Simon Preston
I once could (just about) play it!
The Preston recording made it into this French EMI 2CD set, available ridiculously cheaply (used): well worth it!
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Originally posted by Pulcinella View Post
I once could (just about) play it!
The Preston recording made it into this French EMI 2CD set, available ridiculously cheaply (used): well worth it!
https://www.amazon.co.uk/Grandes-Toc.../dp/B000025019
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Originally posted by Braunschlag View PostI just about managed it in more balletic days! Isn't this the set with the Rawsthorne Duruflé Toccata with that 'original' ending? Whatever, he does a fantastic job and the articulation is wonderful in Liverpool Cathedral, you really can hear every note very cleanly played. It might not be the last word in 'French' style, certainly not in sound but, by 'eck' it's a belting rendition.
I didn't know (or, perhaps worse, hadn't noticed ) that there were original and revised endings; must compare with the other two recordings I have (Scott and Latry) to spot the difference!
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Originally posted by Pulcinella View PostIt's certainly got Rawsthorne playing the Duruflé Toccata.
I didn't know (or, perhaps worse, hadn't noticed ) that there were original and revised endings; must compare with the other two recordings I have (Scott and Latry) to spot the difference!
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Originally posted by ardcarp View PostWhy though did Herbert alter Walton's opening rhythmic figure? And why didn't OUP object? It should be semiquaver-qhaver-semiquaver...which is the way I always play it. Did Herbert think that organs couldn't repeat the note fast enough? Or that organists couldn't do it?
But certainly odd that Murrill should change it, but perhaps it was to achieve an effect similar to that of an accent on the start of the figure. If one were to attempt an agogic accent by lengthening the first note, given the shortness of the note values it would run into the second and thus produce a quaver.
?????
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Originally posted by ardcarp View PostThe only other piece I know by him is Murrill in E...
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Also on their CD of part songs 'Music of the Spheres'.
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